Representative Albums: "Jah Message," "Live at Maritime Hall," "Reggae Greats"
Representative Songs: "Soul Rebel," "Get Up, Stand Up," "I Shot the Sheriff"
Biography
Following leader Bob Marley's death from cancer on May 11, 1981, the Wailers Band struggled nearly a decade for direction, hampered from releasing their own music by a Gordian knot of legal entanglements. Anchored by world-class bassist Family Man Barrett and his drummer brother Carlton (who was murdered by gunmen hired by his wife in April 1987), the Wailers Band performed well-received international tours almost constantly through the '80s. Lead guitarist Junior Murvin bravely handled most of the vocal chores, and keyboard stalwart Wya Lindo and percussionist Seeco Patterson (who brought the original Wailers to their first audition in 1963) added credibility, but as the '90s progressed, despite the title of their first solo offering, they were still struggling to establish their own identity on records like 1994's Never Ending Wailers and 1996's Jah Message. ~ Roger Steffens, All Music Guide
Five 45s (four released in 1959, including "Tall Cool One", and one in 1960) and an LP release, The Fabulous Wailers (released December 1959 on Golden Crest Records), put the Wailers on the national scene. Their 1961 cover of "Louie Louie", which they recorded as a backing band for singer Rockin' Roberts, was the first to use the trademark 1-2-3, 1-2, 1-2-3 riff.[2] Their version inspired other groups from the Seattle area, most notably the Kingsmen of Portland, Oregon, to record the same song. The Wailers' influence established the Pacific Northwest area as a center for musical innovation and the home of a long string of regional favorites playing a kind of raunchy, amateur, yet passionate, form of rock and roll.[citation needed]