The Troublesome Offspring of Cardinal Guzman
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| Author | Louis de Bernières |
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| Country | United Kingdom |
| Language | English |
| Genre(s) | Magic Realism |
| Publisher | Vintage Books |
| Publication date | 1992 |
| Media type | Print (Paperback) |
| Preceded by | The War of Don Emmanuel's Nether Parts & Señor Vivo and the Coca Lord |
The Troublesome Offspring of Cardinal Guzman is a novel by Louis de Bernières, first published in 1992. It is the last of his Latin American trilogy, following on from The War of Don Emmanuel's Nether Parts and Señor Vivo and the Coca Lord.
Setting
Set in an imagined Latin American country the novel's political themes parody the worst excesses of the Pinochet government of Chile, the collapse of democratic social order in Uruguay in the 1970s and other dirty wars of the 1960s to 1980s in Southern and Central America. The main action of the story takes place in the small town of Chiriguaná, whose population is richly drawn in affectionate character portraits that make up a large part of the novel. Other parts of the novel take place in the capital city of the fictional nation, in the clubs of the corrupt military commanders, and the palace of the distracted, amoral president.
The geography of the country most resembles that of Colombia. References are made to the country's equatorial climate, its Caribbean coastline, and the mountain range of the Sierra Nevada de Santa Margarita, which could be the Sierra Nevada de Santa Marta. In Colombia there is a town called Chiriguaná, of the same name as the town in the first book of the trilogy, The War of Don Emmanuel's Nether Parts. The book sarcastically describes the 'democratic' politics of the country as the result of 'La Violencia', whereby two political parties jointly ruled on alternating administrations. There is a clear parallel between this and the National Front regime of Colombia, which followed on from La Violencia and lasted from 1958 to 1974, in which the Liberal and Conservative parties governed jointly.
Plot
Cardinal Guzman lives extravagantly in the capital, and immorally, due to the discoveries of his having had a young son and his loathing of the poor shanty-dwellers who live below his palace. Despite the downfall of El Jerarca in Señor Vivo and the Coca Lord, the drug trade continues and the economy of the country spirals ever downward. Cardinal Guzman's clergy and the corrupt military of the country set out to destroy the heresy of the countryside, and, more specifically, Cochadebajo de los Gatos, the town where the characters of the previous books have settled. In so doing the hypocrisy of his faith with his own promiscuousness is revealed.
Style
De Bernières pays obvious homage to Latin American magic realism, in particular the gently comic awareness of life's transcendence which characterises the work of Gabriel García Márquez. However, his political themes are clear and unambiguous; for instance, his parody of free market reforms in a debt ridden economy is an explicit and mocking damnation of monetarism. That his clear political themes do not bog down the novel is a tribute to his rich and warm characterisation, even of evil characters such as the young army officer who becomes a torturer. The ultimate counterpoint to the political brutality, however, is the theme of religious progress; the mixing of disparate spiritual traditions in the townspeoples' progress towards a new society.
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