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Walls of Akendora

 
Album Review: Walls of Akendora

  • Artist: Keiko Matsui
  • Rating: StarStarStarStar
  • Release Date: April 05, 2005
  • Type: Instrumental
  • Genre: Jazz

Review

Although her press materials since 2000 have trumpeted her two wins as "Best Female Artist" at the National Smooth Jazz Awards, the brilliant Japanese-born keyboardist and composer is secure enough in her genius, spirituality, and vast popularity (1.2 million units sold to date) that she never limits herself to one genre. Her recent Narada albums have been a happily unpredictable mixed bag, with 2002's The Ring exploring her new age and classical influences and 2004's Wildflower going in a worldbeat direction, no doubt in connection with her charitable efforts on behalf of the U.N.'s World Food Program in Africa. Matsui fanatics will no doubt be jumping all over maps of her homeland looking for a place called "Akendora," but it's a place of her own creation, where she runs to spend contemplative moments and find peace. Wherever it is, fans of her jazzier side are going to love this collection. It includes trademark moments of lush piano amidst big, booming percussive and orchestral drama ("Akendora's Clock"), but focuses more on spirited, even swinging jazz, both free-form (as on the busy, trumpet-laced, scratch-heavy, urban-flavored jam "Overture for the City") and ultra-smooth (the laid-back, catchy, and hooky midtempo ballad "Gentle Sands"; the fun and playful "Canvas"). Unlike most releases categorized as smooth jazz, this is infused throughout with Matsui's unexpected creative textures. "Blue Butterfly" starts out like a typical new age number before evolving into a spacy, ambient jazz exercise complete with wild piano runs and distant horn calls. Husband and producer Kazu Matsui's unique, bass-bubbling production textures on "Crystal Shadow" turn its mainstream melody into a hypnotic, thought-provoking piece. And her early genre classic "Mountain Shakedown" is given a post-millennial spruce-up, complete with trip-hop production textures, a sped-up bassline, and some extra piano improvisation. One could literally go on for days trying to verbally capture the hundreds of surprises that fill a 44-minute Matsui project. She's hard to categorize but always an innovative delight to listen to. ~ Jonathan Widran, All Music Guide

Tracks



CD 1

Track TitleComposersPerformersTime
Overture for the City Keiko Matsui Keiko Matsui (4:14)
Crystal Shadow Keiko Matsui Keiko Matsui (4:06)
Mountain Shakedown Keiko Matsui Keiko Matsui (4:09)
Canvas Keiko Matsui Keiko Matsui (4:34)
Akendora's Clock Keiko Matsui, Kazu Matsui Keiko Matsui (4:58)
Walking Through It Keiko Matsui Keiko Matsui (4:37)
Blue Butterfly Keiko Matsui Keiko Matsui (4:35)
Gentle Sands Keiko Matsui Keiko Matsui (4:36)
Walls of Akendora Kazu Matsui, Keiko Matsui Keiko Matsui (3:58)
Bay of Destiny Kazu Matsui, Keiko Matsui Keiko Matsui (4:09)


CD 2

Track TitleComposersPerformersTime
1942, from Russia [DVD][*] Keiko Matsui Keiko Matsui
Ruins of Sonora [DVD][*] Keiko Matsui
Bronze Casting [DVD][*] Keiko Matsui
Water Lily [DVD][*] Keiko Matsui
Light in the Rain [DVD][*] Keiko Matsui
Safari [DVD][*] Keiko Matsui
The Wind and the Wolf [DVD][*] Keiko Matsui
Deep Blue [DVD][*] Keiko Matsui
Wildflower [DVD][*] Keiko Matsui
Road Movie [DVD][*] Keiko Matsui

Credits

Andrew Slade (Assistant), Cheep Hiroishi (Programming), Hajimi Hyakkoku (Programming), Derek Nakamoto (Arranger), Masaaki Hamano (Make-Up), Hajimi Hyakkoku (Arranger), Kazu Matsui (Producer), Masaaki Hamano (Hair Stylist), Heigo Yokouchi (Arranger), Heigo Yokouchi (Programming), Takashi Tei (Engineer), Shuichi Tsunoda (Photography), Kazushige Hirasawa (Cover Design), Takahiro Natori (Piano Tuner), Cristihan Gutterre (Executive Producer), Cheep Hiroishi (Arranger), Takashi Tei (Mixing), Derek Nakamoto (Programming)
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Copyrights:

Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more