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- Born: June 02, 1903, Chattanooga, TN
- Died: May 30, 1956, New York, NY
- Active: '30s, '40s, '50s
- Genres: Vocal Music
- Instrument: Vocals, Trumpet
- Representative Albums: "Valaida Snow (1935-1937), Vol. 1," "1937-1940," "1933-1936"
- Representative Songs: "Caravan," "Lovable and Sweet," "The Mood That I'm In"
Biography
If fate had not seemingly conspired against her, Valaida Snow might well be counted among the greatest entertainers of the early 20th century; instead, she remains little known outside of an avid cult following, a gifted blues vocalist and multi-instrumentalist also noted for her skills as an arranger. Born June 2, 1903 in Chattanooga, Tennessee (although other sources have stated otherwise), Snow was the product of a musical family; her mother, a music teacher, taught Valaida and her sisters Lavaida and Alvaida to play a wide variety of instruments, among them cello, bass, mandolin, violin, clarinet, saxophone and accordion. The girls also sang and danced, but when Valaida turned professional at the age of 15, she began focusing on vocals and trumpet, and by 1924 she was already a featured performer in the Noble Sissle/Eubie Blake musical In Bamville (a.k.a. The Chocolate Dandies).By the age of 22, Snow was headlining Barron Wilkins' Harlem cabaret show, and throughout the remaining years of the 1920s, she toured relentlessly, appearing throughout the U.S. in conjunction with the Will Mastin Trio and performing in London and Paris in the musical Blackbirds. In 1926 she toured the Far East, and in 1928 headlined Chicago's Sunset Cafe, where her energetic performances won the admiration of Louis Armstrong, as well as Earl Hines, who soon became her lover. By the early '30s, Snow was starring in the Sissle/Blake revue Rhapsody in Black, and its success helped bring her to Hollywood, where alongside then-husband Ananais Berry she appeared in a number of films. By all rights Snow should have been a major superstar, but as a black performer she was subject to considerable racism; worse still, as a woman, she was an outsider even within the jazz community -- her perfect pitch, gifts for arranging and brilliant trumpeting did not help her cause, but only made her that much more of a curiosity.
After headlining the Apollo Theatre, Snow travelled back to Europe for more film work and live dates during the late 1930s; however, in 1941, while in Nazi-occupied Copenhagen, she was captured by German forces and interned in a concentration camp in Wester-Faengle. Eighteen months later, she was freed as an exchange prisoner, and allowed to return to New York; tragically, Snow never fully recovered from the ordeal -- scarred psychologically as well as physcially, she attempted to return to performing, but the spark was clearly gone, so much so that when Hines saw her appear live in 1943 he reportedly did not even recognize her. Following her marriage to manager Earle Edwards, she continued to work in spite of her personal suffering, but after playing the Palace Theater in New York on May 30, 1956, she died of a massive cerebral hemorrhage. Valaida Snow was 52 years old. ~ Jason Ankeny, All Music Guide
