USSR in Construction

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USSR in Construction, is a propaganda journal published in the decade of 1930 to 1941 in the Soviet Union. It became an artistic gem and counter-current in the first year of socialist realism. Its pages offered some of the greatest examples of early 20th-century photomontage. With elements such as oversized pages and multi-page fold-outs, each issue exists as an elaborate artistic creation.

The Journal was published in Russian, French, English, German, and eventually Spanish. The journal informed readers abroad of the hyper-construction taking place within the nation, and portrayed the emergence of the Soviet Union as a leading industrial power. By focusing on a single theme or initiative in each issue, the contributing artists produced a work which effectively conveyed the heroic efforts of the Soviet people in fulfilling the objectives set forth by Stalin to transform the technologically deficient country into a highly developed and productive world power.

The journal was published over the course of eleven years and brought together articles by esteemed writers such as Alexander Fadeev, Isaac Babel, and Sergei Tretiakov, with montages composed from images created by the Soviet Union's most talented photo-journalists: Max Alpert, Arkadii Shaikhet, Georgii Zelma, Boris Ignatovich, Semion Fridland, and Georgii Petrusov. El Lissitzky and Sophie Lissitzky-Küppers designed the overall layout and cover arrangements for a number of issues, as did Alexander Rodchenko and his wife, Varvara Stepanova.

USSR in Construction first appeared not long after Stalin's denunciations of Constructivism as a bourgeois art form and the official proclamation of socialist realism as the only acceptable style of art. Many avant-garde artists thus turned to photomontage as an alternative mode of expression which could side-step around the rigid resrictions being put on painting.

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