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Waking the Dead

 
Movies:

Waking the Dead

  • Director: Keith Gordon
  • AMG Rating: starstarstar
  • Genre: Romance
  • Movie Type: Romantic Drama, Political Drama
  • Themes: Star-Crossed Lovers, Haunted By the Past, On the Campaign Trail
  • Main Cast: Billy Crudup, Jennifer Connelly, Molly Parker, Janet McTeer, Paul Hipp
  • Release Year: 2000
  • Country: US
  • Run Time: 103 minutes
  • MPAA Rating: R

Plot

A man finds his melancholy turning to madness in this thriller. Young lawyer Fielding Pierce (Billy Crudup) has just thrown his hat in the ring for an upcoming congressional election. He has also been haunted by the memory of his girlfriend Sarah (Jennifer Connelly), who recently died in a car bombing -- and haunted not just figuratively but literally: he's seeing apparitions of Sarah everywhere, and he's starting to wonder if she's really there or if he's going mad. Waking the Dead is based on a novel by Scott Spencer, who also wrote Endless Love, and directed by actor-turned-filmmaker Keith Gordon. ~ Mark Deming, All Movie Guide

Review

A film about the lingering legacies of the '60s, Waking the Dead divides its time between the early '70s, when the influence of the activism-oriented counterculture began to wane, and the early '80s, when its influence seemed to have diminished altogether. Though the film occasionally plays as though its dialogue needed another polish, and the abundance of deleted scenes on the DVD version is actually apparent within the film itself, other virtues carry the movie. Both Billy Crudup and Jennifer Connelly (who turned into a fine actress in the late '90s after too many cheesecake roles) deliver soulful, affecting performances. It's director Keith Gordon's remarkable sense of time and place and the film's sustained melancholy tone, however, that prove the most memorable, using the supernatural to capture an extremely real sense of disillusionment.

~ Keith Phipps, All Movie Guide

Cast

Sandra Oh - Kim; Hal Holbrook - Isaac Green; Lawrence Z. Dane - Governor Kinosis

Credit

Richard Hicks - Casting, Ronnie Yeskel - Casting, Irene Litinsky - Co-producer, Renee April - Costume Designer, Pedro Gandol - First Assistant Director, Keith Gordon - Director, Jeff Wishengrad - Editor, Jodie Foster - Executive Producer, Tomandandy - Composer (Music Score), Zoe Sakellaropoulo - Production Designer, Tom Richmond - Cinematographer, Keith Gordon - Producer, Linda Reisman - Producer, Stuart Kleinman - Producer, Robert Dillon - Screenwriter, Lorraine Jamison - Publicist, Scott Spencer - Book Author

Similar Movies

The Way We Were; The Dead
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Waking the Dead

Theatrical poster
Directed by Keith Gordon
Produced by Jodie Foster
Keith Gordon
Stuart Kleinman
Linda Reisman
Written by Robert Dillon (screenplay)
Scott Spencer (novel)
Starring Billy Crudup
Jennifer Connelly
Molly Parker
Janet McTeer
Paul Hipp
Sandra Oh
Hal Holbrook
Music by tomandandy
Cinematography Tom Richmond
Editing by Jeff Wishengrad
Distributed by Polygram USA
Release date(s) March 24, 2000
Running time 105 minutes
Country USA
Language English
Budget $8,500,000 (est.)
Gross revenue $327,418 (USA)

Waking the Dead is a 2000 American drama film directed by Keith Gordon. The screenplay by Robert Dillon is based on the 1986 novel of the same name by Scott Spencer.

Contents

Plot

The film flashes back and forth between the 1970s and 1980s and centers on the relationship between Fielding Pierce, a young Coast Guard officer with political ambitions, and radical and idealistic Roman Catholic Sarah Williams, who is drawn to programs designed to better the lives of the underprivileged and has mixed feelings about his career goals.

In the opening scene, Fielding sees a television news program reporting Sarah's death in a Minneapolis car bombing following a church-organized excursion to Chile to feed the poor and organize resistance to the oppressive right-wing government. He never quite recovers from the news, and he finds himself increasingly haunted by the past, in which the couple were as romantically close as they were politically apart, divided by his desire to work within the system and her conviction that it's the root of all evil. His obsession with Sarah slowly puts his career, forthcoming marriage, and sanity in jeopardy.

