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Walter Gibbons

 
Artist: Walter Gibbons
  • Died: 1994
  • Active: '70s, '80s
  • Genres: Rhythm & Blues
  • Instrument: DJ, Mixing, Producer
  • Representative Albums: "Mixed With Love: The Walter Gibbons Salsoul Anthology," "Disco Boogie"

Biography

One of the dance figures whose influence and exposure far exceeds his actual name-recognition association, Walter Gibbons pioneered the concept of the remix and 12-inch single in America. Influenced by Jamaican dub producers, Gibbons began altering tracks for his DJ sets in the early '70s, then took his innovations to the studio and recorded the first commercially available remix singles. He started his career as a DJ, and became one of the most popular mixers in New York by the early '70s. Gibbons began working for Salsoul Records in 1976, and recorded his first remix singles that year, Double Exposure's "Ten Percent" and the Salsoul Orchestra's "Nice 'N' Nasty." Utterly transformed with the addition of echo/reverb effects borrowed from dub and drum breaks, the singles influenced dozens of producers (and DJs).

As well, the tracks' influence hardly ended away from the dancefloor. Released on the 12-inch vinyl format at a cheap price, they became incredibly popular and soon spurred other labels (including the majors) to begin releasing their own 12-inch remix singles as well. Gibbons also worked on tracks for West End and Gold Mind during the late '70s, but was inactive for several years. He returned in 1984 with his most seminal record yet, a classic on New York's growing garage scene known as "Set It Off." Gibbons' original soon became the "Roxanne, Roxanne" of the garage community, swamped by dozens of remakes and answer tracks, including versions by C. Sharp, Maquerade, Number 1 and Strafe (the latter is undoubtedly the most-heard and definitive). He also remixed a 1986 Arthur Russell single for Sleeping Bag, Indian Ocean's "Tree House/School Bell," but later left the recording industry altogether. He died in 1994. ~ John Bush, All Music Guide
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Walter Gibbons (April 2, 1954 - September 23, 1994) was an American record producer, early disco DJ and remixer.

Contents

Influence

He was an important part of the early 1970s New York disco underground scene, influencing garage and House music DJs like Frankie Knuckles and Larry Levan. He also laid the foundations for early 1980s experimental Chicago house music. [1][2] One of the early pioneers of beat-mixing, and known for considerably more skillful mixing than many better known dj's at the time, he is cited by many early pioneers of the house-music scene as an influence. His "Disco Blend" remix of Double Exposure's "Ten Percent" was once described by UK DJ Ashley Beedle as providing a "blueprint for house music".

Style

Gibbons was known as "the DJ's DJ" because his peers would go out of their way to go hear him play. Kool DJ Herc brought Dub to the New York City music scene, where Gibbons and other remixers played it and applied dub techniques to dance music. He played disco songs, focusing more on the percussion than the melody, and "stretched out the grooves so much that they teetered on the edge of motionlessness." [1] Like Arthur Russell, who recorded with him, Gibbons "used dub as a dislocating device, preventing disco's simple groove from developing under the dancers' feet."[1]

Salsoul

He enjoyed a long association with Salsoul Records at the end of the 1970s. His DJ skills, punctuality and seriousness convinced Salsoul to assign him the remix of "Ten Percent", by Double Exposure), even though he had never produced. It was the first commercially available 12-inch single in the world. This was his best known remix.

His remix of "Hit and Run" by Loleatta Holloway was a surprise hit (he had considerably lengthened the recording and even removed Holloway's first two verses of vocals).

In 2004, Salsoul / Sussd' Records released a triple cd compilation with Walter's remixes for the lable.
It is called "Mixed with Love (Walter Gibbons Salsoul Anthology)". It is comprised of three discs, being #1 The Madness Begins..., #2 The Madness Continues... and #3 Total Insanity. These feature Gibbons' mixes of tracks by the likes of Loleatta Holloway, The Salsoul Orchestra, Double Exposure, First Choice, Love Commitee and Anthony White among others. The tracks feature the 12 mix and the Disco Madness mix of some of the tracks like Loleatta Holoway's "Catch Me on the Rebound" - a different version is found on each of the three cds.

The Anthology also includes a 40 page booklet with an essay, on Walter Gibbons work, by Tim Lawrence, author of "Love Saves the Day: A History of American Dance Music Culture 1970-79".

Tributes

The 1996 album "Walter's Room" was Black Science Orchestra's homage to Gibbons, released in London on Junior Boy's Own Records. [1]

Gibbons became a reborn Christian in the 1980s, but still managed to turn out cutting edge mixes during this period (he simply focused on songs and lyrics that did not offend his beliefs). He died of AIDS related symptoms in 1994.

References

  1. ^ a b c d Shapiro, Peter (2000). Modulations: A History of Electronic Music. Caipirinha Productions, Inc.. p. 70. ISBN 0819564982. 
  2. ^ Reynolds, Simon (1998). Generation Ecstasy: Into the World of Techno and Rave Culture. Little, Brown and Co.. ISBN 0415923735. 

External links



 
 
Learn More
Walter's Room (1996 Album by Black Science Orchestra)
Indian Ocean (Rock Band, '80s)
Salsoul Essentials (1999 Album by Various Artists)

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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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