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The Wrens

 
Artist: The Wrens
  • Formed: 1954
  • Disbanded: 1956
  • Genres: Rhythm & Blues
  • Representative Albums: "The Best of the Wrens", "Come Back Lover

Biography

The Wrens were one of the best of the dozens of R&B vocal groups who recorded in the mid- to late '50s for George Goldner, signed to his Rama and Gee labels in the wake of his success with "Gee" by the Crows. Lead singer Bobby Mansfield, George Magnezid (tenor), Francis "Frenchie" Concepcion (tenor), and James "Archie" Archer (bass) first started singing together in 1954 at a community center in the Bronx, NY. There they were spotted by Fred Johnson, a promoter who organized local talent shows, and he offered to manage the quartet. The Wrens were known best for their smooth, elegant harmony singing, which elevated both their ballads and their jump numbers above much of the competition. They sang R&B, but it tended more toward mature ballads and serious jump songs, rather than teen novelties.

Johnson got the group an audition with George Goldner's Rama Records and a recording contract followed late in 1954, with the group's first session taking place on November 21 of that year. Fred Johnson played piano behind them on that session and Goldner produced; in later recordings, legendary saxman Jimmy Wright led the band that backed them up. The group's first released single was "Love's Something Made for Two" b/w "Beggin' for Love," featuring Mansfield and Concepcion, respectively. It was their second single, "Come Back My Love," however, that achieved some local popularity in New York early in 1955 and put the Wrens on the map for R&B vocal fans. At their best, the Wrens sounded a lot like the Moonglows -- Mansfield's singing at times bore a striking resemblance to Harvey Fuqua of the latter group, and both outfits were at their best doing mid-tempo jump numbers and ballads, though the Wrens' records also had a hard edge from Wright's sax and the bold sound of the Rama house band under his leadership.

Goldner issued a total of six singles by the Wrens, but they never enjoyed a bigger hit than "Come Back My Love," which became their signature song despite competition from a cover version done by the Cardinals on Atlantic that same year. By 1956, however, Bobby Mansfield had split off from the group for a solo career, during which he made some records for Goldner with the Supremes (the male R&B vocal group, not the Motown trio) backing him. The Wrens disappeared into the mists of R&B vocal group history, while Mansfield remained active into the 1990s, even recording with a new group of "Wrens" in the middle of the decade. The original Wrens all lived long enough to see themselves inducted into the United Group Harmony Association's Hall of Fame in 1998. Collectables Records issued a collection of the Wrens' recordings in the early '90s and England's Westside label followed this up in 2000 with Strictly for the Birds, compiling the Wrens' and the Crows' material on one CD. ~ Bruce Eder, All Music Guide
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Wikipedia: The Wrens (R&B band)
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The Wrens were a doo-wop band from the Bronx section of New York City. They are best-known for their song "Come Back My Love", but they recorded nearly a dozen other hit songs.

Beginnings

The Wrens began in the Morrisania section of the Bronx in 1950. Neighborhood friends Waldo Champen (tenor, usually referred to as "Champ Rollow"), Francis "Frenchie" Concepcion (tenor/baritone lead), Archangel "Archie" Oropeza (baritone), and Raoul McLeod (bass) sang together under this name for around two years. They slowly drifted apart.

Francis was determined to make the band last. In 1952, Francis recruited two new members; tenor George Magnezid and bass James "Archie" Archer. They sang as a trio in the community center of P.S. 99 for a couple of months before deciding to expand to a quartet by adding tenor Bobby Mansfield. "George recommended me and they brought me in to do the uptempo leads," says Bobby (Frenchie usually led the ballads). At the time, Bobby was about 15 and attending Morris High School. Archie was around the same age and Frenchie and George were already out of school.

They admired the usual groups- the Clovers, the Ravens, the Orioles, and the Mills Brothers. “I liked the pop sound,” says Bobby, whose personal idols were Nat “King” Cole (“where I tried to acquire my diction”) and Louis Jordan (“for the jump tunes”). They practiced such tunes as “Red Sails In The Sunset” and “White Cliffs Of Dover,” before turning more and more to songs that they wrote themselves.

Their appearances, while a big thing to the Wrens at the time, were really nothing to write home about: mostly community centers and amateur shows in the Bronx, Manhattan, and parts of New Jersey.

One day, in 1954, they heard about a contest that was being held by an arranger/pianist named Freddy Johnson at the old CBS building. The Wrens entered and won, and Johnson became their manager. “He knew a lot of people and he fine-tuned our arrangements.”

Probably through the urging of Johnson, Rama Records owner George Goldner stopped by one of their rehearsals. Bobby remembers that “We had a tentative agreement to go to Columbia [which was in the CBS building, so a&r men sometimes stopped by their rehearsals also]. But George told us he’d record us immediately and we went with him.”

True to his word, Goldner arranged a session for the Wrens that took place on November 21, 1954. They recorded four songs that day: “Love’s Something That’s Made For Two” (led by Bobby), “Beggin’ For Love” (fronted by Frenchie), “Come Back My Love” (Bobby), and “Eleven Roses” (Bobby). The piano player was none other than Freddy Johnson, who provided the other backup musicians. (An ad for “Come Back My Love” has the notation “Orchestrated and arranged by Freddy Johnson.”) However, he and the Wrens parted company soon after the session, and from then on Goldner used the Jimmy Wright Orchestra to back them.

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