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Viktor & Rolf

 
(Dutch designers)
  • Born:(both Viktor and Rolf) Netherlands, 1969.
  • Education: Both graduated from the Academia of Amhem, 1992.
  • Company History: Created first collection, 1993; created second collection, 1994; "Winter of Love" presented at the Musée d'Art Moderne de la Ville de Paris, 1994; third collection, 1994; created photographic collection, 1995; clothing exhibition in art gallery, 1995; created the Prêt-á-Porter Catalogue, 1995; launched Viktor & Rolf Le Parfum, 1996; Torch Gallery installation, Amsterdam, 1996; continued developing fashion trends as art exhibitions; collection exhibited in Groninger Museum, 1998; designs turned more towards ready-to-wear, 2000.
  • Awards: International Festival of Hyeres, 1993; ANDAM, 1994.
  • Exhibitions: Visionaire Gallery, SoHo, 1999; Groninger Museum, Netherlands, 2001.

Viktor Horsting and Rolf Snoeren, more commonly known as Viktor & Rolf—purveyors of elaborate style and exotic design, are as much known for their works of art as they are for fashion. They sculpt their designs by distorting proportions—creating high collars and elaborate draping to hide the body, making it seemingly vanish into the sculpture. Always adding to the fabrics, Viktor & Rolf often use ornamentation that mocks accessories, including Christmas trees balls, colorful tinsel garlands, and pleated Pierrot collars. This is a clear indication of their reputation to shock and challenge fashion and remain with the forerunners of originality. Their creation of the unusual "atomic bomb," for example, was a shrewd combination of extreme fashion and art. The costume had the model's head resting on top of a huge mushroom form, a chiffon blouse inflated with brightly colored balloons, jackets with neon mink dots, and a black-and-white collection shown under scant neon light in a dark room. "Fashion doesn't hold a big value with Dutch people," Snoeren commented to the New York Times' Cathy Horyn. "In Holland," Horsting continued, "the mentality is you're not supposed to want to stand out. We made our collections to be noticed, but it was also a reaction."

Adhering to their reputation to intrigue and fascinate, Viktor & Rolf created Le parfum to awaken the fashion industry's senses with a perfume that provided no scent. The 250 limited edition bottles of Le parfum were never meant to be opened; another step clearly meant to integrate fashion as an art form.

Viktor & Rolf's first clothing collection was shown at a competition called Salon European des Jeunes Stylistes in 1993. The collection was comprised of preexisting pieces of garments blended into a collage, to create new clothing. In 1994 Viktor & Rolf created two collections, the first consisting of several variations of a white dress, most of which were high-waisted and long, like ballgowns, but there were also shirts blown up with balloons and confetti, giving the presentation a satirical bent. The other collection revolved around the aptly named "Black Square Dress," with squared-off shoulders to create an illusion of abstract art.

In 1995 their collection appeared at the Galerie Patricia Dorfmann in Paris, and consisted of five suspended gold garments of several different silhouettes. Next came the "Shadowdress," a dark, opaque dress which was a three-dimensional form of the pieces from the collection. Tracing back history, the "Shadow Cape" of 1996 featured the strong silhouette of an 1890s torso but in light, silk fabric. Softness and versatility were behind the addition of a grey bodysuit and supple white dress added to the collection.

Viktor & Rolf have proven that fashion and art can be interchangeable, and the Groninger Museum recognized their efforts in 1998. A permanent collection of 28 pieces from five collections exhibited fashion as an art form. The apparel, eerily exhibited on mannequins in a dark room, were illuminated as lights hit their rotating platforms. In January 1999, the designing duo created a black and white collection with firm skirts and poofy ruffs. Presentation of the collection involved ultraviolet lights so every white object glowed. Three of the 17 outfits from this collection were put on display at the trendy Visionaire art gallery and publishing house in SoHo, where fellow designers Diane von Furstenberg and Ronald van der Kemp were in attendance, along with a variety of celebrities. In a July 1999 show, the designers presented a collection by placing their model atop a revolving turntable. Dressed in a silk minidress, additional clothing was placed on the model by the designers with every revolution of the platform. By the ninth rotation, she was seemingly engulfed in Viktor & Rolf's designs—and so was the audience. Horyn decreed the show, "the most brilliant of the week."

