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Kilroy, Thomas (1934- ), novelist and playwright. Born in Callan, Co. Kilkenny, he graduated from UCD and became Professor of English at UCG, 1978-89. Kilroy served as play editor at the Abbey in 1977 and was appointed a director of Field Day in 1988. The Abbey play The Death and Resurrection of Mr. Roche (1969), deals with the hard-drinking life of ‘the lads’ in Dublin's flatlands. The novel The Big Chapel (1971) explores the sectarian tensions in the 19th cent. Tea and Sex and Shakespeare, a comedy about the writer as anti-hero, appeared at the Abbey in 1976. Talbot's Box (1979), deals with the Dublin working-class ascetic Matt Talbot as a symbol of victimage. His version of The Seagull (1981) transposes Chekhov's play to the west of Ireland. A radio play on Brendan Bracken for the BBC in 1986 led to a Field Day production of Double Cross (1986), in which the wartime careers of Bracken and William Joyce (‘Lord Haw-Haw’) are contrasted. In 1991 Field Day staged his ‘farce’, Madam MacAdam's Travelling Theatre, set during the Emergency, 1939-45. The Secret Fall of Constance Wilde (1997), at the Abbey, explored the damaged personalities of Oscar Wilde and his wife.

 
 
Wikipedia: Thomas Kilroy

Thomas F. Kilroy (1934 - ), the Irish playwright and novelist, was born on 23rd September 1934 in Green Street, Callan, County Kilkenny and studied at University College, Dublin. In his early career he was play editor at the Abbey Theatre, Dublin. Subsequently, he co-founded (with Brian Friel, Stephen Rea and Tom Paulin) and was Director of the touring theatre company Field Day. He became Professor of English in University College, Galway, a post from which he resigned in 1989 to concentrate on writing. He now lives in County Mayo and is a member of The Irish Academy of Letters, The Royal Society of Literature, and Aosdána.

Plays

  • The Death and Resurrection of Mr Roche, The Dublin Theatre Festival, 1968. Published by Faber & Faber, Grove Press, 1968;
  • The O'Neill, The Peacock Theatre, Dublin, 1969. Published by The Gallery Press, Oldcastle, Co Meath, 1995;
  • Sex and Shakespheare, The Abbey, 1976. Revised edition published by The Gallery Press, 1998;
  • Talbot's Box, The Peacock, 1973. Published by The Gallery Press/Delaware, Proscenium Press, 1979;
  • Double Cross, The Abbey, 1986. Published by Faber & Faber, 1986. Translated into French as Double jeu by Alexandra Poulain, 1996;
  • The Madam MacAdam Travelling Theatre, The Field Day Theatre Company, 1992. Published by Methuen, 1992;
  • The Secret Fall of Constance Wilde, The Abbey, 1997 and Melbourne Festival 1998. Published by The Gallery Press, 1997;
  • The Shape of Metal, The Peacock, 2003. Published by The Gallery Press;
  • My Scandalous Life, 2004, The Gallery Press.

Adaptations

Books

  • The Big Chapel, Faber & Faber, 1971. This novel was awarded the Guardian Fiction Prize, 1971 and was shortlisted for the Booker Prize.
  • Sean O'Casey: a Collection of Critical Essays, Ed., Prentice Hall, 1975, ISBN 0-13-628941-X

Pieces for Radio

Pieces for Television

  • Farmers, Radio Telefís Éireann, 1978;
  • Gold in the Streets, 1993;
  • The Black Joker.

