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The Serpent's Lair

 
Album Review: The Serpent's Lair

Review

The Serpent's Lair is a shamanic journey by Steve Roach, Byron Metcalf, and a host of other musicians, including Vidna Obmana, Jorge Reyes, and Lena Stevens. The means of finding the underworld is the shaman's drum. On this double-disc set, all the variants on that drum are presented, from loops and shakers and frame drums, djembes, ocarinas, dumbeks, tom toms, bass drums, and many more. Each piece operates as a stage of transformation from one state to the next, from "The Lair" to the "Rite of Passage" to "Shedding the Skin" on disc one to the "Primal Passage," "Serpent Clan," and the "Beating Heart of the Mother Dragon" on disc two, with many stages in between. Rhythm being the key, the heartbeat of each piece, and bonding each musician to another, it would take Roach to meld them all in a manner that suggests the intimate, microscopic process by which not only the awareness of such a process takes place but its actual movement. Roach carries within himself the ability to shed his own skin with each new project, and with a collaboration as large as this one, he was the master of alchemy, or, as he prefers to call his contribution, "Groove Alchemy." Given the shape-shifting cross, poly, and counter rhythms produced by this tribe in Roach's "Timeroom in Arizona," all of which had to at some point speak to each other in the language brought about by the creation of the process of collaboration in the first place, there had to be sound worlds to accommodate them. Metcalf, a master percussionist, provided the impetus for the intersection of rhythms, while Roach provided both the sonic archeology and ambient architecture to erect virtual worlds of sound that existed in no other place. His "cave," or "underworld" is a place rife with images and noise. It is noted that some of the sounds occurring here can never be recreated; they were spiritual utterances from this cavern of soul travel. When, on "Rite of Passage" Lena Stevens sings, in a heavily processed voice, an ancient chant for the healing of the heart by the earth and its elements, the drummers carry that message into the earth and Roach its healing out into the world via his expanding sonic vocabulary that includes as many sounds as the various languages being spoken here can hold. On disc two, the "Offering in Waves" is a shifting, sliding rhythm of elation, of ecstasy that informs the rest of the set. When the voices of the "Cave Dwellers" begin their chant, the entire project has arrived intact, in the place where transformation begins in earnest -- all of the known is gone, left behind, nothing but ashes remain. Here, textures and colors glimmer and fade in the mix, drums are understated, speaking softly to one another in the darkness of the cave. In "Serpent Clan," the processed voice of the shaman governs the track as he gives utterance to what he sees, what he is becoming. Drums slowly grant him passage through deeper corridors into the imagination at the center of the earth. The "Beating Heart of the Dragon Mother" is the voice of the transformed shaman, all the way inside his journey. All of the individual collaborators on this project disappear into this voice, into this mix; into this sound world there is no center but that voice and its assent to the crisscrossing rhythms. Finally, in "Ochua," the collaborators all resume their individual identities, the shaman re-enters the world, informed by the vision and depth of knowledge gained in the underworld. Roach and Metcalf create an understatement of beauty, polyrhythmic grace, and sensuality as it washes over the listener like rain. That these two men could simulate with all the contradictions inherent in their cultures, the shaman's journey to the lair of the snake, and give it credence and authenticity by the singleness of their purpose is indeed commendable. However, that they have created the journey for anyone with a CD player to make is another thing altogether. While the same experience encountered by those who made this record together may not be possible to encounter, anyone who does take the time to listen to the two discs through can be assured of an experience of their own, unlike anything they've encountered before, in sound and in life. ~ Thom Jurek, All Music Guide

Tracks



CD 1

Track TitleComposersPerformersTime
The Lair Steve Roach, Byron Metcalf (12:14)
Rite of Passage Steve Roach, Byron Metcalf (14:09)
Shedding the Skin Steve Roach, Byron Metcalf (5:39)
Big Medicine Steve Roach, Byron Metcalf (12:53)
Future Tribe Steve Roach, Byron Metcalf (8:30)
Birthright Steve Roach, Byron Metcalf (5:59)
Osmosis Steve Roach, Byron Metcalf (4:04)
Egg Chamber Dreaming Steve Roach, Byron Metcalf (8:35)


