Whale Rider is a 2002 drama film directed by Niki Caro, based on the novel of the same name by Witi Ihimaera. The world première was on September 9, 2002, at the Toronto International Film Festival.
Plot
The movie's plot follows the story of Paikea Apirana ("Pai") at the age of 12 who is the only living child in the line of the tribe's chiefly succession because of the death of her twin brother and mother during childbirth. By tradition, the leader should be the first-born son — a direct patrilineal descendant of Paikea, the Whale Rider — he who rode atop a whale from Hawaiki. However, Pai is female and technically cannot inherit the leadership.
Pai's grandfather Koro Apirana, or Old Paka as his wife Nanny Flowers calls him (according to the book, this is an affectionate version of "old bugger"), the leader of the tribe, is initially angry at losing his grandson and being left with a "worthless" female. While he does later form an affectionate bond with his granddaughter, carrying her to school every day on his bicycle, he also resents her and blames her for many of the troubles facing the tribe. At one point Paikea decides to leave with her father because her grandfather is mistreating her. However she finds that she cannot bear to leave the sea as the whale seems to be calling her back, tells her father to turn the car back and returns home. Pai's father refuses to assume traditional leadership; instead he moves to Germany to pursue a career as an artist. Pai herself is interested in the leadership, learning traditional songs and dances, but is given little encouragement by her grandfather. Pai feels that she can become the leader, although there's no precedent for a woman to do so, and is determined to succeed.
Koro decides to form a cultural school for the village boys, hoping to find a new leader. He teaches the boys to use a taiaha (fighting stick). This is traditionally reserved for males. However, Nanny tells Pai that her second son, Pai's uncle, had won a taiaha tournament in his youth while he was still slim, so Pai secretly learns from him. She also secretly follows Koro's lessons. One of the students, Hemi, is also sympathetic towards her, but Koro is enraged when he finds out, particularly when she wins her taiaha fight against Hemi. Koro's relationship with Pai erodes further when none of the boys succeed at the traditional task of recovering the rei puta (whale tooth) that he threw into the ocean — this mission would prove one of them worthy of becoming leader.
Pai, in an attempt to bridge the rift that has formed, invites Koro to be her guest of honour at a concert of Māori chants that her school is putting on. Unknown to all, she had won an inter-school speech contest with a touching dedication to Koro and the traditions of the village. However, Koro was late, and as he was walking to the school, he notices that numerous right whales are beached near Pai's home. The entire village attempts to coax and drag them back into the water, but all efforts prove unsuccessful; even a tractor doesn't help because the rope breaks. Koro sees it as a sign of his failure and despairs further. He admonishes Pai against touching the largest whale because "she has done enough damage" with her presumption. Also, the largest whale traditionally belongs to the legendary Paikea. But when Koro walks away, she climbs onto the back of the largest whale and coaxes it to re-enter the ocean. The whale leads the entire pod back into the sea; Paikea nearly drowns in the process. When she goes out to sea, Nanny Flowers (Koro's wife and Pai's grandmother) shows Koro the whale tooth which Pai had previously recovered. When Pai is found and brought to the hospital, Koro declares her the leader and asks her forgiveness. The film ends with the village, including Pai's father, uncle, and grandparents, celebrating her status as leader, as the finished waka is hauled into the sea for its maiden voyage.
While the plot of the book is basically the same, it pays less attention specifically to Pai/Koro though, and mainly focuses from a perspective of narration by Rawiri; in the film, Pai herself is the narrator. It clearly expresses the deep resentment felt by her grandfather, and Pai's longing to gain his respect as the rift opens between them.
Production and awards
Produced by South Pacific Pictures, on the East Coast of New Zealand's North Island, the movie has received highly favourable praise from international critics and audiences and won a number of international film-festival awards, including:
Keisha Castle-Hughes was nominated for an Academy Award for Best Actress for her performance, becoming the youngest actress ever nominated for the award. She was 13 years old at the time.
Awards and nominations
Academy Awards:
Chicago Film Critics Association:
Image Awards:
Independent Spirit Awards:
- Best Foreign Film (winner)
Satellite Awards
Screen Actors Guild:
Washington DC Area Film Critics Association:
Cast
See also
External links
