Originally a solo song appended to Spanish theatrical interludes; later a short stage piece in its own right. By 1750 it was a one-act satirical or political sketch for one to five characters, exploiting national dances and folk-type melodies. It developed into a broadly humorous entertainment, often with a romantic element. The main composers were Luis Misón, Esteve y Grimau, Blas de Laserna and Jacinto Valledor. By 1810 the tonadilla was in decline and soon gave way to the Zarzuela.
