Dictionary:
tongu·ing (tŭng'ĭng)
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| Music Encyclopedia: Tonguing |
In playing mouth-blown wind instruments, the technique by which detached notes, or the first notes of phrases, are articulated. With reed instruments this is done by placing the tip of the tongue lightly against the reed and drawing it back while blowing; in the flute or cup-mouthpiece instruments the tongue is placed against the palate behind the upper teeth. The movement is similar to that used in forming the letter t. When tempos are too fast for the player to maintain repeated t strokes, double or triple tonguing is used: the tip and back of the tongue are used alternately forming t and k consonants (double, t-k, t-k etc; triple, t-k-t, t-k-t etc). Modern composers sometimes call for Flutter-tonguing.
| Wikipedia: Tonguing |
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Tonguing is a technique used with wind instruments to enunciate different notes through using the tongue on the reed or mouthpiece. A silent "tu" (too) is made when the tongue strikes the reed or roof of the mouth causing a slight breach in the air flow through the instrument. The technique also works for whistling. Tonguing (or articulation) refers to how a musician begins the note (punchy, legato, or a breath attack) and how the note is released (air release, tongued release, etc.) For wind players, articulation is commonly talked about in terms of tonguing because the tongue is used to stop and allow air to flow in the mouth. Tonguing does not apply to non wind instruments, but articulation does apply to all instruments.
An alteration called "double-tonguing" or "double-articulation" is used when the music being performed has many rapid notes in succession too fast for regular articulation. In this case, the tongue makes a silent "tuh-kuh". (The actual tongue positioning varies slightly by instrument. Clarinetists may go "too-koo" but a bassoonist may actually say "taco.") Double-articulation allows the tongue to stop the airflow twice as fast when mastered. If the music specifies a pizzicato sequence, the musician might perform this as a rapid sequence of the articulated note, thus: "tu-ku-tu-ku-tu-ku-..." etc., in staccato.
There is also "triple-tonguing," used in passages of triplets: "tu-tu-ku-tu-tu-ku".
There are different ways of tonguing for the flute. Some flautists tongue or articulate between the teeth, others do it between the lips as if spitting rice, yet others do it behind the teeth in the roof of the mouth in the same location where you roll the r. With this roof articulation the flutist thinks of the words dah-dah and for double tonguing it is dah-gah-dah-gah.
Tonguing is indicated in the score by the use of accent marks. The absence of slurs is usually understood to imply that each note should be tongued separately. When a group of notes is slurred together, the player is expected to tongue the first note of the group and not tongue any of the other notes, unless those notes have accent marks.
Trombone players must lightly tongue many slurs by tonguing "da"; otherwise, the result would be a glissando.
A more formal, but ambiguous, term for tonguing is articulation.
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| Flutter-tonguing (music) | |
| double-tonguing | |
| tipping |
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![]() | Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved. Read more | |
![]() | Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved. Read more | |
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