Share on Facebook Share on Twitter Email
Answers.com

What's the 411?

 
Album Review: What's the 411?

  • Artist: Mary J. Blige
  • Rating: StarStarStarStarStar
  • Release Date: 1992 07
  • Total Time: 51:59
  • Type: Contains explicit content
  • Genre: Rhythm & Blues

Review

With this cutting-edge debut, Mary J. Blige became the reigning queen of her own hybrid category: hip-hop soul. In retrospect, it is easier to place the album into the context of her career and, as such, to pinpoint the occasions when it runs wide of the rails. For instance, the synthesizer-heavy backdrops ("Reminisce," "Love No Limit") are sometimes flatter or more plastic than either the songs or Blige's passionate performances deserve, while the answering-machine skits, much-copied in the wake of What's the 411?, haven't worn well as either stand-alone tracks or conceptual segues. Despite the minor flaws, the music is indeed revelatory on a frequent basis. "Real Love" and the gospel-thrusted "Sweet Thing" (the primary reason for the Chaka Kahn comparisons) are and likely will always remain timeless slices of soul even after their trendiness has worn off, and "You Remind Me" and the duet with Jodeci's K-Ci ("I Don't Want to Do Anything") are nearly as effecting in their own right. It is nevertheless unclear how much of the hip-hop swagger in her soul was a genuine expression of Blige's own vision or that of her admittedly fine collaborators (Svengali Sean "Puffy" Combs, R&B producers Dave Hall and DeVante Swing, rap beatsmith Tony Dofat, rapper Grand Puba). Certainly the singer comes across as street-savvy and tough -- "real," in the lingo of the day -- and even tries her hand at rhyming on the title track, but never again would her records lean this heavily on the sonic tricks of the rap trade. The eloquence and evocativeness that comes through in her voice, on the other hand, could be neither borrowed nor fabricated, making What's the 411? one of the decade's most explosive, coming-out displays of pure singing prowess. A momentous album, it is not Blige's finest. In fact, those who prefer their soul more stirring, heart-on-sleeve, or close to the bone would likely find her fluid, powerfully vulnerable next recording (My Life) or one of the consistently strong subsequent efforts that followed it more to their liking. For broad appeal and historical importance, though, What's the 411? is an inarguably paramount and trailblazing achievement. ~ Stanton Swihart, All Music Guide

Tracks

Track TitleComposersPerformersTime
Leave a Message Sean "Puffy" Combs, Tony Dofat Tony Dofat (3:38)
Reminisce (Lyrics) Kenny "G-Love" Greene, Dave Hall Mary J. Blige (5:24)
Real Love (Lyrics) Mark Morales, L.A. Reid Mary J. Blige (4:32)
You Remind Me (Lyrics) Eric Milteer, Dave Hall Mary J. Blige (4:19)
Intro Talk Busta Rhymes, Tony Dofat Tony Dofat (2:17)
Sweet Thing Chaka Khan, Tony Maiden Tony Dofat (3:46)
Love No Limit (Lyrics) Kenny "G-Love" Greene, Dave Hall Mary J. Blige (5:01)
I Don't Want to Do Anything (Lyrics) Darryl Pearson, DeVante Swing, Joel "JoJo" Hailey Mary J. Blige, Cedric "K-Ci" Hailey (5:52)
Slow Down (Lyrics) Mark Morales, L.A. Reid, Joseph E. Keeley Mary J. Blige (4:33)
My Love (Lyrics) Kenny Greene, Dave Hall Mary J. Blige (4:14)
Changes I've Been Going Through (Lyrics) Sean "Puffy" Combs, Mark Morales, L.A. Reid Mary J. Blige (5:15)
What's the 411? Tony Dofat Grand Puba, Mary J. Blige (4:13)

