Performed by: Gwen Stefani
Written by: Linda Perry; Gwen Stefani
Credits: Perry, Linda (Songwriter); Stefani, Gwen (Songwriter); HARAJUKU LOVER MUSIC (Publisher); SONY/ATV HARMONY (Publisher); STUCK IN THE THROAT MUSIC (Publisher)
| Lyrics: What You Waiting For? |
Performed by: Gwen Stefani
Written by: Linda Perry; Gwen Stefani
Credits: Perry, Linda (Songwriter); Stefani, Gwen (Songwriter); HARAJUKU LOVER MUSIC (Publisher); SONY/ATV HARMONY (Publisher); STUCK IN THE THROAT MUSIC (Publisher)
| Wikipedia: What You Waiting For? |
| "What You Waiting For?" | ||||
|---|---|---|---|---|
| Single by Gwen Stefani | ||||
| from the album Love. Angel. Music. Baby. | ||||
| Released | September 28, 2004 | |||
| Format | 12" single, digital download | |||
| Recorded | Home Recordings, London, England and Henson Recording Studios, Hollywood, California, United States | |||
| Genre | Pop rock New Wave Electropop |
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| Length | 3:41 | |||
| Label | Interscope | |||
| Writer(s) | Gwen Stefani, Linda Perry | |||
| Producer | Nellee Hooper | |||
| Certification | Platinum (ARIA) Gold (RIAA)[1] |
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| Gwen Stefani singles chronology | ||||
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"What You Waiting For?" is a song written by Gwen Stefani and Linda Perry for Stefani's 2004 debut solo album Love. Angel. Music. Baby. The song is the album's opening track, and was released as its first single. "What You Waiting For?" details Stefani's lack of inspiration, fear of producing the album, as well as her reaction to pressures exerted by her record label. The song is primarily a New Wave song but also has influences from Electropop, and introduces Stefani's four back-up dancers, the Harajuku Girls, who had a major input into the album's production.
"What You Waiting For?" was released as the album's lead single; according to Stefani, as an "explanation for doing the record".[2] The single sold well, reached the top twenty in many countries, and topped the charts in both Argentina and Australia. It was certified gold in the United States, and was nominated for Best Female Pop Vocal Performance at the 47th Grammy Awards. It was well received by critics, and was frequently cited as a highlight of the album. The song has been remixed a number of times, and was covered by the indie rock band Franz Ferdinand.
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During the night of the 2003 Grammy Awards, Perry forced Stefani into a chokehold, and demanded that they were "gonna write songs together!". Stefani reluctantly agreed.[3] Soon after, Stefani finished the Rock Steady Tour with her band No Doubt, and took a call from her label, who informed her that Perry was in a studio ready to collaborate, and that she [Perry] "only [had] five days out of the whole year to work with [her]."[4][5] Stefani has since admitted that she was frustrated by not being able to see her husband Gavin Rossdale, and was intimidated at the thought of collaboration, in particular with Perry, who she did not feel was qualified to write dance music. Stefani was exhausted by the recently completed tour,[4][5] and shortly afterwards suffered an emotional breakdown, which she spent in bed crying.[4]
During their first day of work, the two wrote a song entitled "Fine by You", which Stefani later described as "a stupid love song, but really good".[6] Perry remarked that the song "wasn't right," and the track was excluded from the album.[7] The session was unproductive, due in part to Stefani's self-consciousness and writer's block, and she at one stage broke down in tears in the studio.[8][9] Stefani has since admitted that writing songs without her band members felt "humiliating and intimidating even if they're sweet and excited, because you're drowning in their creativity".[8]
That night, Perry began work on another track, which she played for Stefani the next day to motivate her.[6] Stefani was impressed with the track, and Perry asked her "What are you waiting for?"[4] According to Perry, Stefani took the question as a dare, replying, "You're totally challenging me, right?"[7] The two began writing lyrics for the New Wave-styled song based on Stefani's writer's block and fears about making a solo record, and it grew into "What You Waiting For?"[2]
