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The Wonderful Widow of Eighteen Springs, for voice & closed piano

 
Classical Work: The Wonderful Widow of Eighteen Springs, for voice & closed piano
  • Date: 1942
  • Composer: John Cage
  • Period: Modern (1910-1949)

Review

Written in 1942, this charmingly plaintive and lyrical song for soprano voice and closed piano is a new music classic. The vocal line uses only three pitches in varied sequence combinations, and has a sparing modal, folk song quality. A beautiful perfect 4th grace note gesture is used throughout.

The text quotes from James Joyce's Finnegan's Wake: "night by silentsailing night ... Isabel ... wildwood's eyes and primarose hair, quietly ...". Each word is extended slightly beyond easy recognizability which adds to the hypnotic quality.

The pianist provides a gentle percussive accompaniment, striking the wooden frame on the lid above the keys, the two corners beyond the keyboard, underneath the keyboard, with parts of the hand, usually the knuckles. The performer rehearses differing relative pitch ranges, which vary from piano to piano, and uses these timbres to realize the exactly notated rhythmic patterns. The sound of the piano knocking is something like muted wood blocks. ~ "Blue" Gene Tyranny, All Music Guide

Albums with Complete Performances of the Work

Title Date
20th Century Voices in America 1995
About Time: 20th Century Vocal Music 2001
Cage: Sonatas and Interludes 1993
Cathy Berberian sings Walton, Monteverdi, Debussy, Stravinski, etc.
John Cage: The Wonderful Widow of Eighteen Springs; Ryoanji 2000
John Cage: The Wonderful Widow of Eighteen Springs; Ryoanji; A Flower; 59 1/2; Joëlle Léandre: Hommage A J... 1996
John Cage: Voice & Piano 2001
Joëlle Leandre
Litany for the Whale 1998
Litany for the Whale 1998
Magnificathy: The Many Voices of Cathy Berberian 1971
Open: Percussion 2002
Pianos and Voices 1992
Singing Through 1990
The 25-Year Retrospective Concert of the Music of John Cage 1994
Will You Give Me to Tell You 2003
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