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Ultramarine

 
Artist: Ultramarine
Ultramarine

Group Members:

Ian Cooper, Paul Hammond

Similar Artists:

Influenced By:

Performed Songs By:

Ian Cooper, Paul Hammond

Formal Connection With:

  • Formed: 1989, Canterbury, England
  • Genres: Electronica
  • Representative Albums: "Every Man and Woman Is a Star," "A User's Guide," "United Kingdoms"
  • Representative Songs: "Interstellar," "Saratoga," "Happy Land"

Biography

The music of Canterbury duo Ultramarine resists easy classification, drawing as it does from ambient, techno, folk, and eclectic '70s Canterbury art rock artists like the Soft Machine, Caravan, and Robert Wyatt, who occasionally performed live with the group and appeared on their United Kingdoms album. The group, which is made up of Paul Hammond and Ian Cooper, has a distinctively British sound and employs a wide range of instruments and sounds.

Hammond and Cooper first collaborated in the avant-garde band A Primary Industry during the mid-'80s. When that band split, the duo named themselves Ultramarine and recorded Folk in 1990. Their second album, Every Man and Woman Is a Star, appeared in 1992 and earned praise for the duo as one of the first home-listening electronic groups. Sire signed Ultramarine in 1992 and issued their first U.S. release, United Kingdoms, the following year. Despite a high-profile collaboration with Robert Wyatt (and with Kevin Ayers for the accompanying Hymn EP), the album practically disappeared both home and abroad. Nevertheless, Hammond and Cooper continued to record in a quirky electronic folk-pop vein for 1995's Bel Air. Three years later, A User's Manual saw Ultramarine's sound approaching the trip-hop/electronica mainstream. ~ Steve Huey, All Music Guide
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Ultramarine are a UK-based ambient / ambient house band, formed in the early 1990s by Paul Hammond and Ian Cooper.

Contents

Biography

Hammond and Cooper first worked together in the band A Primary Industry during the mid-1980s. Following the split of this band, they formed Ultramarine and released the album Folk in April 1990. The duo's second album release, Every Man and Woman is a Star (1991) found critical acclaim, and Ultramarine was frequently seen at festivals such as Megadog and Glastonbury during the early to mid 1990s. A large part of the interest generated was due to the eclectic mix of samples and influences, evident on Every Man and Woman, which was dedicated to Dewey Bunnell of the band America. Ultramarine were one of the only acts that was signed to Sire Records in the U.S. through Giant Records instead of sister labels Warner Bros. or Reprise.

Their subsequent albums did not achieve the same commercial success of Every Man and Woman is a Star. These included United Kingdoms (August 1993), featuring Robert Wyatt, and Bel Air (August 1995). They also released the single "Hymn", with vocals by David McAlmont, in 1996. Their last album was 1998’s A User’s Guide. A remix album of Every Man and Woman is a Star, entitled Companion, was released in May 2003 and collected various early, alternative, unreleased or live versions from 1990 to 1993. It was an extended version of the previously available Nightfall in Sweetleaf. Remixes of tracks were by various artists including Spooky, Sweet Exorcist and Coco Steel.

Discography

Albums

  • Folk (les disques du crépuscule, 1989)
  • Every Man and Woman is a Star (Brainiak Records, 1991)
  • United Kingdoms (Blanco y Negro (UK); (Sire/Giant/Warner Bros.) (US), 1993)
  • Bel Air (Blanco y Negro, 1995)
  • A User’s Guide (New Electronica Records, 1998)
  • Companion (LTM records, 2003)

Singles

  • "Wyndham Lewis" (les disques du crépuscule, 1989)
  • "Stella" (dancycopaedia, 1990)
  • "Weird Gear" / "British Summertime" (Brainiak Records, 1991)
  • "Saratoga/Nova Scotia" (Rough Trade Records, 1992)
  • "Nightfall in Sweetleaf" (Rough Trade Records, 1992)
  • "Kingdom" (Blanco y Negro, 1993)
  • "Barefoot" (Blanco y Negro, 1994)
  • "First Air" (Blanco y Negro, 1995)
  • "Bel Air" (Blanco y Negro, 1995)
  • "Sketches" (Blanco y Negro, 1995)
  • "Hymn" (Blanco y Negro, 1996)
  • "On The Brink" (New Electronica Records, 1998)

External links


 
 

 

Copyrights:

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