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The Sparrow

 
Artist: The Sparrow

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  • Genres: Rock
  • Representative Albums: "Complete CBS Recordings 1966-67

Biography

Before joining Steppenwolf, John Kay led the Sparrow, a Toronto band who traveled to New York, L.A., and San Francisco in search of success and a secure record contract. Before hooking up with Kay, the Sparrow acted as Canadian pop singer Jack London's backing group, playing on several of his hits (which were only hits in their native land). They only released one official 45, although many of the tapes they cut for Columbia have appeared on various albums. Their material mixed Kay originals and blues covers of stalwarts like John Lee Hooker and Jimmy Reed. Considerably rootsier in orientation than Steppenwolf, the Sparrow played pedestrian blues-rock for the most part. Oddly enough, Kay was barely involved in their best -- and least typical -- tracks: the lovely psychedelic tune "Tomorrow's Ship" and the massively echoed freakout "Isn't It Strange." Written and sung by other bandmembers, these songs (which formed both sides of their lone single) reflect a trippy Californian ambience that was distinctly at odds with Kay's heavy rock leanings. ~ Richie Unterberger, All Music Guide
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Wikipedia: The Sparrow (play)
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The Sparrow is a 1967 play by British playwright Alan Ayckbourn. It has since been withdrawn from production by Ayckbourn.

An unassuming bus conductor, Ed, arrives at his London flat with Evie, both drenched by a storm, having met at a dance hall. Due to the storm, Ed convinces Evie to reluctantly spend the night in his bed, while he sleeps in the lounge. However, Ed’s cold and calculating flatmate, Tony, has other ideas and Evie is forced to sleep in the bath. The next day, Tony persuades Evie – through aggression and flattery – to become the secretary for his dubious business. Tony’s former wife, Julia, is highly sceptical of the relationship and Ed becomes increasingly unhappy as Evie’s professional work gets in the way of their relationship. It soon becomes clear Tony has no business of his own and is using Evie to get back at Ed and Julia, who had a one-night stand, following one of Julia’s many arguments with Tony. Matters come to a head when Tony returns one evening, obviously back together with Julia. However, the couple have a huge row in the kitchen and Ed and Evie escape the flat, no longer Tony’s pawns, vowing never to get married.

The Sparrow is the last of Alan Ayckbourn’s early plays to be neither published nor performed again since its first production. Although Alan is not as dismissive of it as the very early plays, there is a sense that it is a disappointing follow-up to its immediate predecessor Relatively Speaking and its successor How The Other Half Loves. The play was performed during the summer of 1967 at the Library Theatre, Scarborough, while Alan was working as a radio drama producer for the BBC. Stephen Joseph was, by this stage, terminally ill with cancer and the Library Theatre was struggling to survive. Stephen had abandoned the Library Theatre at the end of the 1965 season and the 1966 season had been an amateur season, organised by Ken Boden. He persuaded Stephen to let professional productions resume in 1967, but only four plays were produced and it was a shaky start for the revived company. The play was originally entitled The Silver Collection and this title featured in early discussions about the season and in the earliest advertising for the season. However, Alan disliked the title and it was altered to The Sparrow; although in a programme note from 1968, Alan expresses dissatisfaction even with this title. Despite the problems with the company and the title, the play did feature two notable actors in the shape of Robert Powell and John Nettles, both of whom would go on to considerable success on screen and stage. The Sparrow was performed for just three weeks during the summer repertory and has never been produced since. The Scarborough Evening News noted the West End producer Peter Bridge visited the show, but obviously did not choose to option the play. Alan has said in subsequent years, he wonders how The Sparrow would have developed as a play had it been given more opportunity, but it was soon forgotten amidst the success of the West End production of Relatively Speaking in the same year and the consequent astonishing success of the plays which followed it. Although largely forgotten, many of Alan’s dominant themes are clearly on display and it offers a glimpse of a darker side to Ayckbourn’s writing which would not appear again for several years to come.

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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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