A small type of harpsichord, with one set of strings and jacks and one keyboard. The term was used in England until well into the 17th century to denote any quilled keyboard instrument. There is however an accepted specific definition: a virginal is an instrument whose strings run parallel to the keyboard, as opposed to diagonally (as in the spinet) or directly away from the player (as in the harpsichord). The term was first used c1460 in a treatise describing it as ‘having the shape of a clavichord and metal strings making the sound of a harpsichord’. This rectangular form was the earliest of many. Italian virginals showed a particularly wide variety of harp-shaped or polygonal designs with the keyboard protruding from the main body of the instrument. Flemish models had a keyboard built into the instrument, either centred in one of the long sides or to the left (in which case the virginal was termed a ‘spinett’) or to the right (called a ‘Muselar ’). English virginals followed the Flemish design. The double virginal, in which two keyboards are superimposed and played separately or coupled, is also a Flemish development. (For illustration, seeKeyboard Instruments.)