Career Highlights: The Streets of San Francisco, Lady in a Cage, 633 Squadron
First Major Screen Credit: Manhunt in Space (1954)
Biography
A former stage director, Walter Grauman turned to films in 1957. Most of Grauman's big-screen efforts were unremarkable, with the exception of his taut 1964 thriller Lady in a Cage. He is best known for his TV work on such weekly series as The Untouchables and The Twilight Zone. Walter Grauman has also directed a wealth of worthwhile TV-movies and miniseries, among them The Old Man Who Cried Wolf (1970), The Streets of San Francisco (1971), The Memory of Eva Riker (1980), Bare Essence (1982), and the slicked-down 1981 remake of Valley of the Dolls. ~ Hal Erickson, All Movie Guide
Walter E. Grauman (born March 17, 1922 in Milwaukee, Wisconsin) is an American director of stage shows, theatrical films and television shows.
Grauman lived in Wisconsin and in Arizona as a child and served for 4 years in the United States Army Air Force before moving to California, where his mother was living at the time. After spending a few years running his own business, Grauman eventually took a job as stage manager at NBC's studios in Los Angeles. During his stint working at the network, he and relative (by marriage) Alan Armer developed a talent-show type program that proved popular, setting the mold for shows like Star Search and American Idol to follow. In 1957, Grauman turned to films, directing "The Disembodied" for the "B film" division of Allied Artists Studios, which was headed by friend Walter Mirisch. Although he directed only five theatrical films, Grauman had one of the most active and long lasting television careers in history which included work on such shows as "The Fugitive", "Route 66", "The Streets of San Francisco" and "The Twilight Zone". He also reportedly helped to get Michael Douglas one of his first jobs as a lead on "The Streets of San Francisco".
Mr. Grauman directed 633 Squadron, a WWII film about a fictional sqaudron in the British RAF. In interviews, George Lucas has commented that he patterned the "trench run" sequence in Star Wars: Episode IV on a scene from this film. (See the article on 633 Squadron for more information.)