Credits

Christopher Williams (?), Little Shawn (?), Grand Puba (Vocals (Background)), Grand Puba (Harmony Vocals), Grand Puba (Performer), Billy Lawrence (Vocals (Background)), Mary J. Blige (Vocals), Mary J. Blige (Vocals (Background)), Mary J. Blige (Main Performer), Tabitha Brace (Vocals (Background)), Busta Rhymes (Vocals), Sean "Puffy" Combs (Producer), Tony Dofat (Producer), Tony Dofat (Performer), Tony Dofat (?), Steven Ett (Engineer), Mike Fonda (Engineer), André Harrell (?), David Kennedy (Engineer), Clark Kent (?), Tony Maserati (Engineer), Mark Morales (Producer), Mark Morales (Drum Machine), Darryl Pearson (Multi Instruments), Darryl Pearson (?), Gordon Picket (Programming), L.A. Reid (Keyboards), L.A. Reid (Vocals (Background)), L.A. Reid (Producer), Terri Robinson (Vocals (Background)), C.L. Smooth (?), DeVante Swing (Keyboards), DeVante Swing (Multi Instruments), DeVante Swing (Producer), Jamie Brown (?), Andy Grassi (Engineer), Cedric "K-Ci" Hailey (Harmony Vocals), Cedric "K-Ci" Hailey (Performer), Kurt Juice (?), Dave Hall (Drums), Dave Hall (Keyboards), Dave Hall (Producer)
Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Wikipedia: What's the 411?
Top
What's the 411?
Studio album by Mary J. Blige
Released July 28, 1992
Recorded 1991–1992
Genre Hip hop soul, new jack swing
Length 51:59
Label Uptown, MCA
Producer Puff Daddy (exec.), L. A. Reid, Mark Morales, Mark C. Rooney, Dave Hall, Devante Swing, Tony Dofat
Professional reviews
Mary J. Blige chronology
What's the 411?
(1992)
What's the 411? Remix
(1993)
Singles from What's the 411?
  1. "You Remind Me"
    Released: June 23, 1992
  2. "Real Love"
    Released: August 25, 1992
  3. "Reminisce"
    Released: 1992
  4. "Sweet Thing"
    Released: April 3, 1993
  5. "Love No Limit"
    Released: June 18, 1993

What's the 411? is the debut album by American recording artist Mary J. Blige, released July 28, 1992. Upon being signed to Uptown Records, she began working with record producer Puff Daddy. The album spawned five singles, including "You Remind Me" and "Real Love".

What's the 411? peaked at number six on the Billboard 200 and topped the Top R&B/Hip-Hop Albums chart. The album was certified three times Platinum by the Recording Industry Association of America (RIAA). It received generally favorable reviews from music critics, who noted Blige's strong, soulful voice. She was also praised for combining hip hop and soul music, subsequently earning her the title "Queen of Hip Hop Soul".

Contents

Background

At the age of 17, Blige recorded a cover version of Anita Baker's "Caught Up in the Rapture" in a recording booth at a local mall. Her mother's boyfriend at the time later played the cassette to recording artist and A&R runner for Uptown Records, Jeff Redd.[5] Redd then sent it to the president and chief executive officer of the label, Andre Harrell. Blige met with Harrell in 1990 and performed sang for him.[6][7] She was signed to Uptown and became the label's youngest and first female recording artist.[8]

Recording and music

After being signed to Uptown Records, Blige began working with record producer Puff Daddy.[7] He became the executive producer and produced a majority of the album.[9] The title, What's the 411?, derived from Blige's past occupation as a 4-1-1 operator;[10] it was also an indication by Blige of being the "real deal".[11] The album contains elements of hip hop soul and new jack swing,[1][12] The music was described as "revelatory on a frequent basis".[1] Blige was noted for having a "tough girl persona and streetwise lyrcs", which gave the album "a gritty undertone and a realism missing from much of the devotional love songs ruling the charts at that time".[4] Havelock Nelson of Entertainment Weekly expressed that Blige "bends her gospel-bred pipes around streetwise collages consisting of hard drumbeats, rugged rap samples, and hazy synthesizer lines", describing déjà vu of "the most accomplished fusions of soul values and hip-hop to date".[3]

The album begins with "Leave a Message", a collection of Blige's answering machine messages over a drum beat. The following two tracks, "Reminisce" and "You Remind Me", are melancholy songs that are overlaid with hip hop beats.[13] A cover of Chaka Khan's "Sweet Thing" followed.[14]