With their reputation as fashion designers and artists, Viktor & Rolf have recently segued more into ready-to-wear collections, yet without detracting from their reputations as designers of art. Their first ready-to-wear collection, in collaboration with Gibo SpA, was launched in 2000; the lines was more wearable and functional, like jeans, ruffled shirts, and sexy pantsuits, which exhibited the designers' fondness for masculine styling for women. Yet the most popular portion of the spring collection was a stars-and-stripes motif, on jackets and shirts, inspired by the song "American Pie" by Don McLean. Several upscale retailer, including Barneys New York, placed orders.

A spring 2001 collection at the famed Louvre museum featured American classics, especially old Hollywood, and the styles from the glory days of the 1920s, 1930s, and 1940s—as modernized by Viktor & Rolf. The new line included fluid cabaret trouser suits, variations on the basic white shirt, trench coats, swinging skirts, and tap shorts. Silver seemed to be the hot accessory of the season, with metallic flashes seen on tops, shirt collars, pants, and even tuxedos. Always paying close attention to bringing art into fashion, Viktor & Rolf ended a 2000 fashion show by tap-dancing together in white tuxedos.

Publications

On Viktor & Rolf:

    Books
  • Horsting, Viktor, Viktor & Rolf, Artimo Foundation, Amsterdam, 1999.
    Articles
  • Martin, Richard, "Viktor & Rolf: Le Regard Noir," in N-28, 1997.
  • Goldberg, Rose Lee, "Claude Wampler [Performance Art]," Artforum, September 1997.
  • Phillips, Ian, "Fashion: 21st Century Boys Meet Viktor & Rolf," in Newspaper Publishing PLC, 3 October 1998.
  • Horyn, Cathy, "Two Dutch Designers Take Couture to the Surreal Side," in the New York Times, 1 June 1999.
  • ——, "Is There Room for Fashion at the Paris Haute Couture Shows?" in the New York Times, 25 July 1999.
  • Bell, Katy, "Amsterdammer Anarchy: Viktor & Rolf are Mad as Hell and They're Not Going to Wear It Anymore," in Metro Active, January 2000.
  • Socha, Miles, "Christmas Comes Early at Viktor & Rolf Exhibit," in WWD, Groningen, Netherlands, 10 November 2000.
  • Bellafante, Ginia, "This is Paris: No Giggling, Please," in the New York Times, 21 March 2001.
  • Wilson, Eric, "Victor & Rolf to ICV," in Women's Wear Daily, 5 September 2001.

— Kimbally A. Medeiros

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Viktor & Rolf

Top
Viktor & Rolf
Type Private Company
Industry Fashion
Founded 1993
Headquarters Amsterdam, Netherlands
Key people

Viktor Horsting & Rolf Snoeren (Co-founders and Partners)

Renzo Rosso, Only the Brave, Partner
Products Apparel and Accessories
Website www.viktor-rolf.com

Viktor & Rolf is an Amsterdam-based fashion house. The company was founded in 1993 by designers Viktor Horsting (born 1969, Geldrop) and Rolf Snoeren (born 1969, Dongen).

Contents

History

Viktor Horsting (1969) & Rolf Snoeren (1969) met while studying fashion at the Arnhem Academy of Art and Design in The Netherlands.[1] They began working together upon graduation, relocating to Paris in 1993 to launch their careers. Their first collection 'Hyères' (1993) based on distortion, reconstruction and layering won three prizes at the Salon Europeen des Jeunes Stylistes at the Festival International de Mode et de Photographie. The subsequent presentation of four collections in experimental art spaces led them in 1998 to show their first Haute Couture collection (Spring/Summer 1998).

Viktor & Rolf returned to ready-to-wear in 2000, with 'Stars and Stripes' (Autumn/Winter 2000-01). The menswear line 'Monsieur' was added in 2003 (Autumn/Winter), modelled entirely by Viktor & Rolf in a mirrored performance. The Viktor & Rolf range has since grown to include shoes, accessories and eyewear.

