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Titanic

 

Titanic (1997), a musical play by Peter Stone (book), Maury Yeston (music, lyrics). [ Lunt‐Fontanne Theatre, 804 perf.; Tony Award.] As the world's largest ship crosses the Atlantic in 1912, characters from the staff and passenger list are featured before and during the famous sinking. The more interesting personages included Captain Smith (John Cunningham), ship designer Thomas Andrews (Michael Cerveris), White Star owner J. Bruce Ismay (David Garrison), stoker Frederick Barrett (Brian d'Arcy James), social‐climbing second‐class passenger Alice Beane (Victoria Clark), and three hopeful Irish immigrants, all named Kate. Notable songs: In Every Age; Lady's Maid; The Proposal; Still. The $10 million production (produced by the Kennedy Center and others) met with lackluster notices but strong word of mouth, and the lack of new and exciting competition helped the musical run over two years, still failing to show a profit.

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Titanic
Titanic (album).jpg
Original Cast Recording
Music Maury Yeston
Lyrics Maury Yeston
Book Peter Stone
Basis The sinking of the
RMS Titanic
Productions 1997 Broadway
1999 U.S. Tour
2002 Germany, Hamburg
2006 Toronto
2006 Australia
2007 Japan
Awards Tony Award for Best Musical
Tony Award for Best Score
Tony Award for Best Book

Titanic is a musical with music and lyrics by Maury Yeston and a book by Peter Stone that opened on Broadway in 1997. It won five Tony Awards including the award for Best Musical. Titanic is set on the ocean liner RMS Titanic which sank on its maiden voyage on April 14, 1912.

Contents

Background

The discovery of the wreckage of the RMS Titanic in 1985 attracted Yeston's interest in writing a musical about the famous disaster. "What drew me to the project was the positive aspects of what the ship represented – 1) humankind's striving after great artistic works and similar technological feats, despite the possibility of tragic failure, and 2) the dreams of the passengers on board: 3rd Class, to immigrate to America for a better life; 2nd Class, to live a leisured lifestyle in imitation of the upper classes; 1st Class, to maintain their privileged positions forever. The collision with the iceberg dashed all of these dreams simultaneously, and the subsequent transformation of character of the passengers and crew had, it seemed to me, the potential for great emotional and musical expression onstage."[1]

Stone and Yeston knew that the idea was an unusual subject for a musical. "I think if you don't have that kind of daring damn-the-torpedos, you shouldn't be in this business. It's the safe sounding shows that often don't do well. You have to dare greatly, and I really want to stretch the bounds of the kind of expression in musical theater," Yeston explained.[2] Yeston saw the story as unique to turn-of-the-century British culture, with its rigid social class system and its romanticization of progress through technology. "In order to depict that on the stage, because this is really a very English show, I knew I would have to have a color similar to the one found in the music of the great composers at that time, like Elgar or Vaughan Williams; this was for me an opportunity to bring in the musical theater an element of the symphonic tradition that I think we really haven't had before. That was very exciting."[2]

The high cost of Titanic's set made it impossible for the show to have traditional out of town tryouts. Titanic's previews began at Broadway's Lunt-Fontanne Theatre in 1997 with major technical troubles: ironically, during previews the model ship onstage would not sink. These difficulties were mostly resolved by opening night, but the show received mostly negative reviews. The New Yorker's was a rare positive assessment from the New York press: "It seemed a foregone conclusion that the show would be a failure; a musical about history's most tragic maiden voyage, in which fifteen hundred people lost their lives, was obviously preposterous.... Astonishingly, Titanic manages to be grave and entertaining, somber and joyful; little by little you realize that you are in the presence of a genuine addition to American musical theatre."[3]

Nevertheless, the show became a surprise hit. Many credit at least part of the show's success to former talk show host Rosie O'Donnell who championed the show, featuring members of the original cast on her daytime talk show and giving away tickets to members of her studio audience. The show got a further boost when it won the 1997 Tony Award for Best Musical among other awards. The release of James Cameron's film Titanic in December 1997 helped fuel worldwide interest in the disaster, and the Broadway production continued through much of 1998 drawing huge crowds. Attendance began to dwindle in the early months of 1999, and when the musical closed it was still a long way from showing a profit.[citation needed]

Productions

Titanic opened on April 23, 1997 at the Lunt-Fontanne Theatre and ran for 804 performances and 26 previews, closing on March 21, 1999. Directed by Richard Jones with choreography by Lynne Taylor-Corbett, the cast included Michael Cerveris, Victoria Clark, and Brian d'Arcy James. Danny Burstein was a cast replacement. The lobby of the Lunt-Fontanne Theatre was redecorated for the production: the complete passenger list of the Titanic was painted on the walls, noting those who ultimately survived the disaster. The set encompassed three levels to help form the impression of the size of the ship.

