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Vicente Lusitano

 

( bOlivença; d ?Rome). Portuguese composer and theorist active in the 16th century. A member of the papal choir in Rome in 1550, he wrote an important treatise (1553) about the three genera of music: diatonic, chromatic and enharmonic. In a debate before the papal choir he put forward a traditional view in opposition to that of Nicola Vicentino.



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Vicente Lusitano

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Vicente Lusitano (died after 1561) was a Portuguese music composer and theorist of the late Renaissance.

He was born in Olivença, but little else is known for certain of his life, including the dates of his birth and death. Some information is recorded in the 18th century biography by Barbosa Machado: he came from Olivença, became a priest, and was employed as a teacher both at Padua and Viterbo. Machado also called him a mestizo. Very little of what Machado wrote about him has been verified by any other source, except the date of publication (1561) of a music theory treatise at Venice.

As a composer he wrote a number of choral works, including motets and a madrigal, but he is better known by far for his work as a theorist. In a 1551 debate in Rome, he espoused traditional views on the role of the three genera in music (diatonic, chromatic and enharmonic) over more radical ones put forward by Nicola Vicentino (Lusitano was deemed to have won the debate). His Introdutione facilissima et novissima de canto ferma (Rome, 1553, and again at Venice, 1561), contains an introduction to music, a section on improvised counterpoint, and his views on the three genera.

References

  • Bonnie Blackburn: "Vicente Lusitano", Grove Music Online, ed. L. Macy (Accessed January 6, 2006), (subscription access)

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Related topics:
1551 in music
Lusitano
Ghiselin Danckerts

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Oxford Grove Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
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