CD 2

Track TitleComposersPerformersTime
Offering in Waves Steve Roach, Byron Metcalf (10:55)
Impending Sense of Calm Steve Roach, Byron Metcalf (9:03)
Cave Dwellers Steve Roach, Byron Metcalf (23:08)
Primal Passage Steve Roach, Byron Metcalf (4:47)
Serpent Clan Steve Roach, Byron Metcalf (5:02)
Breathing Heart of the Dragon Mother Steve Roach, Byron Metcalf (6:50)
Ochua Steve Roach, Byron Metcalf (9:26)

Credits

Jorge Reyes (Flute), Jorge Reyes (Percussion), Jorge Reyes (Ocarina), Jorge Reyes (Vocals), Jorge Reyes (Whistle (Instrument)), Steve Roach (Synthesizer), Steve Roach (Piano), Steve Roach (Arranger), Steve Roach (Composer), Steve Roach (Producer), Steve Roach (Engineer), Steve Roach (Main Performer), Steve Roach (Mixing), Steve Roach (Cover Art Concept), Steve Roach (Atmosphere), Steve Roach (Project Producer), Steve Roach (Sound Creation), Vicki Richards (Violin), Vidna Obmana (Harmony Vocals), Roger King (Mastering), Byron Metcalf (Percussion), Byron Metcalf (Drums (Bass)), Byron Metcalf (Tom-Tom), Byron Metcalf (Engineer), Byron Metcalf (Djembe), Byron Metcalf (Rainstick), Byron Metcalf (Shaker), Byron Metcalf (Clay Pot), Byron Metcalf (Ashiko Drum), Byron Metcalf (Rattles), Byron Metcalf (Frame Drum), Guy Aitchison (Images), Sam Rosenthal (Design), Sam Rosenthal (CD Layout), Lena Stevens (Processed Vocals), Vir Unis (?), Jim Cole (Vocals)
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Wikipedia: The Serpent's Lair
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The Serpent's Lair
Studio album by Steve Roach and Byron Metcalf
Released 2000
Recorded 1999 - 2000 at The Timeroom in Tucson, Arizona
Genre Ambient
Length 141:18
Label Projekt Records
Producer Steve Roach
Professional reviews
Steve Roach chronology
Midnight Moon
(2000)
The Serpent's Lair
(2000)
Prayers to the Protector
(2000)
Byron Metcalf chronology
The Serpent's Lair
(2000)
Wachuma's Wave
(2003)

The Serpent’s Lair (2000) is a two disc collaborative album by the American ambient artists Steve Roach and Byron Metcalf, Phd. This project began as a study conducted by Metcalf into the therapeutic effects of tribal rhythms and hypnotic breathing.

The music often originated with rhythms performed by Metcalf into which Roach would infuse other elements until the finished product had completely different rhythmic qualities than the original source material. Steve Roach calls this technique Groove Alchemy.

Contents

Track listing

Disc one: “The Serpent’s Lair”

  1. ”The Lair” (12:14)
  2. ”Rite of Passage” (14:09)
  3. ”Shedding the Skin” (5:39)
  4. ”Big Medicine” (12:53)
  5. ”Future Tribe” (8:30)
  6. ”Birthright” (5:59)
  7. ”Osmosis”(4:04)
  8. ”Egg Chamber Dreaming” (8:53)

Disc two: “Offerings from the Underworld”

  1. ”Offering in Waves” (10:55)
  2. ”Impending Sense of Calm” (9:03)
  3. ”Cave Dwellers” (23:08)
  4. ”Primal Passage” (4:47)
  5. ”Serpent Clan” (5:02)
  6. ”Breathing Heart of the Dragon Mother” (6:50)
  7. ”Ochua” (9:26)
booklet

Personnel

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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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