In addition to their own lines, Viktor & Rolf have collaborated with a number of other well known brands including Samsonite (2009) with whom they produced a luggage line, Shu Uemura (2008) for a range of couture false eyelashes, Piper Heidsieck (2007) for the iconic upside down bottle and, in 2006, the line for high street chain H&M which greatly extended their appeal to the general public.[2]

With the desire to expand, in 2008 Viktor & Rolf entered into a partnership with Italian clothing magnate Renzo Rosso of Only the Brave (OTB), allowing the company to develop new product ranges, extend distribution and open further boutiques.[3]

Fashion

Viktor & Rolf coat from fall winter collection 2008

Women’s wear collections

  • March 2010 - Ready to wear, F/W 2010, collection 28, Glamour Factory
  • October 2009 - Ready to wear, S/S 2010, collection 27, Cutting Edge Couture
  • July 2009 - Capsule Collection S/S 2010, collection 26, Little Black Dress
  • June 2009 - Main Collection S/S 2010, collection 25
  • March 2009 - Ready to wear F/W 2009, collection 24, Statues
  • January 2009 - Main collection F/W 2009, collection 23,New love
  • October 2009 - Ready to wear S/S 2009, collection 22, Shalom
  • February 2008 - Ready to wear F/W 2008-09, collection 21, NO
  • January 2008-Violins' collection
  • October 2007 - Ready to wear S/S 2008, collection 20, Pierrot
  • February 2007 - Ready to wear F/W 2007-08, collection 19, The Fashion Show
  • January 2007 - Pre-collection F/W 2007-08, collection 18
  • October 2006 - Ready to wear S/S 2007, collection 17, Ballroom
  • July 2006 - Pre-collection S/S 2007, collection 16
  • March 2006 - Ready to Wear F/W 2006-07, collection 15, Silver
  • January 2006 - Pre-collection F/W 2006-07, collection 14
  • October 2005 - Ready to Wear S/S 2006, collection 13, Upside down
  • July 2005 - Pre-collection S/S 2006, collection 12
  • March 2005 - Ready to Wear F/W 2005-06, collection 11, Bedtime Story
  • October 2004 - Ready to Wear S/S 2005, collection 10, Flowerbomb
  • March 2004 - Ready to Wear F/W 2004-05, collection 9, The Hunt
  • October 2003 - Ready to Wear S/S 2004, collection 8, Red Shoes
  • March 2003 - Ready to Wear F/W 2003-04, collection 7, One Woman Show
  • October 2002 - Ready to Wear S/S 2003, collection 6, Flowers
  • March 2002 - Ready to Wear F/W 2002-03, collection 5, Bluescreen
  • October 2001 - Ready to Wear S/S 2002, collection 4, White
  • March 2001 - Ready to Wear F/W 2001-02, collection 3, Black Hole
  • October 2000 - Ready to Wear S/S 2001, collection 2, Tapdance
  • March 2000- Ready to Wear F/W 2000-01, collection 1, Stars and Stripes
  • April 1993 - Salon Européen des Jeunes Stylistes, Hyères, France

Men’s wear collections

  • January 2010 - F/W 2010-11, Monsieur 15
  • June 2009 - S/S 2010, Monsieur 14
  • January 2009 - F/W 2009, Monsieur 13
  • June 2008 - S/S 2009, Monsieur 12
  • January 2008 - F/W 2008-09, Monsieur 11
  • June 2007 - S/S 2008, Monsieur 10
  • January 2007 - F/W 2007-08, Monsieur 9
  • June 2006 - S/S 2007, Monsieur 8
  • January 2006 - F/W 2006-07, Monsieur 7
  • June 2005 - S/S 2006, Monsieur 6
  • January 2005 - F/W ’05-’06, Monsieur 5
  • June 2004 - S/S 2005, Monsieur 4
  • January 2004 - F/W 2004-05, Monsieur 3
  • June 2003 - S/S 2004, Monsieur 2
  • January 2003 - F/W 2003-04, Monsieur 1

