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The Student Prince

 
Movies:

The Student Prince

  • Director: Richard Thorpe
  • AMG Rating: starstarstar
  • Genre: Romance
  • Movie Type: Musical Romance, Operetta
  • Themes: Otherwise Engaged, Crowned Heads, Arranged Marriages
  • Main Cast: Ann Blyth, Edmund Purdom, John Ericson, Louis Calhern, Edmund Gwenn
  • Release Year: 1954
  • Country: US
  • Run Time: 107 minutes

Plot

Edmund Purdom plays Prince Karl, but Mario Lanza sings the bold tunes coming out of Purdom's mouth, in this MGM remake of the 1927 Ernst Lubitsch silent picture based on the renowned 1924 operetta by Sigmund Romberg and Dorothy Donnelly, which itself was based on the novel and play by Wilhelm Meyer-Foerster. Lanza was signed to play the German Prince of Heidelberg, but weight and temperament problems caused the director Richard Thorpe to use Purdom instead. Lanza's pre-recorded tenor tones come out of Purdom's lip-synching mouth in the many lusty tunes such as "Drink, Drink, Drink" and "Golden Days." Prince Karl's grandfather, the king (Louis Calhern), wants his sheltered grandson to see the world and sow a few wild oats before he returns to the marriage that has been pre-arranged with Princess Johanna (Betta St. John). The prince ends up in a tavern in Heidelberg and meets and falls in love with Kathie (Ann Blyth), the niece of the local innkeeper. But the King gets sick and dies, and Prince Karl must return to assume the throne. He can't have a peasant girl as his queen, so he must part with his secret lover. ~ Michael Betzold, All Movie Guide

Review

Operetta is never as satisfying an experience on film as it can be onstage, but The Student Prince is one of the better treatments of this genre. Clearly its biggest asset is its Sigmund Romberg songs (and, to a lesser extent, the enjoyable if not as distinguished additions by Nicholas Brodzky and Paul Francis Webster.) While the purple-tinged lyrics and the unashamedly open emotionalism of "Serenade," "Deep in My Heart" and "Golden Days" make the score seem far removed from contemporary tastes, most music lovers will find it hard to resist the beauty of Romberg's soaring melodies. The screenplay is serviceable, but it unfortunately does not dig deeper into characters and situations that by 1954 were rather well worn and in need of specificity, invention and surprise. The cast does relatively well, especially the always charming Edmund Gwenn and the appropriately supercilious John Williams. In the lead roles, Ann Blyth puts her operatic chops to good use and sounds quite nice, making one wish she had been given more to sing. Her dramatic talents are not greatly challenged, but she makes a more than decent barmaid/love interest. The male lead is more problematic. Edmund Purdom is rather too bland and predictable; there's nothing wrong with what he does, but aside from his looks, there is not a lot to command attention. As a result, when he opens his mouth and Mario Lanza's vigorous tones pour out, it seems rather unnatural. Matters are not helped by the fact that the role really requires a baritone rather than Lanza's tenor, nor by the fact that several of his high notes come off too pinched. Still, most of the score is well served, and there's lots of color, lusty and rousing choristers and attractive sets to cover over the rougher spots. ~ Craig Butler, All Movie Guide

Cast

John Williams - Lutz; Evelyn Varden - Queen; John Hoyt - Prime Minister; Richard Anderson - Lucas; Steve Rowland - Feuerwald; Chris Warfield - Richter; Archer MacDonald - Head Corps Servant; Charles Davis - Hubert; John Qualen - Willie Klauber; Mario Lanza - Prince Karl (singing); S.Z. Sakall - Joseph Ruder; Betta St. John - Princess Johanna

