Walter De Maria

 
Art Encyclopedia:

Walter De Maria

(b Albany, CA, 1 Oct 1935). American sculptor. He studied history at the University of California, Berkeley (1953-7), and then art, under David Park (MA, 1959). In 1960 he moved to New York where he associated with other Californians including the sculptor and painter Robert Morris, the dancer Yvonne Rainer (b 1934) and the composer La Monte Young (b 1935). His sculpture of the early 1960s reveals a debt to Dada and other 20th-century avant-garde movements then under revision by young artists. His simple, often cryptically inscribed works owe much of their oblique spirit and deadpan execution to Marcel Duchamp's ready-mades, yet they explore the appeal of pure, usually serialized forms, which become characteristic of Minimalism.

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Wikipedia: Walter De Maria
"Seen/Unseen Known/Unknown" at Naoshima, Kagawa prefecture, Japan
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"Seen/Unseen Known/Unknown" at Naoshima, Kagawa prefecture, Japan

Walter De Maria is an American sculptor and composer.

Walter De Maria was born in Albany, California on October 1, 1935. He studied history and art at the University of California, Berkeley from 1953 to 1959. De Maria moved to New York in 1960. His early sculptures from the 1960s were influenced by Dada and other modern art movements. This influence led De Maria into using simple geometric shapes and industrially manufactured materials such as stainless steel and aluminum – materials which became characteristic of Minimal art. In the mid 1960s, he became involved in various artistic activities. He appeared at happenings, composed two musicals (Cricket Music, 1964; Ocean Music, 1968), and produced two films (Three Circles and Two Lines in the Desert; Hardcore, both 1969). He was also the drummer in the New York rock group The Velvet Underground for a short time.

From 1968 he produced Minimalist sculptures and Installations such as the Munich Erdraum of 1968. He realized Land art projects in the deserts of the southwest US, with the aim of creating situations where the landscape and nature, light and weather would become an intense, physical and psychic experience. After De Maria, the notion of the work of art is intended to make the viewer think about the earth and its relationship to the universe. De Maria is considered the pioneer in the development of Minimal art, Conceptual art, and Land art.

The Lightning Field (1977) is De Maria’s best-known work. It consists of 400 stainless steel posts arranged in a calculated grid over an area of 1 mile × 1 km. The time of day and weather change the optical effects. It also lights up during thunder storms.

Hurd, P (ed.) 2000, The Prestel Dictionary of Art and Artists in the 20th Century, Prestel Verlag, Munich.

Mccord, R. "The Lightning Field. Santa Fe Always Online. http://www.sfaol.com/mccord/lightning.html


 
 

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