Conventional contemporary wisdom says that performing covers of beloved pop classics is a cheap way to lure the curious. But when care is taken to create an entire imaginative tribute to a great artist, with no two arrangements alike, some latitude should be in order. On his eclectic reworking of all the songs on Marvin Gaye's legendary What's Going On, saxman Everette Harp happily genre-hops between Marvin-esque '70s soul (complete with wah-wah guitar), slow and steady blues, straight-ahead jazz, and hip-hop. As on his previous efforts, Harp reaches his most inspired moments by weaving his trademark edgy alto fire with his lesser-known but still potent talents on EWI and flute, most notably on the trancelike dreamscape of "Flyin' High." Not that he needs much help, but all-star contributions by George Duke, Kirk Whalum, and Najee lead to some of the set's most memorable jamming. In particular, Najee's flute and Harp's sax play a cunning game of cat and mouse on the Latin-flavored "Right On." The only time the name-dropping fails is on "Save the Children," where pretentious spoken vocals by Arsenio Hall and Dawnn Lewis detract from the seductive underlying textures. ~ Jonathan Widran, All Music Guide
Howard Hewett (Vocals), Howard Hewett (Performer), Kenny Loggins (Vocals), Kenny Loggins (Performer), George Duke (Piano), George Duke (Performer), Najee (Flute), Michael James (Strings), Yolanda Adams (Vocals), Yolanda Adams (Vocals (Background)), Yolanda Adams (Performer), Charlie Bisharat (Strings), Kirk Carr (Choir, Chorus), Kirk Carr (Vocal Arrangement), Linsey Fiddmont (Vocals (Background)), Ray Fuller (Guitar), Gary Grant (Trumpet), Arsenio Hall (Speech/Speaker/Speaking Part), Arsenio Hall (Performer), Melissa "Missy" Hasin (Strings), Everette Harp (Flute), Everette Harp (Arranger), Everette Harp (Keyboards), Everette Harp (Programming), Everette Harp (Saxophone), Everette Harp (Vocals (Background)), Everette Harp (Producer), Everette Harp (Engineer), Everette Harp (Main Performer), Everette Harp (?), Everette Harp (Executive Producer), Everette Harp (EWI), Everette Harp (Vocal Arrangement), Everette Harp (Horn Arrangements), Everette Harp (Editing), Everette Harp (Mixing), Jerry Hey (Trumpet), Jerry Hey (Horn Arrangements), Doc Powell (Guitar), Doc Powell (Performer), Munyungo Jackson (Percussion), Larry Kimpel (Bass), Maxayn Lewis (Vocals (Background)), Valerie Mayo (Vocals (Background)), Lori Perry (Vocals (Background)), Greg Phillinganes (Organ), Greg Phillinganes (Arranger), Kevin Reeves (Editing), Lil' John Roberts (Drums), Steve Sykes (Engineer), Wally Traugott (Mastering), David Van De Pitte (Arranger), David Van De Pitte (Orchestration), Kirk Whalum (Sax (Tenor)), Kirk Whalum (Performer), Wil Wheaton (Vocals (Background)), Don Wyatt (Piano), Erik Zobler (Engineer), Erik Zobler (Mixing), Troy Clark (Choir, Chorus), Andy Goldsworthy (Photography), Andy Goldsworthy (Sculpture), Doug Scott (Editing), Paul Erickson (Engineer), Mike Ainsworth (Assistant Engineer), Ben Wallach (Assistant Engineer), Reggie C. Young (Trombone), Mark Hollingsworth (Sax (Baritone)), Yvette Williams (Choir, Chorus), Cassie Bonner (Vocals (Background)), Walter Canady (?), Chaz Lamar (Choir, Chorus), Sherron Bennett (Choir, Chorus), Andrea Mellini (Choir, Chorus), Dawnn Lewis (Speech/Speaker/Speaking Part), Andrew Eccles (Photography), Lil John Roberts (Drums), Iris Howse (Choir, Chorus), J.R. Reynolds (Liner Notes), Fred White (Vocals (Background))
