The Sisters is a 1938 drama film produced and directed by Anatole Litvak. The screenplay by Milton Krims is based on the best-selling 1937 novel of the same title by Myron Brinig.
Plot
At a ball held on the night of the 1904 presidential election, serious Louise, frivolous Helen, and stolid Grace, daughters of Silver Bow, Montana pharmacist Ned Elliott and his wife Rose, find themselves dealing with romantic prospects. Tom Knivel is about to propose to Louise when Frank Medlin, a San Francisco sports reporter, asks her to dance. Infatuated with the young woman, Frank extends his stay, and at Sunday dinner in the Elliott home he announces he and Louise plan to wed. Although her parents disapprove of the union, Louise leaves for San Francisco with Frank that night. Grace eventually marries the jilted Tom and Helen weds wealthy Sam Johnson, who promises her freedom and asks for nothing in return.
Although facing financial difficulty, Louise urges Frank to complete his novel. When she becomes pregnant, she decides to keep her condition a secret, but finally reveals the truth when she accompanies Frank to a boxing match and the smoke and smells make her ill. Returning home, Louise suffers a miscarriage while climbing the stairs to their apartment, and her distraught husband begins to drink heavily.
Overwhelmed by increasing medical bills and a sense of worthlessness, Frank demands a raise but is rebuffed by his editor who, telling him his writing is suffering as a result of his drinking, fires him. Louise tries to console him by announcing she has found employment at a local department store, but Frank's hurt pride prompts him to forbid her to work. Louise ignores his demand, and while her husband struggles to find a job, she thrives as secretary to store owner William Benson.
Fellow sportswriter Tim Hazelton suggests Frank leave San Francisco in order to get a fresh start, and he decides to accept work on a ship bound for Singapore. When Louise arrives home, she finds a note from Frank and rushes to the docks, where a policeman mistaking her for a prostitute arrests her. By the time she is released, Frank's ship has sailed.
A few hours later, much of the city, including Louise's apartment building, is destroyed by the 1906 earthquake. When Ned is unable to contact his daughter, he travels to San Francisco to search for her, but she has sought refuge with her friend Flora Gibbon in Flora's mother's bordello in Oakland. With William's help, Ned locates Louise and brings her back to San Francisco.
Two years pass, the city has been rebuilt, and Louise is an executive in the department store. When she learns Tom has been unfaithful to Grace, she returns to Silver Bow and is reunited with both her sisters. Meanwhile, Frank returns to San Francisco, and although he is ill, he travels to Silver Bow with Tim when he learns Louise is there. At the ball on the night of the 1908 presidential election, Frank and Louise are reunited and decide to give their marriage another chance.
Production
Following Jezebel, Bette Davis was dismayed to be assigned to Comet Over Broadway, a melodrama in which she would portray a Broadway actress who sacrifices her career to care for her ne'er-do-well husband when he is released from prison. "This was the first nothing script I was given since my court battle in England," Davis later recalled, referring to the lawsuit in which she tried to win her freedom from Warner Bros. after being forced to appear in a series of mediocre films. "It was heartbreaking to me. After winning a second Academy Award . . . I was asked to appear again in junk." [1] Davis opted to go on suspension and remained on suspension when the studio offered her Garden of the Moon, a Busby Berkeley musical, instead. "I was on suspension for a good part of the year following Jezebel. So much wasted time at a time when I felt my career could from then on become a truly successful one . . . It took a lot of courage to go on suspension. One received no salary . . . I couldn't afford it, nor could I afford, career-wise, to make films such as Comet Over Broadway and Garden of the Moon!" [1]
After Irene Dunne declined the role of Louise in The Sisters, a property that originally had been purchased for Kay Francis but was shelved when the studio decided to relegate the actress to B movies for the remainder of her contract, Davis was offered it and accepted. "I was delighted with this part because it was a change of pace . . . I was always challenged by a new type of person to play." [1] Although she welcomed the opportunity to co-star with Errol Flynn, she was unhappy to learn he alone was being given billing above the title. "At that time I had no billing clause in my contract," she recalled. "I felt after Jezebel that my name should always appear above the title. That is star billing." [1] After taking a determined stand with the studio, Davis was billed above the title, although second to Flynn. Producer Hal B. Wallis later admitted the billing dispute was the studio's way of keeping Davis in check and "giving her a dose of her own medicine." [2]
For the earthquake sequence, which took three weeks to film but lasted only 2½ minutes on screen, the studio spent $200,000 on special sets that were razed and burned, in addition to using footage from the 1927 film Old San Francisco.
When preview audiences responded unfavorably to the film's original ending, in which Louise married William Benson as she did in the novel, studio executives decided to film a new one in which she reunites with her seafaring husband instead. "Oh dear, how many films I have been in that have suffered by the change by the studio of the ending," Davis later lamented. "Certainly the original ending of The Sisters was the right one." [1]
In his score, Max Steiner interpolated the folk ballad "Oh My Darling, Clementine" in the scenes set in Silver Bow. [1]
Cast
Critical reception
Life observed, "Bette Davis acts with such extraordinary grace, sensitivity, and distinction that hers is already being acclaimed the movie performance of the year." [1]
Variety called the film "a virtual cavalcade of early 20th-century American history" and added, "Davis turns in one of her most scintillating performances. Flynn's happy-go-lucky reporter is a vivid portrayal although his slight English accent seems incongruous." [3]
References
External links
