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The Scarlet Ibis (Style)

 
Notes on Short Stories: The Scarlet Ibis (Style)

Contents:

Introduction
Author Biography
Plot Summary
Characters
Themes
Historical Context
Critical Overview
Criticism
Sources
Further Reading


Style

Setting

"The Scarlet Ibis" is set in and around Brother's family home in the American South. The story is laden with rich descriptions of the natural environment, in the family garden and the nearby countryside. Hurst never describes the setting for its own sake; it always comments on the action. For example, the description of the "blighted" summer, with the hurricane bringing down trees and ruining crops, is introduced immediately after Brother recounts his intensification of Doodle's learning program. These images of devastation emphasize the destructive effects of Brother's pushing Doodle beyond his limits.

Moreover, the nearby Old Woman Swamp embodies nature's abundance and beauty. For Brother and Doodle, it seems to signify a world of infinite possibilities and the glory of life. Doodle cries with wonder when he first sees it, and the boys gather wild flowers and make garlands and crowns with which to bedeck themselves. The suggestion is that this is a place where they feel royal, beautiful, and wealthy (the flowers are referred to as "jewels"). Old Woman Swamp is also where Brother teaches Doodle to walk, which, in spite of its disastrous outcome, represents a widening of Doodle's horizons. Doodle fantasizes about living a blissful existence in Old Woman Swamp.

Foreshadowing

Hurst frequently uses foreshadowing to suggest an upcoming event. This technique creates suspense as the reader waits for the resolution of a certain narrative thread. The first paragraph is an example: "It was in the clove of seasons, when summer was dead but autumn had not yet been born." This image of death is reinforced by the reference to the "untenanted" oriole nest that rocks "like an empty cradle." Cradles usually contain babies, a sign of new life, but this one is empty, suggestive of a dead child. Next follows a reference to "the last graveyard flowers," which speak "the names of our dead," evoking the image of men who have died in the war. These images combine with other elements, like the doctor's warning about Doodle's weak heart, to foreshadow the death of Doodle.

Symbolism

The scarlet ibis is a carefully chosen symbol. To understand why, it helps to know a little about the bird. A native of the South American tropics, the scarlet ibis is vivid red. Its color derives from the shrimps that form the bulk of its diet; if there are no shrimps, it loses its color. It needs a particular habitat in order to thrive as it only feeds in shallow waters along the coast, in mud flats and lagoons. The scarlet ibis is an endangered species which has not bred successfully in its natural habitat since the 1960s. Reasons for this include development of coastal areas, water pollution, and depletion of food sources. Scarlet ibises are colonial nesters, meaning that they nest in large flocks; they rely on the presence of other birds of their own species.

The ibis in "The Scarlet Ibis" is symbolically linked with Doodle from the beginning of the plot, as the memory of the ibis's arrival triggers in Brother's mind the memory of Doodle, and Doodle immediately feels a bond with the bird. Like the ibis, Doodle is a being alone, different, singled out, with no flock, out of his natural environment. Like the ibis, he does not thrive in the environment in which he finds himself: he is delicate, sickly, and fragile. But while the ibis's beauty is obvious to Doodle, Doodle's beauty of spirit is hidden inside an unattractive exterior; thus, the bird externalizes Doodle's inner nature. Doodle is associated with winged and divine beings, just as the bird is literally a winged creature. Both boy and bird are characterized by sacred imagery. It could be argued that both are symbolically linked with Christ.

Narrative Technique

The story is told as a first-person reminiscence by Brother, who looks back from some time in his maturity to events that took place in his childhood. Thus he is able to imbue the raw events with his reflections on the lessons he learned from them. For example, Brother as a boy would not be able to explain that the reason he cried after his family congratulated him for teaching Doodle to walk was his shame at having acted from pride, "whose slave [he] was." This is the reflective adult speaking. The narrative technique of reminiscence also enables Brother to foreshadow events before they are described in the narrative, as in "I did not know then that pride is a wonderful, terrible thing, a seed that bears two vines, life and death." This statement suggests that Brother will at some point realize this truth, apparently through some catastrophic event, as indeed happens.

That readers only observe the other characters through Brother's eyes might suggest that their sympathies lie with him. However, many readers will sympathize more with Doodle because of the emotional honesty of the adult Brother. He has had time to reflect on events and he lays bare the less admirable aspects of his character and of his feelings for Doodle, showing us the "knot of cruelty borne by the stream of love." If Doodle has a harsh side to his character, it is not presented; he comes through as an innocent.

The adult Brother remains closely in touch with the negative emotions that many children feel for their close relatives. Children tend to be more open than adults about having mixed emotions for those close to them. They will declare that they hate their mother, brother, or best friend, only to show minutes later the love and devotion that they also feel. Adults tend to suppress such negative emotions because they are more able to see the consequences of expressing them. The adult Brother, however, does not gloss over his negative feelings for Doodle, and this candor increases readers' sympathy for the younger boy, the target of those feelings.


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