The unprepossessing title notwithstanding, Dory Previn's second and last album for Warner Brothers is uncommonly excellent. It reintroduced her as an optimistic soul, utterly bare of the morbidity of yore, or at least able to present it from a far cheerier perspective. Which isn't to suggest she had become cute; she could still prick an over-inflated ego ("The Comedian") and wrestle with ongoing mental anxieties ("Wild Roses"), but she was a far weightier prospect musically. Here she gave her finest vocal performance in "Woman Soul," gingerly experimented with reggae on "Fours" and cheekily rewrote Lear's "The Owl and the Pussycat" as a modern gender-battle piece. ~ Charles Donovan, All Music Guide
Credits
Jack Jeffers (Trombone), Todd Sommer (Drums), Arthur Jenkins (Percussion), Ron Carter (Bass), Ronelle Stafford (Vocals), Frank Floyd (Vocals), Ernie Royal (Trumpet), Peter Jameson (Guitar), Dory Previn (Guitar), Cissy Houston (Vocals), Wayne Andre (Trombone), Jonathan Dorn (Horn), John Tropea (Guitar), Burt Collins (Trumpet), Frank Wess (Wind), Stefan Fischer (Arranger), Eric Weissberg (Bass), Arthur Jenkins (Keyboards), Joseph J. Shepley (Trumpet), John Sussewell (Drums), Phil Bodner (Wind), Don McLean (Banjo), Deborah McDuffie (Vocals), Patti Austin (Vocals), Eunice Peterson (Vocals), Bill Eaton (Producer), Joel Dorn (Producer), Eric Weissberg (Banjo), Dom Um Romão (Percussion), Keith Loving (Guitar), Judy Clay (Vocals), Francisco Centeno (Bass), Dory Previn (Vocals), Hank Jones (Piano), Seldon Powell (Wind), Ronald Zito (Drums), Billy Slapin (Wind), Bill Eaton (Vocals), David Carey (Percussion)
We're Children of Coincidence and Harpo Marx
(1976)
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We're Children of Coincidence and Harpo Marx was the sixth solo studio LP by Dory Previn, released in 1976 by the Warner Brothers label. Apart from the download tracks Planet Blue made available in 2002, it was her last set of recordings.