Stefani came up with the idea of the Harajuku Girls while writing the song. Stefani first saw the women of Harajuku, known for their unique style drawing from Gothic Lolita and cyberpunk fashion, in 1996 and had admired them since.[6][10] She decided to mention them in the line "Harajuku girls, damn you got some wicked style," and the concept grew into a running theme on Love. Angel. Music. Baby., which went as far as to feature one song named after and dedicated to them.[6]
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"What You Waiting For?" is an electropop/New Wave song composed in common time and in the key of G minor.[11] It is written in verse-chorus form,[11] and its instrumentation comes from the guitar and electronic keyboard.[12] The song opens with an emotional piano solo as a tribute to Stefani's time with No Doubt.[11][13] The verse begins at only 60 beats per minute and gradually slows,[11] mixed with sounds of applause from the audience.[14] A beat set at 138 BPM begins, and Stefani repeats the phrase "tick-tock", commonly interpreted as a reference to her maternal clock and the pressures she felt about producing the album.[11][15]
Stefani creates an argument between lyrical personas by alternating her vocal range and point of view. Stefani's vocal range spans nearly two octaves in the song, from G3 to F5.[11] In a melody similar to that of Weezer's "Hash Pipe",[16] one side of Stefani's personality sings in a higher range in the first person, and the other, more confident personality sings lower in the second-person.[13] During the verses, the more nervous personality discusses her concerns about leaving No Doubt for a solo career as well as the ephemeral success of female singers in the music industry.[17] The chorus is a boost of confidence for her[13] and continues the song's time motif with the lines "Look at your watch now/You're still a super hot female". Backed by perfect octave dyads,[11] Stefani sings a verse about her excitement for her future, and the two personalities merge into one during the coda.[13]
"What You Waiting For?" received very positive reviews from critics. Pitchfork Media gave the song a strong review, rating it four and a half stars, and labeled it "fucking great".[14] It went on to rank the song sixteenth on its list of the top 50 singles of 2004.[18] Blender noted the song's New Wave influence by stating that it could start a revival of Missing Persons,[19] and The Village Voice compared the "giddy, yodeling vocals" to those of Lene Lovich's 1981 song "New Toy".[20] PopMatters was mixed on the song, calling the opening "awkward" and the refrain "ridiculously dumb", but arguing that the song "is so frivolous and stupid that it winds up being brilliant; it pretends to be nothing more than party bubblegum and achieves its artistic criteria beautifully."[21] Slant Magazine agreed, stating that "it's this impishness that helps make 'What You Waiting For' one of the hottest 'arrival' songs of all time".[22] PlayLouder found the track's production "crisp" and "edgy",[23] and LAUNCHcast called the song "itchily irresistible".[24] Contactmusic.com gave the song a nine out of ten rating, commenting that it has "irresistible commercial pull and a melody to die for" and that the track "makes the most of her unmistakable vocal and reflects that off-the-wall Stefani personality perfectly."[25] OMH Media gave the song a negative review, stating that "it'll become one of those tracks that's irritatingly catchy - but on this initial listening, Ms Stefani's debut solo effort is just plain irritating."[26]
Many reviewers considered the track one of the album's highlights. Entertainment Weekly gave Love. Angel. Music. Baby. a C+ rating but called the track "one of the album's undeniable highs".[27] In its review of the album, Pitchfork Media said that "we can't expect 12 more cuts as personal or urgent as debut single 'What You Waiting For'...one of the best electro songs this year."[28] The BBC stated that it "stands out as the best track on the album for the way it pits storming beats against enthusiastic lyrics" and compared the song to Goldfrapp's 2003 single "Strict Machine".[29] Eric Greenwood of Drawer B Media, who said that the album "fails on every level", also commented that "if this album had even two more songs this immediate and catchy, then I'd stick my neck out for it, but, sadly, it's the only song worth listening to."[16].It was also performed in the Latest Buzz pilot episode dubbed as Glimmer.
