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The Youngbloods

 
Artist: The Youngbloods
See The Youngbloods Lyrics
  • Formed: 1965, New York, NY
  • Disbanded: 1972
  • Genres: Rock
  • Representative Albums: "The Best of the Youngbloods," "The Youngbloods," "Elephant Mountain"
  • Representative Songs: "Get Together," "Sunlight," "Darkness, Darkness"

Biography

The Youngbloods could not be considered a major '60s band, but they were capable of offering some mighty pleasurable folk-rock in the late '60s, and produced a few great tunes along the way. One of the better groups to emerge from the East Coast in the mid-'60s, they would temper their blues and jug band influences with gentle California psychedelia, particularly after they moved to the San Francisco Bay Area. For most listeners, they're identified almost exclusively with their Top Ten hit "Get Together," but they managed several respectable albums as well, all under the leadership of singer/songwriter Jesse Colin Young.

Young got his start on the folk circuits of Boston and New York, and had already cut a couple of solo albums before forming the Youngbloods. John Sebastian was one of the supporting musicians on Young's second LP, and comparisons between the two -- and between the Youngbloods and the Lovin' Spoonful -- are inevitable. Both groups offered good-timey folk-rock with much stronger jug band influences than West Coast rivals like the Byrds, though the Youngbloods made greater use of electric keyboards than the Spoonful, courtesy of the enigmatically named Lowell "Banana" Levinger. The Youngbloods didn't craft nearly as many brilliant singles as the Lovin' Spoonful, but (unlike the Spoonful) endured well into the hippie/psychedelic era.

While Young was always the focal point of the band, their first two albums also had songwriting contributions from guitarist Jerry Corbitt. Produced by Felix Pappalardi (who also worked with Cream), these records (The Youngbloods and Earth Music) were engaging and mature, if inconsistent, folk-rock. Corbitt's "Grizzly Bear" was a small hit, as was "Get Together," a Dino Valenti song that had previously been recorded by Jefferson Airplane. The Youngbloods' slow, soulful interpretation of "Get Together" was definitive, but it wouldn't reach the Top Ten until it was re-released in 1969, after the song had been used in a television public service ad.

By that time, Corbitt had left, and the Youngbloods, reduced to a trio, were living in Marin County, CA. 1969's Elephant Mountain was produced by, of all people, Charlie Daniels. Reflecting the mellowing influence of San Francisco psychedelia, it was their best effort, featuring some of Young's best songs. They released a few more albums in the early '70s (some live), but on these the mellow California rock sound that had served them well on Elephant Mountain had begun to turn limpid and wimpy. The group broke up in 1972, and Jesse Colin Young had a long and moderately successful career as a solo singer/songwriter. ~ Richie Unterberger, All Music Guide
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Wikipedia: The Youngbloods
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This article refers to the 1960s band The Youngbloods. For other uses of the term please see Youngblood (disambiguation).
The Youngbloods
Genre(s) Folk rock
Psychedelic music
Years active 1960s – present
Former members
Jesse Colin Young
Jerry Corbitt
Lowell Levinger
Joe Bauer
Notable instrument(s)
Wurlitzer electric piano

The Youngbloods were an American folk rock band consisting of Jesse Colin Young (Vocals, bass), Jerry Corbitt (lead guitar), Lowell Levinger (rhythm guitar), and Joe Bauer (drums). Despite receiving critical acclaim, they never achieved widespread popularity. Their only U.S. Top 40 entry was "Get Together".[1]

Contents

Band history

Background and formation

Jesse Colin Young (b, Perry Miller, November 11, 1941, Queens, New York City) was a moderately successful folk singer with two LPs under his belt - Soul of a City Boy (1964) and Youngblood (1965) - when he met fellow folk singer and former bluegrass musician from Cambridge named Jerry Corbitt (b. Tifton, Georgia). When in town, Young would drop in on Corbitt, and the two played together exchanging harmonies.

