Two for the Seesaw (1958), a play by William Gibson. [ Booth Theatre, 750 perf.] Having had a falling out with his wife in Omaha, lawyer Jerry Ryan (Henry Fonda) finds himself lonely and adrift in New York. He calls a young girl for a date and she turns out to be a warmhearted but aggressively bohemian Jewish girl, Gittel Mosca (Anne Bancroft). A romance ensues, but in the end different backgrounds and different interests send them on their separate ways. The romantic piece was one of the best of the many two‐character plays that inundated Broadway in this period. It later became the source for the musical SEESAW (1973) that director‐choreographer Michael Bennett adapted (using an early libretto by Michael Stewart) into a glitzy dance show. Ken Howard and Michele Lee were the unlikely couple with Tommy Tune stealing the show with a big production number that he also staged. The contemporary‐sounding music was by Cy Coleman, and Dorothy Fields, in her last Broadway outing, did the surprisingly modern lyrics. The troubled musical went through a trying preview period, then met with mixed notices, struggling on for an unprofitable 296 performances at the Uris Theatre. Notable songs: Nobody Does It Like Me; It's Not Where You Start, It's Where You Finish; Welcome to Holiday Inn.