Orchestrator Jonathan Tunick won the first Tony Award for Best Orchestrations for his work on the score. The show received five Tony nominations, winning in all five categories, though the director, Richard Jones, was not nominated, nor were any of the performers.

The production toured the United States for 100 weeks after closing on Broadway, followed by several other tours with non-Equity performers. A Dutch touring production (European premiere) opened on 23 September 2001 in Royal Theatre Carre, Amsterdam. It was also highly successful, and produced an original cast recording (sung in Dutch) as a companion to the original Broadway cast recording on RCA Records. On 7 December 2002 a German production opened in Hamburg, a copy of the Dutch production. A cast recording was made in German. A new song was written for the German production, Drie Tage (Three Days), but the song was not included on cast album. It was recorded and released on a German karaoke cd called Professional Playbacks: Showtunes Vol. 1.

The Toronto, Canada version premiered in February 2006 and the Australian production starring Nick Tate as Captain Smith debuted in October 2006. The production made it's UK premiere at York Theatre Royal. The musical made its London premiere in Stevenage at the Gordon Craig Theatre August 2004 Directed by Paul laidlaw Designed By David Benson.

In Japan, a short one-month engagement played from January to February in early 2007. The Premiere in Cardiff, Wales, was performed from 15-19 May 2007 at the Sherman Theatre by Llandaff Musical Society.

On May 17, 2005, Belfast Operatic Company premiered the show in Ireland in the Grand Opera House, Belfast, Northern Ireland. The show ran from 17 May to 21 May with a cast and crew of more than 100 people.

On February 9, 2008, Ballinrobe Musical Society, under the direction of Noel Kirrane, performed the first ever production to take place in the Republic of Ireland. The show ran from 9th to 16th of February and was sold out for the entire week, playing to over 3000 people in the process. Michael Coen played Captain Edward Smith. There were French productions in Belgium in the cities of Liege and Charleroi. The show premiered in Finland on 29 March 2008 in Seinajoki City Theatre.

Titanic has been translated into five languages: Japanese, French, Dutch, German and Finnish.

Musical numbers

Act I
  • Overture / In Every Age
  • How Did They Build Titanic?
  • There She Is
  • I Must Get On That Ship
  • The First Class Roster
  • Godspeed Titanic
  • Barrett's Song
  • To Be A Captain
  • Lady's Maid
  • What A Remarkable Age This Is!
  • The Proposal / The Night Was Alive
  • God Lift Me Up (Hymn)
  • Doing The Latest Rag
  • I Have Danced
  • No Moon
  • Autumn / Finale Act One
Act II
  • Wake Up, Wake Up
  • Dressed In Your Pyjamas In the Grand Salon
  • The Staircase
  • The Blame
  • To the Lifeboats
  • We'll Meet Tomorrow
  • To Be A Captain (Reprise)
  • Still
  • Mr. Andrews' Vision
  • The Foundering
  • Finale - In Every Age/ Godspeed, Titanic (Reprise)

Characters and original Broadway cast

While, arguably, the leading character of the musical is the ship itself, some of the characters on board were based upon actual passengers. Indeed, as is well-known, some of the passengers aboard the maiden voyage were wealthy and well-known businessmen, and many characters reflected that. Each of the named characters existed to some extent, though some names and circumstances were changed for dramatic purposes. The italicized names survived the shipwreck, and those to the right are the names of the actors that portrayed them in the original Broadway cast.

Crew and staff aboard the RMS Titanic
2nd Class
  • Edgar Beane (based on Edward Beane) - Bill Buell
  • Alice Beane (based on Ethel Beane) - Victoria Clark
  • Charles Clarke - Don Stephenson
  • Caroline Neville - Judith Blazer
1st Class
3rd Class
  • Kate McGowan - Jennifer Piech
  • Kate Murphey - Theresa McCarthy
  • Kate Mullins - Erin Hill
  • Jim Farrell - Clarke Thorell

Awards and nominations

Tony Awards
Drama Desk Awards

References

  1. ^ Kalfatovic, Mary. "Maury Yeston", Contemporary Musicians (ed. Luann Brennan). Vol. 22, Gale Group, Inc., 1998
  2. ^ a b BMI Music World, Fall 1997, pp. 24-29
  3. ^ Franklin, Nancy. New Yorker, May 12, 1997, pp. 102-03

External links


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American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
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