Billy Joel teamed with Phil Ramone, a famed engineer who had just scored his first producing hits with Art Garfunkel's Breakaway and Paul Simon's Still Crazy After All These Years for The Stranger, his follow-up to Turnstiles. Joel still favored big, sweeping melodies, but Ramone convinced him to streamline his arrangements and clean up the production. The results aren't necessarily revelatory, since he covered so much ground on Turnstiles, but the commercialism of The Stranger is a bit of a surprise. None of his ballads have been as sweet or slick as "Just the Way You Are"; he never had created a rocker as bouncy or infectious as "Only the Good Die Young"; and the glossy production of "She's Always a Woman" disguises its latent misogynist streak. Joel balanced such radio-ready material with a series of New York vignettes, seemingly inspired by Springsteen's working-class fables and clearly intended to be the artistic centerpieces of the album. They do provide The Stranger with the feel of a concept album, yet there is no true thematic connection between the pieces, and his lyrics are often vague or mean-spirited. His lyrical shortcomings are overshadowed by his musical strengths. Even if his melodies sound more Broadway than Beatles -- the epic suite "Scenes From an Italian Restaurant" feels like a show-stopping closer -- there's no denying that the melodies of each song on The Stranger are memorable, so much so that they strengthen the weaker portions of the album. Joel rarely wrote a set of songs better than those on The Stranger, nor did he often deliver an album as consistently listenable. ~ Stephen Thomas Erlewine, All Music Guide
The Stranger is the fifth studio album by Billy Joel, released in 1977 (see
1977 in music). While his four previous albums were moderately successful, this was his
breakthrough album, peaking at #2 on the U.S. album charts. It remains Joel's best-selling non-compilation album to date.
History
Much of the album's success is attributed to Joel's collaboration with producer Phil
Ramone, whose innovative production methods complemented Joel's songs. This fruitful collaboration would continue for a
decade.
Singles released from the album include "Just the Way You Are" (which won the Grammy for
Record of the Year), the acoustic ballad "She's Always A Woman," the
mildly controversial "Only the Good Die Young," and "Movin' Out (Anthony's Song)," which later lent its title to
Movin' Out, an acclaimed hit Broadway
musical based on Billy Joel's songs.
Ralph MacDonald – percussion on "The Stranger", "Just the Way You Are", "Get
It Right The First Time" and "Everybody Has A Dream"
Hugh McCracken – acoustic guitar on
"Just the Way You Are", "Scenes from an Italian Restaurant", "She's Always A Woman", "Get It Right The First Time" and "Everybody
Has A Dream"
Steve Burgh – acoustic guitar on "Just the Way You Are" and "She's Always A Woman"; electric guitar on "Scenes from an
Italian Restaurant"
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