Beginning in January 1965, the two began performing on the Canadian circuit as a duo, eventually adopting the name 'The Youngbloods'. Young played bass, and Corbitt played piano, harmonica and lead guitar. Corbitt introduced Young to a bluegrass musician, Lowell Levinger (b. Lowell Levinger III, 1946, Cambridge, Massachusetts). Levinger, known as "Banana," could play the piano, banjo, mandolin, mandola, guitar and bass; he had played in the Proper Bostoners and the Trolls, and played mainly piano and guitar in the Youngbloods. He knew of a fellow tenant who could flesh out the band. Joe Bauer (b. September 26, 1941, Memphis, Florida), an aspiring jazz drummer with experience playing in society dance bands.

Small gigs to recording success

Once the lineup was set, Jesse Colin Young and the Youngbloods, as the group was then known, began building a reputation from their club dates. (Early demo sides from 1965 were later issued by Mercury Records on the Two Trips album.) Their first concert had been at Gerde's Folk City in Greenwich Village; months later, they were the house band at the Cafe Au Go Go and had signed a recording contract with RCA Records. Young, however, was not satisfied with RCA. "Nobody at [RCA] was really mean or anything; everybody was just kind of stupid," he explained to Rolling Stone magazine. "They never knew what to make of us, and tried to set us up as a bubblegum act... they never knew what we were, and never knew how to merchandise us."[citation needed]

The arrangement did produce one charting single in "Grizzly Bear" (#52, 1967). Several critically praised albums followed: The Youngbloods (1967, later retitled Get Together); Earth Music (1967); and Elephant Mountain (1969), with its track, "Darkness, Darkness".

In 1967, when "Get Together", a paean to universal brotherhood first appeared, it did not sell very well, reaching only #62 on the chart.[citation needed] But two years later — after Dan Ingram had recorded a brotherhood promotion for WABC-AM in which the song was used as a bed for the promotion, and after the National Council of Christians and Jews subsequently used the song as their theme song on television and radio commercials — the track was re-released and cracked the Top 5.[citation needed] This disc sold over one million copies, and received a gold record, awarded by the R.I.A.A. on 7 October 1969.[1]

Johnny Carson once reportedly refused to allow the band to perform on The Tonight Show, saying they were overly demanding during the pre-show soundcheck.[2]

With Corbitt's departure from the band (for a solo career) in 1969, before the band recorded the Elephant Mountain album, Levinger assumed lead guitar duties and played extensively on Wurlitzer electric piano. The band became adept at lengthy improvisations in their live performances (as captured on the albums Rock Festival and Ride the Wind released after the band moved over to their own Warner Brothers distributed Raccoon label).

In 1971 the group added bassist Michael Kane to their lineup and put out two more albums Good & Dusty (1971) and High on a Ridgetop (1972) before disbanding. Young, Levinger and Bauer all went on to solo careers, of which only Young had any notable success. Levinger, Bauer and Kane were part of another group, Noggins, in 1972 that only lasted for one album, Crab Tunes. Bauer, reportedly, died of a brain tumor in 1983.

Later history

In 1971 Jerry Corbitt and former Youngbloods producer Charlie Daniels formed a band called Corbitt & Daniels and toured.

In late 1984 The Youngbloods briefly reunited for a club tour. The 1984 lineup contained Young, Corbitt and Levinger, plus new members David Perper (drums, ex-Pablo Cruise) and Scott Lawrence (keyboards, woodwinds). Once the tour was completed, the group disbanded once again by early 1985.

Following the September 11 terrorist attacks, the media comglomerate company, Clear Channel Communications, included The Youngbloods' recording of "Get Together" on a list of "lyrically questionable" songs that was sent to its 1,200 radio stations in the United States. Miller also appeared on Jim Ladd's free-form show on KLOS in late 2002.

References

  1. ^ a b Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 270. ISBN 0-214-20512-6. 
  2. ^ rollingstone.com

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