Haute Couture collections

  • July 2000 Defile Haute Couture, Winter 2000-01, Bells
  • July 1999 Defile Haute Couture Winter, 1999–2000, Russian Doll
  • January 1999 Defile Haute Couture summer 1999, Blacklight
  • July 1998 Defile Haute Couture Winter 1998-99, Atomic Bomb
  • January 1998 Defile Haute Couture summer 1998, 1st Couture show

Fashion Presentations

In 1998, Viktor & Rolf put on an unauthorized, underground fashion show during Paris Fashion Week designed to attract members of the press.[1] Ready-to-wear and their menswear label "Monsieur" were to follow over the next five years.

An early fashion presentation was titled ‘Russian Doll’ (Autumn/Winter 1999-2000). A lone model, Maggie Rizer , was positioned on a revolving platform to be dressed by the designers in nine garments, one on top of the other as a Russian doll in reverse. .[4]

Further presentations saw models act as blue-screens in ‘Long Live the Immaterial’ (Bluescreen) (Autumn/Winter 2002-03) a parade that used chroma-key techniques to project moving images onto the garments. .[5] Other collections such as ‘Atomic Bomb’ (Autumn/Winter 1998-99) and ‘Black Light’ (Spring/Summer 1999) have been presented twice. In both cases, models paraded the catwalk twice, first as a performative spectacle, and again to display the wearable collection.

Presentations have also featured several performers including Tilda Swinton on whom ‘One Woman Show’(Autumn/Winter 2003-04) was based, Tori Amos who performed in ‘Bedtime Story’ (Autumn/Winter 2005-06) and Rufus Wainwright who performed in ‘Ballroom’(Spring/Summer 2007).[6]

In 1993, Viktor & Rolf won the Festival d'Hyeres prize.[1]

In 2003, the Fashion Museum in Paris presented a 10-year retrospective of the designers' work.

In 2005 they opened their first shop in the Golden Quadrilateral (Quadrilatero d'Oro) in Milan (which closed in 2008), and were contracted by L'Oréal to develop their first perfume, called Flowerbomb.[7] In 2006, their first men's perfume, Antidote, was introduced in the United States.

In 2008 an exhibition entitled "The House of Viktor & Rolf" [1] was presented at the Barbican Art Gallery[2], celebrating the duo's 15-year anniversary. Key pieces from 1992 to 2008 were remade as detailed miniatures and presented on hand-made porcelain dolls, in a large doll house.

In 2008, Viktor & Rolf announced that Renzo Rosso —owner of Diesel, chairman of Only the Brave (OTB)— had taken a controlling stake in their company.[8] Viktor & Rolf stated that this deal is meant to allow their company to put out a wider range of products and to open more stores.

Shows

Viktor & Rolf have gained attention for their artistic, concept-driven catwalk presentations. In a show called "Babushka" they dressed model Maggie Rizer in layer upon layer of couture dresses, piled on top of one another.[4] They have also used a collection of International Klein Blue clothes as a chroma-key blue-screen to project video.[5] In their Fall 2007 collection, each model wore scaffolding with her own lights and music, carrying their own fashion show as it were. For the presentation of their first menswear collection, they themselves modelled the clothes, changing outfits on the stage. Their collections have featured several performers, like Tilda Swinton, Tori Amos and Rufus Wainwright.[6] Another longtime cooperation is with internationally known photographers Inez van Lamsweerde and Vinoodh Matadin, who made the photographs for all three of their fragrance campaigns.

Fragrances

Viktor & Rolf’s first fragrance ‘Flowerbomb’ was released in collaboration with L’Oreal in 2005. According to Dana Thomas' book "Deluxe - How Luxury lost it's Luster", the 'juice' that would come to be known as Flowerbomb was first created by L'Oreal in response to a brief given by another perfume house. After the initial perfume house rejected the proposal, L'Oreal sat on it for three years before Viktor and Rolf chose it for Flowerbomb. Talk of the designers having creative input into the actual fragrance are, therefore, nothing more than marketing hype. Flowerbomb was L'Oreal's first collaboration with a fashion designer for seventeen years, when they worked with Giorgio Armani. Although they had no creative input into the composition of fragrance itself, Viktor & Rolf invented the name, and were given creative freedom to design the grenade shaped bottle and gift wrap printed packaging. Flowerbomb’s official launch coincided with the collection of the same name (Spring/Summer 2005). Several variations of the fragrance and packaging have been released since including a lighter summer version and Flowerbomb Extreme. ‘Petite Flowerbomb’, a travel sized version was released 2009.