Critical reception

What's the 411? received generally favorable reviews from music critics. Blige received comparisons to recording artists Chaka Khan, Caron Wheeler and Anita Baker.[1][3] Her voice was described as "powerful" and "soulful". David O'Donnell of BBC Music complimented Blige's "sweet, soulful vocals", in line with Puff Daddy's "rough, jagged, hip-hop beats made for a winning combination that remains".[2] The album lead to Blige being dubbed as the reigning "Queen of Hip Hop Soul".[1] Stanton Swihart of Allmusic called the album "the decade's most explosive, coming-out displays of pure singing prowess".[1] O'Donnell argued that the album is "one of the most important albums of the nineties".[2] The album earned Blige two Soul Train Music Awards in 1993: Best New R&B Artist and Best R&B Album, Female.[15]

What's the 411? peaked at number six on the Billboard 200 and topped the Top R&B/Hip-Hop Albums chart.[16] It also peaked at number 53 on the UK Albums Chart.[17] It was certified three times Platinum by the RIAA.[18] Blige became the best new female R&B artist of 1993 in the United States.[19]

Retrospect

Blige's combination of vocals over a hip hop beat became influential in R&B.[20] She is credited for creating the hybrid genre hip hop soul,[1] as well as pioneering neo soul.[4] Along with Puff Daddy, Blige attributed to the "sample-heavy sound that reinvigorated urban radio", which became "a blueprint for nineties hip-hop and R&B".[21]

Track listing

# Title Featured guest(s) Producer(s) Length
1 "Leave a Message" Puff Daddy for The Hitmen 3:38
2 "Reminisce" Dave Hall and Puff Daddy 5:24
3 "Real Love" Mark C. Rooney and Mark Morales 4:32
4 "You Remind Me" Dave Hall 4:19
5 "Intro Talk" Busta Rhymes Puff Daddy for The Hitmen 2:17
6 "Sweet Thing" Mark C. Rooney and Mark Morales 3:46
7 "Love No Limit" Dave Hall 5:01
8 "I Don't Want to Do Anything" K-Ci DeVante Swing 5:52
9 "Slow Down" Mark C. Rooney and Mark Morales 4:33
10 "My Love" Dave Hall 4:14
11 "Changes I've Been Going Through" Puff Daddy for The Hitmen, Mark C. Rooney and Mark Morales 5:15
12 "What's the 411?" Grand Puba Puff Daddy for The Hitmen 4:13

Personnel

  • Clark Kent – engineer
  • Billy Lawrence – background vocals
  • Little Shawn – background vocals
  • Tony Maserati – engineer
  • Mark Morales – producer, drum machine
  • Darryl Pearson – multi-instruments
  • Gordon Picket – programming
  • L. A. Reid – keyboards, background vocals, producer
  • Busta Rhymes – vocals
  • Terri Robinson – background vocals
  • C. L. Smooth – keyboards
  • DeVante Swing – keyboards, multi-instruments, producer
  • Christopher Williams – background vocals

Charts

Chart (1992) Peak
position
Certification
UK Albums Chart[17] 53
U.S. Billboard 200[16] 6 Platinum[18]
U.S. Billboard Top R&B/Hip-Hop Albums[16] 1

