Up the Downstair feels noticeably different in tone from On the Sunday of Life -- the humor is nearly invisible, if present at all, and the focus is more explicitly up to date in keeping with Steven Wilson's long-stated belief that progressive music means incorporating the now instead of rehashing what progressive was. His singing is now more accomplished in turn -- it sounds like he might have been taking a lesson or two from his No-Man partner Tim Bowness, but he has his own dreamy approach. His already accomplished studio work seems to have turned even more so with time, and the end result is a delicate, complex, and remarkable effort. If there's an absolute standout, "Always Never" takes the cake. Starting with a soft combination of low vocals, acoustic guitar, and background electric feedback, it sweeps into life on the memorable chorus, with the keyboards swelling with a gentle majesty before turning into a full trip thanks to Wilson's ear for arrangements and space. Colin Edwin makes his debut with Porcupine Tree by playing bass here, as good a start as any, while Richard Barbieri also has an initial bow on the lengthy title track. Wilson's own playing here is just astounding, with some huge, driving feedback fills, while the equally long "Burning Sky" lets him exercise some guitar hero chops, and quite well at that. Brief cuts crop up throughout -- notably "What You Are Listening To...," which makes a nod back to the contents of Voyage 34 via the narrative spoken word sample at the start. The recurring use of synth loops and acid house rhythms alone mark Porcupine Tree's approach as being a more modern one, but at the same time a song like "Synesthesia" doesn't sound like a stab at crossover so much as it does one color on the palette. The unfolding guitar solos demonstrate that much, at least. ~ Ned Raggett, All Music Guide
Up the Downstair is the second studio album by Britishprogressive rock band Porcupine Tree, first released in May 1993. It was originally intended to be a double album set including the song "Voyage 34", which was instead released as a single in 1992, and other material that ended up on the Staircase InfinitiesEP (1994). In 2005, it was partially re-recorded, fully re-mixed, remastered and re-released along with the Staircase Infinities EP as a double album. The re-release contains a new mix by Steven Wilson, along with recorded drums by Gavin Harrison that replace the electronic drums of the original version. Steven Wilson has stated that the title of the album came from a line in the song "Voyage 34." Another re-release on vinyl was pressed on August 14th, 2008 on Kscope records. This is identical to the 2005 release, except it is printed on coloured vinyl.
Melody Maker - They've embarked upon a mission impossible: to create a truly Nineties progressive rock soundscape, utilising modern technology but avoiding prog pomposity. And they've managed it with room to spare. It's a strange and wonderful brew, taking in Orb ambience, FSoL dub, Metallica steel and all points in between. Ambient space dubs, technological cut- ups and Gregorian chants texture the sound, but the fire at the heart of the noise comes from good old guitar. Be warned, there are solo's here, but they're played with a force and a purity that defies indulgence.
Organ - "Up The Downstair" is an LP that hides many surprises for the attentive listener. After a few spins you realise that even the sounds mixed into the background and he vocal interventions from old "drug" records all play a part in this warm, soothing lysergic tapestry that contains sparse, but matching lyrics. When I wrote an article on Porcupine Tree last year (published in Crohinga Well 2) I predicted that this act would become a "third way" in New British Psychedelia (the first and second being the psychedelic rock of Bevis Frond and the spacey festival sounds of Ozric Tentacles, of course). This record only confirms my statement. "Up The Downstair" is a record to get incredibly stoned to (and you will...)!
CMJ - Up The Downstair retains the band's willowy roots in Albion psychedelia but expands the brief, dropping its cheesy self-consciousness while infusing some contemporary dance auras (from acidic mesmerism to almost funky syncopation) with more 'group-like' interaction.
