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American Theater Guide:

Torch Song Trilogy

Torch Song Trilogy (1982), three one‐act plays by Harvey Fierstein. [Actors Playhouse, 1,222 perf.; Tony Award.] In The International Stud, Arnold (Fierstein), a female impersonator, thinks that with Ed (Joel Crothers), a man he picks up in a gay bar, he may have found the love he has been looking for. But in Fugue in a Nursery, Ed is now engaged to Laurel (Diane Tarleton), who invites Arnold and his new lover, Alan (Paul Joynt), to Ed's farm, where things do not quite work out. Several years later, in Widows and Children First!, Ed's marriage is on the rocks and he seeks to reestablish his relationship with Arnold, who, in turn, has taken in the gay teenager David (Matthew Broderick), whom he plans to adopt. The arrival of Arnold's mother, Mrs. Beckoff (Estelle Getty), complicates matters for everyone, but by the end each has learned to accept the others. Each of the plays had been previously seen Off Off Broadway. Put together they made for a compassionate, if darkly funny, view of the homosexual lifestyle. The long evening was successful enough to transfer to Broadway's Little Theatre for a very long run. Harvey FIERSTEIN (b. 1954), a native of Brooklyn, became a female impersonator at fifteen, then studied at the Pratt Institute. He made his legit acting debut in an Andy Warhol play in 1971. He also wrote Spookhouse (1984), Safe Sex (1987), and the musicals La Cage aux Folles (1983) and Legs Diamond (1988). Fierstein has acted in plays by other writers as well, most memorably in The Haunted Host (1991) and Hairspray (2002).

 
 
Notes on Drama: Torch Song Trilogy

Contents:

Author Biography
Plot Summary
Characters
Themes
Style
Historical Context
Critical Overview
Criticism
Sources
Further Reading


Harvey Fierstein 1982

Torch Song Trilogy is a play that straddles genres, existing as both a comedy and a melodrama. Harvey Fierstein’s play opened at New York’s Richard Allen Center in October, 1981, and moved to the Off-Broadway Actors Playhouse in January of 1982. The play opened on Broadway in June, 1983, at the Little Theatre and continued for a long and successful run, having won several awards, including two Antoinette “Tony” Perry Awards.

The work is semi-autobiographical; Fierstein used his own experience as a homosexual to bring a sense of authenticity to the play. Critics have remarked that the language and situations ring true and not only to homosexual audience members. Fierstein states in a brief author’s note to the play that he hopes members of the audience will recognize themselves in the exchanges between lovers and the relationship between mother and child. The play’s popularity among a wide range of viewers indicates that the playwright’s intentions succeeded.

Torch Song Trilogy began as The International Stud, a one-act play that was produced Off-Off-Broadway in 1978. This early work was combined with two other one-act plays, Fugue in a Nursery(1979) and Widows and Children First(1979), to create Torch Song Trilogy. Each element of the play focuses on an important passage in the life of its protagonist, Arnold. Although the play is about homosexuals, at its heart it is a play about family, love, and survival. Fierstein’s play appeared just as AIDS was recognized as a major medical problem. His reinforcement of the importance of love in all relationships, hetero and gay, served to counter the attacks against homosexuals as promiscuous pleasure seekers.

 
Wikipedia: Torch Song Trilogy
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Torch Song Trilogy is a play by Harvey Fierstein. It comprises three acts - International Stud, Fugue in a Nursery, and Widows and Children First! - all of which center on Arnold Beckoff, a torch song-singing Jewish drag queen living in New York City in the 1980s. The four hour-plus play begins with a soliloquy in which he explains his cynical disillusionment with love.

Each act focuses on a different phase in Arnold's life. In the first, Arnold meets Ed, who is uncomfortable with his bisexuality. In the second, two years later, Arnold meets Alan, and the two settle down into a blissful existence that includes plans to adopt a child, until tragedy strikes. In the third, several years later, Arnold is a single father raising gay teenager David. Arnold is forced to deal with his mother's intolerance and disrespect when she visits from Florida.

