Share on Facebook Share on Twitter Email
Answers.com

Uroboros [Deluxe]

 
Album Review: Uroboros [Deluxe]

  • Artist: Dir en Grey
  • Rating: StarStarStarStar
  • Release Date: November 12, 2008
  • Genre: Rock

Review

Japan's Dir en Grey have taken much of the indie metal world by storm over the last 11 years. Beginning as a wildly experimental pop band that first incorporated hard rock and heavy metal into their sound about three or four albums in, they've become an absolutely ferocious unit both on record and on stages worldwide. While their records have only recently seen release in the United States, it hardly matters in the digital age. Sony even reissued their Marrow of a Bone outing in 2007. Uroboros, on the venerable The End imprint, is Dir en Grey's seventh studio album. It is both an expansion of their metallic sound, as well as a return to their more experimental pop origins. Still comprised of its original lineup with Kyo on vocals, guitarists Kaori and Die, bassist Toshiya, and drummer Shinya, this set may upset some of the harder core purists who yearn exclusively for the thrashing assault days. For the rest of us, this may be the band's most magical and thought-provoking set yet. Other than in the willfully misanthropic underground of black metal, heavy metal itself has been undergoing a metamorphosis of sorts, incorporating all manner of art rock, prog metal, and classic post-rock structures as well. Uroboros has all of the above in a seamless meld of lush textures, expansive dynamics, impeccably recorded sound, and above all brilliant musicianship. Kyo still writes his lyrics and sings almost exclusively in Japanese -- almost all of the band's titles are in Japanese, as well. That said, the translated lyrics are in gray on black in the booklet in two-point type, readable only with a magnifying glass. No matter. Kyo's voice is more like another instrument, whether he is singing melodically, growling, or shrieking.

The set begins with a brief instrumental intro called "Sa Bir," which employs deep drum loops, sub-bass synth oscillations, a cimbalom, and a warbling bass throb with a few background roars from Kyo. This gives way to the risky opener "Vinushka," with its acoustic guitars, shimmer ride and crash cymbals, and the vocalist nearly crooning before giving way to metallic riffing, sound effects, and plenty of reverb on the vocal. Dynamic and time signature changes occur with stunning regularity even as a gorgeous dark, nearly gothic rock tune begins to emerge from the din and hush. At nearly ten minutes, this is a step onto the plank hanging over the abyss, but with Kyo's wildly varying vocal styles (Mike Patton has nothing on him) the tune gels as a suite without seemingly separate parts. Whether it's the thrashing death metal in the middle of the cut with its insane growl, or the lilting, hushed darkling prog pop in the center, it all works. It sets the tone for a seamless listening experience that combines the many strengths Dir en Grey enjoys as a band, with a couple of other standouts being the warped, jagged funky rock of "Stuck Man" -- with a killer bassline by Toshiya -- and the elegantly layered "Ware, Yami Tote," with Kyo's emotionally honest and vulnerable singing, Shinya's breakbeats, and entwined acoustic and electric guitars with an actual hook. Seasoned fans will either smile knowingly or shake their heads and cry sellout (they'd be wrong). For the uninitiated, Uroboros is actually the best way to get introduced to Dir en Grey's complex and alluring musical magic and mayhem. Think of some strange cross between Anathema, Rush, the Gathering, and Katatonia, with some early Mission U.K. thrown in and you might get into the neighborhood of this mercurial band's sound. [The End has also issued a Deluxe Edition of the album that comes with a bonus DVD featuring five live performances from the Marrow of a Bone shows in Tokyo in 2006, two bonus cuts featuring the Japanese lyrics to "Glass Skin" and "Dozing Green," a beautifully adorned chrome-on-matte-black slipcase, and a red-on-black screened booklet with a ton of photos included as well.] ~ Thom Jurek, All Music Guide

Tracks



CD 1

Track TitleComposersPerformersTime
Sa Bir Dir en Grey Dir en Grey (2:00)
Vinushka Dir en Grey Dir en Grey (9:37)
Red Soil Dir en Grey Dir en Grey (3:24)
Doukoku to Sarinu Dir en Grey Dir en Grey (3:48)
Toguro Dir en Grey Dir en Grey (3:58)
Glass Skin (Lyrics) Dir en Grey Dir en Grey (4:28)
Stuck Man Dir en Grey Dir en Grey (3:35)
Reiketsu Nariseba Dir en Grey Dir en Grey (3:33)
Ware, Yami Tote... Dir en Grey Dir en Grey (7:02)
Bugaboo Dir en Grey Dir en Grey (4:44)
Gaika, Chinmoku Ga Nemuru Koro Dir en Grey Dir en Grey (4:22)
Dozing Green Dir en Grey Dir en Grey (4:06)
Inconvenient Ideal Dir en Grey Dir en Grey (4:24)
Glass Skin [Japanese Lyrics Version] Dir en Grey Dir en Grey (4:29)
Dozing Green [Japanese Lyrics Version] Dir en Grey Dir en Grey (4:08)


CD 2

Track TitleComposersPerformersTime
Repetition of Hatred [DVD][Live] Dir en Grey Dir en Grey
Agitated Screams of Maggots [DVD][Live] Dir en Grey Dir en Grey
Hydra [DVD][Live] Dir en Grey Dir en Grey
Dead Tree [DVD][Live] Dir en Grey Dir en Grey
Dozing Green [DVD][Live] Dir en Grey Dir en Grey

Credits

Toshiya (Bass), Koji Yoda (Design), Junko Watanabe (Promoter), Koji Yoda (Artwork), Victor Wlodinguer (Management), Sean "S Dot" Francis (Marketing), Ted Jensen (Mastering), Kazutaka Minemori (Instrumentation), Toshiya (Group Member), Shinya (Drums), Sayaka Suzuki (Promoter), Yoshinoli Abe (Program), James Galus (Management), Akinori Kaizaki (Engineer), Kana Shiba (Production Control), Shinya (Group Member), Koji Yoda (Art Direction), Andreas Katsambas (A&R), Kanako Hayashi (Assistant Engineer)
Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
 
 

 

Copyrights:

Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more