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Thomas Annan

 
Art Encyclopedia: Thomas Annan

(b 1829; d December, 1887). He lived for most of his life in Glasgow, and he trained and worked as a copperplate-engraver until 1853, when he started a calotype printing business, probably with the encouragement of his friend David Octavius Hill. Annan's business proved successful and led in 1857 to the establishment of a photographic studio, T. & R. Annan in Sauchiehall Sreet. At first, Annan's emphasis was on the photographic reproduction of works of art and on architectural photography, as in the collection of photographs of mansions around Glasgow, The Old Country Houses of the Old Glasgow Gentry (Glasgow, 1870). Having mastered the technical and practical difficulties of architectural photography, Annan turned his attention to portraits, at which he was equally gifted. The carbon prints contained in Memorials of the Old College of Glasgow (Glasgow, 1871) consisted of both portraits and views of buildings. The process, for which he had acquired the Scottish patent rights shortly after its invention by Joseph Wilson Swan in 1866, produced rich, dark brown prints through the incorporation of a permanent pigment in a gelatin layer. Annan first used the carbon process commercially in 1866 in his reproduction of D. O. Hill's painted group portrait, the Signing of the Deed of Demission (1843-65; Edinburgh, Free Church Assembly Hall) in which he himself featured. An astute businessman, Annan also acquired the British patent rights in the 'heliogravure' or photogravure process invented by William Henry Fox Talbot and developed by Karel Kl?c (see PHOTOGRAPHY,

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Photography Encyclopedia: Thomas Annan
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Annan, Thomas (1830-87), Scottish photographer, active in Glasgow. Trained in engraving and lithography, Annan became a photographer in 1855. A friend of D. O. Hill, he was responsible for photographing, with a camera specially constructed by Dallmeyer, Hill's huge painting Signing the Deed of Demission, then having it reproduced in 1866 by Swan's carbon process, the first major use of this new permanent process. When another, photogravure, was discovered he took his son James to Vienna to learn it from the inventor, Karl Klič (Klietsch). The firm, T. & R. Annan, gained a high reputation for its reproduction of works of art.

The city of Glasgow commissioned Annan to record two huge civic undertakings. The first was the task of bringing clean water 56 km (35 miles) into the city, which he captured in Photographic Views of Loch Katrine (1889). The second was the demolition of disease-ridden slums. Annan produced a set of stark, powerful images which occasionally include slum dwellers. Those in Close, Nr. 118 High Street look us in the eye. Four editions, each entitled Old Closes & Streets, or similar, were published: albumen (1871); carbon (1877); and two photogravure versions (1900).

Annan was a fine portraitist. The missionary and explorer David Livingstone is photographed in the restrained manner of Hill and Adamson. Annan's landscapes of the 1860s, including Aberfoyle and The Last Stooks of Harvest, were acclaimed at exhibitions.

— William Buchanan

Bibliography

  • Stevenson, S., Thomas Annan 1829-1887 (1990).
  • McKenzie, R., ‘Thomas Annan and the Scottish Landscape’, History of Photography, 16 (1992)
 
 

 

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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
Photography Encyclopedia. The Oxford Companion to the Photograph. Copyright © 2005 by Oxford University Press. All rights reserved.  Read more