The award-winning and popular work broke new ground in the theatre: "At the height of the post-Stonewall clone era, Harvey challenged both gay and straight audiences to champion an effeminate gay man's longings for love and family."[1]

Production history

The first staging of International Stud opened on February 2 1978 at the off-off-Broadway La MaMa, E.T.C., where it ran for two weeks. The off-Broadway production opened on May 22 1978 at the Players Theatre, where it ran for 72 performances [2].

Torch Song Trilogy first opened at the uptown Richard Allen Center in October 1981 [3]. On January 15 1982 it transferred to the Actors' Playhouse in Greenwich Village, where it ran for 117 performances [4]. The cast included Fierstein as Arnold, Joel Crothers as Ed, Paul Joynt as Alan, Matthew Broderick as David, and Estelle Getty as Mrs. Beckoff.

After eight previews, the Broadway production, directed by Peter Pope, opened on June 10 1982 at the Little Theatre, where it ran for 1222 performances. Fierstein, Joynt, and Getty were joined by Court Miller as Ed and Fisher Stevens as David. Later in the run, David Garrison and Jonathan Hadary portrayed Arnold, Craig Sheffer was cast as Alan, and Barbara Barrie replaced Getty.

The play won Fierstein two Tony Awards, for Best Play and Best Actor in Play, two Drama Desk Awards, for Outstanding New Play and Outstanding Actor in a Play, and the Theatre World Award.

The West End production starring Antony Sher, with Rupert Graves as Alan, opened on October 1, 1985 at the Albery Theatre on St. Martin's Lane, where it ran for slightly more than seven months.

Film adaptation

Film poster
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Film poster

In 1988, Fierstein adapted his play for a feature film directed by Paul Bogart. New Line Cinema insisted he restrict the film to a running time of two hours, which necessitated copious excisions. Fierstein regressed the time frame to a decade earlier than the play in order to justify his decision not to make mention of the AIDS epidemic at a time when it was very much a part of the public's awareness.

In addition to Fierstein (who was billed third), the cast included Anne Bancroft as Mrs. Beckoff, Matthew Broderick as Alan, Brian Kerwin as Ed, and Eddie Castrodad as David. Wanting to highlight the work of female impersonator Charles Pierce, Fierstein created the role of Bertha Venation specifically for him.

At the 1989 Deauville Film Festival, Bogart was nominated for the Critics Award and won the Audience Award. The film was nominated for Best Feature and Fierstein was nominated for Best Male Lead at the Independent Spirit Awards that same year.

Two anecdotes told in the DVD commentary offer some background into the making of the film. Broderick originally refused the role of Alan because he was recuperating from an automobile accident in Ireland. Tate Donovan was cast, but two days into the rehearsal period Broderick had a change of heart and contacted Fierstein, who fired Donovan.

The man living adjacent to the doorway used in a sequence at the end of the film never was asked permission to shoot the scene outside his home. He persisted in either playing his radio or television at a high volume or exiting his building in order to ruin the shot. Finally, the exasperated crew nailed his door shut, leading him to file a lawsuit against New Line.

Film plot synopsis

  • In The International Stud, set in 1971, Arnold meets Ed and they fall in love. Ed, however, is uncomfortable with his bisexuality; he leaves Arnold for a girlfriend, whom he subsequently marries.
  • Fugue in a Nursery starts at Christmas 1973, when Arnold meets the love of his life, Alan, a model. They settle down together, later spending a weekend with Ed and his wife, where their relationship is tested but endures. Eventually, they arrange to adopt a child together. At the end of the act, however, Alan is killed in a homophobic attack.
  • Widows and Children First! is set in the spring of 1980. Arnold's mother comes to visit from Florida and, after disapproving of Arnold's homosexuality and adoption of a gay teenage son (David), as well as Arnold's use of a family burial plot for Alan, they have a series of arguments where Arnold demands that she accept him for who he is. The following morning, before she returns to Florida, they have a conversation where, for the first time, they seem to understand each other.

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American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
Notes on Drama. © 2006 through a partnership of Answers Corporation. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Torch Song Trilogy" Read more

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