Credit

Randall Duell - Art Director, Cedric Gibbons - Art Director, Hermes Pan - Choreography, Walter Plunkett - Costume Designer, Helen Rose - Costume Designer, Richard Thorpe - Director, Gene Ruggiero - Editor, George Stoll - Musical Direction/Supervision, William J. Tuttle - Makeup, Paul Vogel - Cinematographer, Joe Pasternak - Producer, Arthur Krams - Set Designer, Edwin B. Willis - Set Designer, Warren Newcombe - Special Effects, Sonya Levien - Screenwriter, William Ludwig - Screenwriter, Sigmund Romberg - From Musical by, Dorothy Donnelly - From Musical by, Dorothy Donnelly - Play Author, Wilhelm Meyer-Foerster - Play Author

Similar Movies

Coming to America; The King and the Chorus Girl
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Wikipedia: The Student Prince (film)
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This article is about the musical film. For other uses, see Student Prince
The Student Prince
Directed by Richard Thorpe
Produced by Joe Pasternak
Written by Sonya Levien
William Ludwig
Dorothy Donnelly (play)
Wilhelm Meyer-Förster (novel and play)
Starring Ann Blyth
Edmund Purdom
Mario Lanza (voice only)
John Ericson
Louis Calhern
Edmund Gwenn
S.Z. Sakall
Betta St. John
John Williams
Evelyn Varden
John Hoyt
Music by Sigmund Romberg
Cinematography Paul Vogel
Editing by Gene Ruggiero
Distributed by MGM
Release date(s) June 15, 1954
Running time 107 min
Country USA
Language English

The Student Prince is a 1954 CinemaScope color film musical strangely starring, as the credits read, "the singing voice of Mario Lanza". Lanza had become embroiled in a bitter dispute with MGM during production and the studio dismissed him. Under the terms of the settlement with Lanza, MGM retained the film rights to the soundtrack that Lanza had already recorded. The songs from this film (including "Beloved" - written especially for the movie - and the well-remembered "Serenade", from the original show) would become some of those most identified with Lanza, even though they were mouthed in the film by Edmund Purdom, who took over the role of Prince Karl. Ann Blyth starred as Kathie. Blyth had played opposite Lanza in the 1951 blockbuster The Great Caruso.

The film also featured John Ericson, Louis Calhern, Edmund Gwenn, S.Z. Sakall, Betta St. John, John Williams, Evelyn Varden and John Hoyt.

The film was directed by Richard Thorpe (who replaced the original director, Curtis Bernhardt) and produced by Joe Pasternak. The screenplay was by Sonya Levien and William Ludwig and was based on the operetta The Student Prince by Sigmund Romberg and Dorothy Donnelly. New scenes and rewritten dialogue not found in the stage production were also added, although the basic plot remained the same. Additional songs were especially written by Nicholas Brodszky and Paul Francis Webster. Many of Ms. Donnelly's original stage lyrics were completely changed for the film.

Albums made from the film

Lanza made two recordings of the songs from the movie - the first was a genuine film soundtrack recording, in mono. In 1959, after stereo had become possible on records, another recording with Lanza was issued, but this time the role of Kathie was sung by soprano Norma Giusti, and the original Dorothy Donnelly lyrics were restored. Both albums, however, also included the three additional songs written especially for the film version.

The story

A young Prince, Karl, from a small sub-kingdom of the German Empire near the turn of the 20th century is sent off to get a university education in Heidelberg, Baden-Wuerttemberg. His grandfather was one of a handful of petty kings within German and Austrian central Europe. Fictional Karlsburg was small but very proud of their nationhood and traditions.

Karl has been raised most of his life for the military, but when it comes time for him to marry, the princess picked for him can't stand his stiff formality. This would not be such a problem but for the fact that Karlsburg has no money, only good blood. His tutor recommends that he be sent to University to learn "charm" and essentially develop some social skills. He (eventually) slips into the social mix, becomes accepted as a "good chap" by his student peers, and falls deeply in love with a pretty, popular, and musically inclined barmaid, who holds "court" in the local biergarten. Love notwithstanding, when his old grandfather passes on unexpectedly, the young Prince must turn his back on the girl and marry the princess, while taking his place in the small Kingdom that he's been preordained to rule. He returns for one more visit to Heidelberg, and bids Kathie a poignant farewell.

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