Illuminated manuscript (255*180 mm; London, BL, Cotton MS. Vesp. A. I) now dated variously between the 720s and the 760s. The monk Thomas of Elmham described this Psalter among the books kept on the high altar of St Augustine's Abbey, Canterbury, in his Libri missi a Gregorio ad Augustinum (Cambridge, Trinity Hall, MS. 1) of c. 1414-18; he believed it to have been presented to the abbey by the founder. It is one of the earliest Psalters to arrange the Psalms in eight liturgical divisions to aid recitation over the week. Psalms 26 and 52 have historiated initials, with scenes of David and Jonathan Shaking Hands (fol. 31r) and David Fighting the Lion (fol. 53r) respectively, and the lost Beatus initial of Psalm 1 may have contained a scene of Samuel Anointing David. This is not an ancient practice, and only Bede's Historia ecclesia (St Petersburg, Rus. N. Pub. Lib., MS. Q. v. I. 18) from Wearmouth/Jarrow has historiated initials that could be earlier. The frontispiece (now fol. 30v, before Psalm 26) depicts King David playing the lyre between two scribes who write on a scroll and a wax diptych; in the same space four men play wind instruments while two others dance. The ornamentation and script suggest that the Psalter was produced in southern England, and it can be compared with other manuscripts thought to have been made at Canterbury, such as the Codex Aureus (c. 750; Stockholm, Kun. Bib., MS. A. 135) and the Canterbury Bible fragments (late 8th century; London, BL, MS. Royal I. E. VI; Canterbury, Cathedral Archvs & Lib. & City Rec. Office, Additional MS. 16). Their decoration seems to have common Early Christian prototypes. The stocky figures, broad areas of drapery and thick lines of articulation in the Psalter also suggest Italian intermediaries, while motifs such as confronted beasts and heraldically displayed birds (especially on the frontispiece) may be adapted from either Coptic or Byzantine textiles. The framing device and composition of the frontispiece resemble the 9th-century Byzantine Khludov Psalter (Moscow, Hist. Mus., MS. 129. D), and both may ultimately derive from a common Early Christian source. An almost identical lyre to that carried by David was found in the Sutton Hoo ship burial (625 or later; London, BM), indicating that contemporary as well as ancient sources were used.
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