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We Were the Mulvaneys (Critical Overview)

 
Notes on Novels: We Were the Mulvaneys (Critical Overview)

Contents:

Introduction
Author Biography
Plot Summary
Characters
Themes
Style
Historical Context
Criticism
Sources
Further Reading


Critical Overview

With few exceptions, We Were the Mulvaneys accomplishes the rare yet often hoped-for balance of being embraced by both critics and the book-buying public. With an initial 1996 print run of 75,000 copies, the novel was clearly expected to be popular. Attention to the book soared, however, when it was announced as the first selection of 2001 for Oprah's Book Club. After that, hundreds of thousands of copies were bought. Though the 2002 movie adaptation was made for a cable television network, its three Emmy award nominations helped draw attention to an even wider audience.

When the book debuted, most critics were enthusiastic about it. For example, Joanne V. Creighton, writing in the Chicago Tribune, announces at the start of her review, "We Were the Mulvaneys is a major achievement that stands with Oates' finest studies of American life," going on to call it, "capacious, riveting and moving." This assessment is echoed by a reviewer for Publishers Weekly, who describes the book as "Elegiac and urgent on tone," and who concludes, "the prose is sometimes prolix, but the very rush of narrative, in which flashbacks capture the same urgency of tone as the present, gives this moving tale its emotional power." A Booklist reviewer notes that "Oates' latest novel is a tragic, compelling tale," and adds the prediction: "Her legion of fans will be pleased."

Reviewing the book for the Washington Post, Dwight Garner points out how easy it would be to "undervalue" the work of a writer who is as productive as Oates. "By now it's become trite to exclaim at the length of Oates' books, or at the sheer abundance of them." He later insists: "It would be a mistake, however, to underestimate We Were the Mulvaneys." Garner finds that the book's subject justifies Oates's style: "The busy spill of her sentences is a perfect match for the tumble of big-family life."

A 1996 review in Glamour, however, uses a less serious tone: "Injustices pile up," its reviewer writes after a short summary, "and so, unfortunately, do Oates' essentially familiar themes: Life is Random! People are cruel! One wrong turn and you're finished! Still, Oates makes her twenty-sixth novel fresh and psychologically affecting as she probes the destruction and resurrection of an American nuclear family." While that review hints at sarcasm, the review by Gayle Hanson in the Washington Times a few months later is openly disdainful, noting that "Joyce Carol Oates' We Were the Mulvaneys is long on cliché-driven verbiage and short on insight, with a plot that could have been lifted from a community college course called the Dysfunctional Family in American Literature."


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