An 18th-century Hungarian dance, deriving from the method of enlisting recruits. It has a slow introductory section (lassu) alternating with a quick one (friss), usually followed by a coda-like, ornamented appendix (figura), a trio-like middle section (disz) and sometimes a second trio. Its rhythmic vitality derives from the brilliant performing style of gypsy violinists. Liszt drew inspiration from verbunkos music for his Hungarian Rhapsodies; it was also used by Beethoven, Schubert, Brahms, Ravel, Bartók and Kodály.