‘Antidote’ the first fragrance for men was released in 2006. Like Flowerbomb, Antidote’s launch accompanied a fashion collection ‘Ballroom’ (Spring/Summer 2007). Of the fragrance, Viktor & Rolf state it is "all about the power of transformation. The power of every individual to turn anything into something positive”.

Partnerships

  • Viktor & Rolf for De Bijenkorf (2009)
  • Viktor & Rolf for Swarovski - Jewelry line (2009)
  • Viktor & Rolf for Samsonite - Travel collection (February 2009)
  • Viktor & Rolf for Shu Uemura - Couture eyelashes (July 2008)
  • Viktor & Rolf for Piper-Heidsieck - Design limited edition (January 2007)
  • Viktor & Rolf <3 H&M - Design special collection (November 2006)

Exhibitions

Viktor & Rolf have been included in numerous exhibitions including, ‘Viktor & Rolf par Viktor & Rolf, Première Décennie’, Musee de la Mode et du Textile, Paris (2004) and ‘The House of Viktor & Rolf’ at both the Barbican Centre, London and the Centraal Museum, Utrecht (2008–09).

Solo exhibitions

  • The House of Viktor & Rolf, Centraal Museum, Utrecht, The Netherlands (November 2008)
  • The House of Viktor & Rolf, Barbican Art Gallery, London, United Kingdom (June 2008)
  • Fashion in Colors: VIKTOR & ROLF & KCI, The Kyoto Costume Institute and Mori Art Museum, Tokyo, Japan (April 2004)
  • Viktor & Rolf par Viktor & Rolf, Premiere Décennie, Musee de la Mode et du Textile, Paris, France (October 2003)
  • Viktor & Rolf, Visionaire Gallery, New York, USA (May 1999)
  • Viktor & Rolf: 21st Century Boys, Aeroplastics Contemporary, Brussels, Belgium (April 1999)
  • Launch (Fake perfume, miniatures), Torch Gallery, Amsterdam, The Netherlands (October 1996)
  • Viktor & Rolf: Le Regard Noir, Stedelijk Museum Bureau Amsterdam, The Netherlands (April 1997)
  • Collections, Galerie Analix, Geneva, Switzerland (December 1995)
  • L’Apparence du Vide, Galerie Patricia Dorfman, Paris, France (October 1995)
  • France Le Cri Néerlandais, Institut Néerlandais Paris, Paris (March 1994)
  • l’Hiver de l’Amour, Musée d’Art Moderne de la Ville de Paris, Paris, France (February 1994)

