This volume of Motown's Ultimate Collection series was especially welcome, as there was no box set on Martha & the Vandellas for serious fans to go to (there was Live Wire!, a now-deleted two-CD compilation of single A- and B-sides, but that's not quite the same thing). This disc put the group's 25 most important tracks, all of the pop and R&B hits plus the most significant B-sides and an album track or two, together in one place. What's more, it did it in what was then state-of-the-art sound, something that few Motown CDs had ever been able to boast of. Thus, the musical content is a given and then some, and the power of Martha Reeves' lead singing and the surrounding harmonies comes through as never before. It's most gratifying on some of the harder dance numbers, such as "(Love Is Like A) Heat Wave" and "Dancing in the Street," to hear the gorgeously complex percussive mix of piano, bass, and drums (lots of drums) pounding away to their own rhythms within the overall beats of the songs -- the detail is there, without sacrificing any of the raw power of the songs and the mixes. Add to that decent annotation, discography, and musician information, and this is an essential part of any soul or '60s collection and, indeed, until Motown began reissuing Martha & the Vandellas albums in 2002 in England, the only way to get a significant chunk of their music with good sound. ~ Bruce Eder, All Music Guide
Clarence Paul (Producer), Bill Johnson (Trombone), Uriel Jones (Drums), Kevin Reeves (Remastering), Kevin Reeves (?), The Four Tops (Vocals (Background)), Mickey Stevenson (Producer), Harry Weinger (Compilation Producer), Richard Morris (Producer), Marvin Gaye (Drums), Henry Cosby (Arranger), Marlene Barrow (?), Jimmy Wilkins (Trombone), Henry Cosby (Saxophone), Stu Hackel (Producer), George Bohannon (Trombone), James Jamerson (Bass), Eugene BeeBee Moore (Saxophone), Richard "Pistol" Allen (Drums), Andrew Smith (Drums), Floyd Jones (Trumpet), Eli Fontaine (Saxophone), Johnny Trudell (Trumpet), Joe Messina (Guitar), Larry Nozero (Saxophone), John Wilson (Trumpet), Lanny Austin (Saxophone), Johnny Griffith (Keyboards), Catherine Ladis (?), Kevin Reeves (Digital Remastering), Danya Hartwick (Flute), Michelle Piza (Creative Services Coordinator), David Irvin (Design), Nickolas Ashford (Producer), William "Mickey" Stevenson (Producer), Valerie Simpson (Producer), Kasuku Mafia (Saxophone), Eugene Rodgers (Saxophone), The Corporation (Arranger), Syreeta Wright (Vocals (Background)), Billy Horner (Trumpet), Jack Ashford (Percussion), Harry Weinger (Compilation), Ivy Hunter (Keyboards), Martha Reeves (Performer), Brian Holland (Producer), Gordon Staples (Conductor), Paul Riser (Trombone), Ernie Rodgers (Saxophone), Robert White (Guitar), Melvin "Wah Wah" Ragin (Guitar), Lamont Dozier (Producer), Eddie Willis (Guitar), Danny Turner (Saxophone), Ted Buckner (Sax (Alto)), Carl Raetz (Trombone), The Detroit Symphony (Strings), Bob Cousar (Trombone), Billie Jean Brown (Producer), Danya Hartwick (Piccolo), Paul Riser (Arranger), Maurice Davis (Trumpet), Eddie "Bongo" Brown (Percussion), Jack Ashford (Vibraphone), Deke Richards (Producer), Marcus Belgrave (Trumpet), Thomas "Beans" Bowles (Saxophone), Catherine Ladis (Project Assistant), The Corporation (Producer), Russell Conway (Trumpet), Jack Brokensha (Vibraphone), Benny Benjamin (Drums), The Andantes (Vocals (Background)), Louvain Demps (?), Don White (Trombone), Don Slaughter (Trumpet), Bernie Peacock (Saxophone), Henry Cosby (Producer), Herbie Williams (Trumpet), Stu Hackel (Liner Notes), Patrick Lanier (Trombone), Angelo Carlisi (Saxophone), David Irvin (Art Direction), Ivy Hunter (Producer), Andrew "Mike" Terry (Saxophone), Earl Van Dyke (Keyboards), Dennis Coffey (Guitar), Lefty Edwards (Saxophone), Eddie Jones (Trumpet)