Academic Works

  • Satirical elements in the prose of Thomas Nashe. Thesis (M.A.), University College Dublin, 1959.
  • Mervyn Wall: The demands of Satire., Studies: an Irish Quarterly Review of Letters, Philosophy and Science 47 (Spring 1958): 83-9.
  • Groundwork for an Irish Theatre., Studies: an Irish Quarterly Review of Letters, Philosophy and Science 48 (Summer 1959): 192-8.
  • Reading and Teaching the Novel., Studies: an Irish Quarterly Review of Letters, Philosophy and Science 56 (Winter 1967): 356-7.
  • The Outsider., The Irish Times April 16, 1971.
  • Synge and Modernism., in J. M. Synge Centenary Papers. 1971. Ed. Maurice Harmon. Dublin. Dolmen Press, 1972. 167-79.
  • Synge the Dramatist., Mosaic 5.1 (1972): 9-16.
  • Tellers of Tales., Times Literary Supplement. 17 March 1972: 301-02.
  • The Writer’s Group in Galway., The Irish Times. April 8, 1976.
  • Two Playwrights: Yeats and Beckett.,, Myth and Reality in Irish Literature. Ed. Joseph Ronsley. Toronto: Wilfrid Laurier University Press, 1977. 183-95.
  • Anglo-Irish Playwrights and Comic Tradition., The Crane Bag 3.2 (1979): 19-27.
  • The Moon and the Yellow River : Denis Johnson’s Shavianism., Denis Johnson : A Retrospective. Joseph Ronsley Ed. Irish Literary Studies 8. Gerrards Cross, Bucks : Colin Smythe, 1981 ; Totawa, New Jersey : Barnes and Noble, 1982. 49 - 58.
  • The Irish Writer: Self and Society, 1950-1980., Literature and the Changing Ireland. Irish Literary Studies 9. Ed. Peter Connolly. Gerrards Cross: Colin Smythe, 1982. 175-87.
  • The Anglo-Irish., The Irish Times. December 7, 1983.
  • Goldsmith the Playwright., Goldsmith, the Gentle Master. Ed. Sean Lucy. Cork: Cork University Press, 1984. 66-77.
  • Brecht, Beckett, and Williams., Sagetrieb 3.2 (Fall 1984): 81-87.
  • The Autobiographical Novel., The Genius of Irish Prose. Augustine Martin Ed. Thomas Davis Lecture Series. Dublin : Mercier Press in collaboration with Radio Telefís Eirann, 1985. 65-75.
  • Ireland’s Pseudo-Englishman. , Magill 11.5 January 1988 : 52-54.
  • Reassessment. Thomas Kilroy on J.M. Synge : The Complex Creator of a Closed World., The Irish Times April 29, 1989.
  • Secularized Ireland., Culture in Ireland : Division and Diversity ? Proceeding of the Cultures of Ireland Group Conference, 27 - 28 September 1991. Ed. Edna Longley. Belfast : Institute of Irish Studies, Queen’s University Belfast, 1991. 135 - 141.
  • A Generation of Playwrights., Irish University Review 22:1 (Spring 1992): 135-41.
  • Theatrical Text and Literary Text., The Achievement of Brian Friel. Ed. Alan J. Peacock. Gerrard’s Cross: Bucks, Colin Smythe, 1993. 91-102.
  • Some Irish Poems of Yeats,, Eibei-Bungaku. Koka Women’s University, 11.3 (March 1994) : 41 - 53.
  • The Literary Tradition of Irish Drama., Anglistentag 1994 graz : Proceedings. W. Rioehle, H. Keiper edc. Tübingen : Niemeyer, 1995. 7 - 15.
  • John Bull’s Other Island : Shaw’s Irish Play. , Banado Sho Kenkyu. Vol. 3, 1995, 11.1 1-20.
  • Chekhov and the Irish., Program Note. Chekhov’s Uncle Vanya adapt. Frank McGuinness. Field Day Theatre Company. 1995.
  • From Page to Stage., Irish Writers and Their Creative Process. Ed. Jacqueline Genet and Wynne Hellegouarc’h. Gerrards Cross: Colin Smythe, 1996. 55-62.
  • The Anglo-Irish Theatrical Imagination., Bullan, an Irish Studies journal 3.2 (Winter 1997/ Spring 1998), 5 - 12.
  • Friendship., Irish University Review. 29:1 (Spring-Summer 1999): 83-9.
  • The Seagull, an Adaptation., The Cambridge Companion to Chekhov. Ed. Vera Gottlieg and Paul Allain. Cambridge: Cambridge University Press, 2000. 80-90.
  • The Wildean Triangle., What Revels Are in Hand ? Assessment of Contemporary Drama in English in Honor of W. Lippke. B. Reitz, H. Stahl, eds.
  • Contemporary Drama in English., (CDE Studies) 8 Trier : WVT Wissenschaftlicher Verlag, 2001. 47 - 55.

Unpublished

Works about Thomas Kilroy

  • Le théâtre de Thomas Kilroy., Thierry Dubost, Presses Universitaires de Caen, 2001.
  • Irish University Review 32:1 Special Issue Thomas Kilroy., Ed. Anthony Roche, (Spring/Summer 2002), 214 p.

Awards

  • Guardian Fiction Prize, 1971;
  • Heinemann Award for Literature;
  • Aib Literary Prize;
  • American-Irish Foundation Award for Literature;
  • Rockefeller Foundation Residency;
  • Kyoto University Foundation Fellowship;
  • Prix Nikki Special Commendation;
  • Lifetime Achievement, Irish Times / ESB Theatre Award, 2004.

 
 

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Irish Literature Companion. The Concise Oxford Companion to Irish Literature. Copyright © 1996, 2000, 2003 by Oxford University Press. All rights reserved.  Read more
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