| Artist: Wendy O. Williams |
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| Discography: Wendy O. Williams |
| Actor: Wendy O. Williams |
| Filmography: Wendy O. Williams |
| Wikipedia: Wendy O. Williams |
| Wendy O. Williams | |
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 Wendy O. Williams
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| Background information | |
| Birth name | Wendy Orlean Williams |
| Born | May 28, 1949 Webster, New York |
| Origin | Webster, New York, USA |
| Died | April 6, 1998 (aged 48) Storrs, Connecticut |
| Genres | Punk rock, Heavy metal |
| Occupations | Singer |
| Years active | 1978–1988 |
| Associated acts | Plasmatics |
Wendy Orlean Williams (May 28, 1949 – April 6, 1998), better known as Wendy O. Williams, was the lead singer for the American punk band the Plasmatics, whose stage theatrics included blowing up equipment, near nudity and chain-sawing guitars.
Dubbed "The Queen of Shock Rock," Williams was widely considered the most controversial and radical female singer of her day.[1] She often sported a Mohawk haircut. Williams was nominated in 1985 for a Grammy in the Best Female Rock Vocal category during the height of her popularity as a solo artist.
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Williams was born in Webster, New York. She attended R.L. Thomas (public) High School in Webster at least partway through the tenth grade, but apparently left school before graduating. At the age of 16, she hitchhiked her way to Colorado where she earned money selling crocheted string bikinis.[2] She headed for Florida and then to Europe, where she worked as a macrobiotic cook in London and then as a dancer with a gypsy dance troupe.[3] In 1976 she arrived at the Port Authority Bus Terminal in New York City where she saw an ad in Show Business Magazine that lay open on the bus station floor. It was a casting call for radical anti-artist and Yale MFA graduate Rod Swenson's experimental "Captain Kink's Theatre". She replied to the ad and there was immediate chemistry between Swenson, known as Captain Kink, and Williams, which began a 22-year relationship that would see her launched as lead singer of the punk/metal rock group the Plasmatics some two years later. With their debut in New York City clubs in 1978, Williams and the Plasmatics took the underground scene by storm.[neutrality disputed]
In January 1981 police in Milwaukee arrested her for simulating sex on stage. Also charged with battery to an officer and obscene conduct, she was later cleared. Later that same year in Cleveland, Ohio Williams was acquitted of an obscenity charge for simulating sex on stage wearing only shaving cream. Then, in November, an Illinois judge sentenced her to one year supervision and fined her $35 for roughing up a freelance photographer who had attempted to take her picture as she jogged along the Chicago lakefront.
Meanwhile, the Plasmatics toured the world, once getting banned in London, where the press dubbed them "anarchists". During shooting of an appearance on NBC's SCTV comedy program in 1981, studio heads said they would not air Williams unless she changed out of a stage costume that revealed her nipples. Williams refused. The show's make-up artists found a compromise and painted her breasts black.
In 1984, she released the "W.O.W." album, produced by Gene Simmons of KISS. KISS members Paul Stanley, Ace Frehley, Eric Carr and Vinnie Vincent also perform on the album.
In 1985 Wendy starred in The Rocky Horror Show Live at the Westport Playhouse in St. Louis. The show played for over six months, but a nation wide tour fell through.
In 1986, she starred in Tom DeSimone's indie-film Reform School Girls. Neither she nor manager Rod Swenson liked the film when it came out, but at this point the producers had heard Kommander of Kaos (her second solo album) and wanted to include 3 tracks from the album in the movie score. They approached Rod about producing the title track for the film and having Wendy sing it. The band reluctantly agreed to do it. Uncle Brian from the Broc joined Rod as co-producer and also played sax. He also appeared in the video that the film company had asked Rod to produce and direct, playing the sax and wearing a tutu.
In 1987, she starred as the part-time friend/enemy in the underground spy world to the title character on Fox's The New Adventures of Beans Baxter. The Plasmatics' last tour was in late 1988. Williams appeared in Pucker Up and Bark Like a Dog, directed by Paul S. Parco, in 1990.
In 1988, Wendy put out another solo album, this time a "Thrash Rap" album called Deffest and Baddest under the name "Ultrafly and the Hometown Girls."
In 1991, Williams moved to Storrs, Connecticut, where she lived with her long-time companion and former manager, Rod Swenson, and worked as an animal rehabilitator and at a health food store in Manchester, Connecticut.[2] She explained this move by saying that she "was pretty fed up dealing with people."[4]
Despite her reputation as a fearsome performer, Williams in her personal life was deeply devoted to the welfare of animals, a passion that included a vegetarian diet, working as a wildlife rehabilitator and being a natural foods activist. In one TV talk show appearance on KPIX's The Morning Show, she accused Debbi Fields (of "Mrs. Fields" cookie fame) of being "no better than a heroin pusher" for using so much processed white sugar in her products.[5]
Williams died at age 48 in 1998 of a self-inflicted gunshot wound in a wooded area near her home. While some argued she committed suicide rather than compromise her art, Swenson reportedly described her as "despondent" at the time of her death.[6] This is what she is said to have written[7] in a suicide note regarding her decision:
| “ | I don't believe that people should take their own lives without deep and thoughtful reflection over a considerable period of time. I do believe strongly, however, that the right to do so is one of the most fundamental rights that anyone in a free society should have. For me, much of the world makes no sense, but my feelings about what I am doing ring loud and clear to an inner ear and a place where there is no self, only calm. | ” |
Gene Simmons, Joey Ramone, and many others issued statements on her achievement at the time of her death. On Motörhead's 1999 live album Everything Louder Than Everyone Else, before the song "No Class", Motörhead vocalist Lemmy said that he wanted to dedicate this song officially to her.[8]
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