(b West Suffield, CT, 9 April 1844; d New York, 14 Aug 1896). American sculptor. Between 1869 and 1872 he studied at the Ecole des Beaux-Arts in Paris under Fran?ois Jouffroy and worked as an assistant to Jean-Baptiste Carpeaux. Warner returned to New York in 1872 with a sound technical training and an intimate knowledge of the current French Beaux-Arts style but initially struggled to make a living. Portrait busts and medallions, such as his characteristically boldly modelled relief Chief Joseph (1889; Washington, DC, N. Mus. Amer. A.), accounted for the majority of his production; he did much to establish low-relief sculpture in America. Critical recognition came with busts of his two friends, Daniel Cottier (1878; New York, N. Acad. Des.) and J. Alden Weir (bronze, 1880; New York, Amer. Acad. A. & Lett.), and with the seated, ideal nude Diana (1887; New York, Met.). These works reveal his development of a personal brand of the Beaux-Arts style that combined his innate strength as a modeller with a restrained and classical sensibility.
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