The question of whether or not Sarah actually was killed remains unresolved as Fielding's sister Caroline reports having seen her on the street some years later and Fielding himself supposedly meets her after being elected to the United States Congress, only to wonder afterwards if she merely was a hallucination.

Principal cast

Production

The film was shot in Montréal, Québec with a budget of USD $8.5 million. The character portrayed by Ed Harris was eliminated from the completed film, although he is seen briefly on a television screen. Sandra Oh appears in one short scene and has little dialogue; a longer scene with her was deleted but is included as an extra feature in the DVD release.

Casting

Filming began on February 4, 1998 and ended on January 15, 1999.

Before Billy Crudup was cast as Fielding Pierce, Tom Cruise, Tom Hanks and Kevin Spacey were also considered.

Brooke Shields was originally cast as Sarah Williams, but ultimately turned the role down due to the erotic nature of the film. Jessica Alba, Christina Applegate, Drew Barrymore, Neve Campbell, Cameron Diaz, Brittany Murphy, Christina Ricci, Winona Ryder, Tori Spelling, Britney Spears, Hilary Swank and Liv Tyler auditioned for the lead role to ease Shields' departure, but they lost out to Jennifer Connelly. Coincidentally, Connelly's character in the 1986 film Labyrinth was also named Sarah Williams.

Soundtrack

Reception

Waking the Dead debuted at the Sundance Film Festival in January 2000. It opened in Brazil one week later and Austria in February and was shown at the Santa Barbara International Film Festival in early March before going into limited release in North America later that month. It went on to gross $327,418 in North America, well below its budget.[1]

In his review in The New York Times, Stephen Holden wrote, "In falling short of its goal, the movie raises the question of whether it's possible to film an intelligent tear-jerker that prompts us to think and cry at the same time. Or are serious suds and serious ideas a cinematic oxymoron? At its best, Waking the Dead suggests an intellectually upscale answer to Love Story. At its weakest, it comes off as a stiff, muted exercise in countercultural nostalgia ... [it] makes a terrible mistake by continually and abruptly cutting back and forth between the 70s and the early 80s. The movie is forever stumbling over itself and breaking its own spell. At exactly the moment it begins to draw us in to one of its stories, it makes another leap, and the mood is broken. Because it barely distinguishes between the two decades, the flashbacks have none of the resonance of treasured memories".[2] Roger Ebert of the Chicago Sun-Times said the film "has a good heart and some fine performances, but is too muddled at the story level to involve us emotionally. It's a sweet film. The relationship between Sarah and Fielding is a little deeper and more affectionate than we expect in plot-driven melodramas".[3] Entertainment Weekly gave the film a "C" rating and Lisa Schwarzbaum wrote, "the arbitrariness of the lovers' passion and the somber hysteria with which the novelist and filmmaker treat every issue, whether it's South American dictatorship or female armpit hair, is enough to anesthetize the living".[4] In his review for the Chicago Reader, Jonathan Rosenbaum wrote, "I can cite only one unequivocal reason for seeing Waking the Dead, and that's Jennifer Connelly ... What makes Connelly so remarkable isn't her character's radicalism but her capacity to keep the character fresh every time she appears and to leave a lingering impression that makes the hero's (and the movie's) sense of loss acute".[5] In the San Francisco Chronicle, Mick LaSalle called it "a film teeming with riches. One of the most powerful romances of recent years, it is as generous as they come ... an intelligent tale told with go-for-broke passion ... Crudup and Connelly are splendid together ... Waking the Dead gives us acting at its biggest and most beautiful".[6] In his review for the Los Angeles Times, Kevin Thomas wrote, "The seeming presence of Sarah creates a special challenge for Gordon and his stars, and that Waking the Dead deals with it so imaginatively, makes the film all the richer and provocative an experience".[7]

Awards

Robert Dillon was nominated for the Independent Spirit Award for Best Screenplay but lost to Kenneth Lonergan for You Can Count on Me.

Historical Events

There actually was a car bombing on American soil that resulted in the death of a prominent Chilean dissident. In 1976, in Washington D.C., Orlando Letelier and his American assistant, Ronni Moffitt, were both killed by a remote-controlled car bomb set by Chilean operatives.[8]

See also

References

External links


 
 

 

Copyrights:

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Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Waking the Dead (film)" Read more