Notes

  1. ^ a b c d e f g Swihart, Stanton. "Whats the 411? - Review". Allmusic. http://allmusic.com/cg/amg.dll?p=amg&sql=10:wcftxqu5ld6e~T1. Retrieved 2009-07-24. 
  2. ^ a b c O'Donnell, David (2008-12-12). "Mary J. Blige What's The 411? Review". BBC Music. http://www.bbc.co.uk/music/reviews/84qv. Retrieved 2009-07-24. 
  3. ^ a b c Nelson, Havelock (1992-08-07). "What's the 411? - Music Review". Entertainment Weekly. Time. http://www.ew.com/ew/article/0,,311343,00.html. Retrieved 2009-07-24. 
  4. ^ a b c Brackett & Hoard 2004, p. 83
  5. ^ Whetstone, Muriel L. (1995-10). "Goin' Down and Up with Mary J. Blige". FindArticles. CBS Corporation. pp. pp. 1–3. http://findarticles.com/p/articles/mi_m1077/is_n12_v50/ai_17502823/. Retrieved 2009-07-24. 
  6. ^ Watrous, Peter (1992-08-26). "The Pop Life". The New York Times. The New York Times Company. pp. p. 2. http://www.nytimes.com/1992/08/26/arts/the-pop-life-166892.html. Retrieved 2009-07-24. 
  7. ^ a b "Stardom Shaped By the Street and the Makers of Image". The New York Times. The New York Times Company. 1995-08-05. http://www.nytimes.com/1995/08/06/arts/stardom-shaped-by-the-street-and-the-makers-of-image.html. Retrieved 2009-07-24. 
  8. ^ "Mary J. Blige: Biography". Rolling Stone. Wenner Media. http://www.rollingstone.com/artists/maryjblige/biography. Retrieved 2009-07-24. 
  9. ^ Reid, Shaheem; Oh, Minya (2003-03-14). "Mary J. Blige Teams Up with 50 Cent, P. Diddy to Discuss Love and Life". MTV News. http://www.mtv.com/news/articles/1470525/20030313/index.jhtml. Retrieved 2009-07-24. 
  10. ^ Yeransian, Leslie (2006-06-22). "Mary J. Blige: From the Projects to Hip-Hop Soul Queen". ABC News. pp. p. 1. http://abcnews.go.com/GMA/SummerConcert/story?id=2103220. Retrieved 2009-07-24. 
  11. ^ Bailey 2009, p. 15
  12. ^ DiMartino, Dave (1992-11-20). "Close-up: Mary J. Blige". Entertainment Weekly. Time. http://www.ew.com/ew/article/0,,312436,00.html. Retrieved 2009-07-24. 
  13. ^ "Mary J Blige, Rose Hall, New York 16 October". The Observer. Guardian News & Media. 2005-11-20. http://observer.guardian.co.uk/omm/reviews/story/0,13875,1644898,00.html. Retrieved 2009-07-24. 
  14. ^ "Blige's Biggest". The News & Observer. The McClatchy Company. 2007-12-16. http://www.newsobserver.com/print/sunday/arts/story/832806.html. Retrieved 2009-07-24. 
  15. ^ Warner & 2008, p. 325
  16. ^ a b c "What's the 411? (1992)". Billboard. Nielsen Business Media. http://www.billboard.com/#/album/mary-j-blige/what-s-the-411/48980. Retrieved 2009-07-24. 
  17. ^ a b "Chart Stats: Mary J. Blige - What's the 411?". Chart Stats. http://www.chartstats.com/albuminfo.php?id=13356. Retrieved 2009-07-24. 
  18. ^ a b "RIAA - Gold & Platinum". RIAA. http://riaa.com/goldandplatinumdata.php?resultpage=1&table=SEARCH_RESULTS&title=411&artist=mary%20j%20blige&sort=Artist&perPage=25. Retrieved 2009-07-24. 
  19. ^ McAleer 1995, p. 307
  20. ^ Horan, Tom (2002-04-23). "Blige blows Brum's socks off". The Daily Telegraph. Telegraph Media Group. http://www.telegraph.co.uk/culture/music/rockandjazzmusic/3576286/Blige-blows-Brums-socks-off.html. Retrieved 2009-07-24. 
  21. ^ Brown, Ethan (1999-09-13). "There's Something About Mary". New York. New York Media. http://nymag.com/nymetro/arts/music/features/1461/. Retrieved 2009-07-24. 

References

  • Bailey, Diane (2009). Mary J. Blige. The Rosen Publishing Group. ISBN 1435850556. 
  • Brackett, Nathan; Hoard, Christian David (2004). The New Rolling Stone Album Guide: Completely Revised and Updated 4th Edition. Simon & Schuster. ISBN 0743201698. 
  • McAleer, Dave (1995). All Music Book of Hit Albums: The Top 10 U.S. and U.K. Album Charts from 1960 to the Present Day. Hal Leonard Corporation. ISBN 087930393X. 
  • Warner, Jay (2008). Notable Moments of Women in Music. Hal Leonard Corporation. ISBN 1423429516. 

 
 

 

Copyrights:

Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "What's the 411?" Read more

 

Mentioned in