Select group exhibitions

  • Art & Fashion: Zwischen Haut und Kleid, Kunstmuseum Wolfsburg, Wolfsburg, Germany (March till August 2011)
  • The Art of Fashion: Installing Allusions, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands (September 2009)
  • Archeology of the Future – 20 years of Trend Forecasting with Li Edelkoort, The Institut Néerlandais, Paris, France (January 2009)
  • Skin + Bones, Somerset House, London, United Kingdom
  • Form + Volume, Design als Strategie, Designhuis, Eindhoven, The Netherlands (April 2008)
  • Picture House, Belsay Hall, Northumberland, United Kingdom (May 2007)
  • Fashion Show: Paris collections 2006, Museum of fine arts, Boston, United states (November 2006)
  • Skin + Bones: Parallel Practices in Fashion and Architecture, The Museum of contemporary Art, Los Angeles, United States (November 2006)
  • Women from Tokyo & Paris, Van Gogh Museum, Amsterdam, the Netherlands (July 2006)
  • Dutch at the End of Design: Fashion and Textiles from the Netherlands, The Museum at FIT, New York, United States (September 2005)
  • Spectres: When Fashion Turns Back, Victoria and Albert Museum, London, United Kingdom (February 2005)
  • Fashination, Moderna Museet, Stockholm, Sweden (September 2004)
  • Spectres: When Fashion Turns Back, Modemuseum, Antwerp, Belgium (September 2004)
  • Skin Tight: The Sensibility of the Flesh, Museum of Contemporary Art, Chicago, United States (June 2004)
  • Goddess, ModeMuseum, Antwerp, Belgium (May 2004)
  • Installation: The Fashion Designers Muse, Yokohoma 2001: International Triennale of Contemporary Art, Yokohama, Japan (September 2001 )
  • Mohri Color and Space Part 5 [Sayoko], Kobe Museum, Kobe, Japan (March 2001)
  • Viktor & Rolf Haute Couture, Groninger Museum, Groningen, The Netherlands (November 2000)
  • Heaven: An Exhibition That Will Break Your Heart, Kunsthalle Düsseldorf, Düsseldorf, Germany (June 1999)
  • Creative Time in the Anchorage: Exposing Meaning in Fashion through Presentation, Brooklyn Bridge Anchorage, New York, United States (May 1999)[9]
  • Visions of the body: Fashion or Invisible Corset, The Kyoto Costume Institute, and Museum of Contemporary Art, Tokyo, Japan (April 1999)
  • Visioniare The first 25, Colette, Paris, France (July 1998)

Theatre

  • Der Freischutz, Opera produced by Robert Wilson, Costume Design, Baden- Baden, Germany (May 2009)
  • Space: A Dance in Four Parts, Production by Robert Wilson and Nederlands Dans Theater, Costume Design, The Netherlands (November 2004)

The piece was actually called "2 Lips & Dancers & Space" I am pretty sure.

[10]

Awards

  • MODINT, Grand Seigneur award, Amsterdam, The Netherlands (July 2009)
  • UK Elle Style Awards, H&M Style Visionary Award, London, United Kingdom (February 2009)
  • Marie Claire/Fragrance Foundation Grand Prix du Parfum, Meilleur Parfum Masculin (Best Masculine Perfume) for Antidote (October 2007)
  • Scottish Fashion Awards, International Designer of the Year (May 2006)
  • Telva Magazine, International Designers of the Year, Madrid, Spain (October 2005)
  • La Kore, Oscar della Moda, Taormina, Italy (June 2005)
  • Dutch ELLE Style Awards, International Designers of the Year, Amsterdam, Nederland (September 2004)
  • Stelle della Moda, Avant-garde Designers, San Remo, Italy (September 2004)
  • ELLE Sweden Style Awards, International Designers of the Year, Stockholm, Sweden (January 2004)
  • Viktor & Rolf were honored as Fashion and Design Honorees by The Fashion Group International's 19th Annual Night of the Stars. The Night of the Stars evening, held in New York, was dedicated to honoring THE PROVOCATEURS: THOSE WHO DARE. (October 2002)
  • Prix de la Presse, Prix du Jury, Grand Prix de la Ville de Hyères, Salon Europeen des Jeunes Stylistes, Hyères, France (April 1993)

Publications

  • Sprookjes - fairy tale book (2009)
  • The House of Viktor & Rolf(German Translation), Collection Rolf Heyne, Germany (2009)
  • The House of Viktor & Rolf, Merrel Publishers Ltd, London, UK (2008)
  • Colors: Viktor & Rolf & KCI, The Kyoto Costume Institute, Japan (2004)
  • E-Magazine, Artimo Foundation, The Netherlands (2003)
  • Viktor & Rolf, Haute Couture Book, Groninger Museum, The Netherlands (2000)
  • Viktor & Rolf 1993-1999, Artimo Foundation, The Netherlands (1999)

Quotes

"For us, fashion is an antidote to reality."[11]

[Our fragrance Flowerbomb is] "all about the power of transformation. The power of every individual to turn anything into something positive."[12]

References

External links


 
 
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