In the United States, "What You Waiting For?" debuted on October 23, 2004 at number ninety-three on the Billboard Hot 100. It reached a peak at number forty-seven on December 4, 2004 and remained on the chart for a total of twenty weeks.[30] The song topped the Hot Dance Music/Club Play chart, but only had moderate success on the pop charts, reaching number seventeen on the Top 40 Mainstream and number twenty-four on the Adult Top 40.[31] The song was certified gold by the Recording Industry Association of America in February 2005.[32] Additionally, the song was nominated for best Best Female Pop Vocal Performance at the 2005 Grammy Awards, but lost to Norah Jones' "Sunrise".[33]
Elsewhere, the song's reception was stronger. In Canada, it debuted in the top forty on the singles chart before reaching number twenty-four in January 2005.[34] It debuted at number four in the United Kingdom and remained on the chart for fifteen weeks, unable to reach a higher position.[30] The single performed well across most of Europe, reaching the top ten in Austria, Belgium, Denmark, Finland, France, Ireland, Italy, the Netherlands, Norway, Russia, and Sweden.[34] In Latin America the single debuted at number fourteen on December 19, 2004[35] and peaked at number six four weeks later.[36]
In Australia, the single debuted at the top of the ARIA Singles Chart on November 22, 2004 and stayed there for two weeks. It stayed within the top three through January 17, 2005 and dropped off the chart after fifteen weeks.[30] The single was certified platinum by the Australian Recording Industry Association.[37] On the 2004 end-of-year chart, the song charted at number twenty-six[38] and topped the dance chart.[39] The next year, it was listed at number forty on the singles chart[40] and number four on the dance chart.[41] The single reached number three on New Zealand's RIANZ Singles Chart and remained four months on the chart.[42]
The song's music video was directed by Francis Lawrence and produced by Caleb Dewart of DNA Inc.[43] The video deals directly with the lyrics' theme of Stefani's search for inspiration in songwriting. It opens with a lengthy non-musical section in which Stefani arrives in Los Angeles off of No Doubt's Rock Steady tour. She receives several calls from manager Jimmy Iovine, who attempts to push her forward with her solo debut project, but she replies that she is tired and uninspired. After a failed studio attempt, Stefani sees a flyer advertising help for writer's block. Upon arrival she fills out an unusual questionnaire and is then told that she'll be billed when she is finished. She asks for clarification only to discover that she is already back in the studio by herself. When Stefani picks up an oversized pocket watch from the piano, a rabbit knick-knack jumps across the room. She throws the watch at the knick-knack, causing her to fall back on her chair and find herself transported to a fantasy world based on Alice's Adventures in Wonderland and Through the Looking-Glass.
Stefani portrays several characters from the books, including Alice, the White Queen and the Red Queen, in dresses by British-Gibraltarian fashion designer John Galliano.[44] The video frequently cuts to Stefani back in the studio to show her singing and performing in semi-synchronization with her actions within her fantasy-world. As this transpires the song is recording itself. Stefani ultimately rediscovers her confidence, and her full awareness is transported back to the ordinary reality of the studio just as she dances in front of her four giggling Harajuku Girls. She then is presented with her bill by the consultant as a wooden chair topples to the floor.
There are four versions of the video. The full long version is one minute longer than the "Making The Video" version, while the cut version omits the scenes in which she leaves the airport and is sleepy and in which she fills out the questionnaire. The short version begins with Gwen practicing on the piano and her finding the watch just seconds after that. Her being billed is not shown in this version, so the video ends with the Japanese girls laughing at her performance.
The music video was well-received by many reviewers. Stylus Magazine referred to it as a short film, comparing it to Michael Jackson's "Thriller", and commented "I sigh with admiration and wish every video was this alive."[45] The video debuted on MTV's Total Request Live on October 18, 2004 at number eleven.[46] It reached the top of the chart and was there for three non-consecutive days,[47] remaining over five weeks on the program.[46] At the 2005 MTV Video Music Awards, the video was nominated for Best Editing and won the award for Best Art Direction.[48] In Canada, it only reached number eleven on the MuchMusic's Countdown, though it remained on the chart for eight weeks.[34] At the 2005 MuchMusic Video Awards, the video was nominated for Best International Video but lost to Usher's "Caught Up".[49] It won the award for Best Dressed Video at the first MTV Australia Video Music Awards.[50]
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Stuart Price (a.k.a Jacques Lu Cont) made the most well-known remix of the song, titled the "Thin White Duke Mix", which was included on the CD single. The track, over eight minutes long, is carried by a guitar riff and occasional chimes.[51] The remix received positive reviews from music critics. Pitchfork Media labeled it "outstanding",[52] and Stylus Magazine stated that it "endowed [the song] with a sense of grandeur".[53] About.com found the remix "moody and a bit hypnotic", commenting that it is "best suited for early-evening sets." Armand Van Helden created two remixes, the Armand Van Helden Remix and the Armand Van Helden Dub, which use only some of the original vocals and a new bassline constructed with synthesizers and some electric guitar. Felix da Housecat created the Rude Ho Mix, which uses more bass guitar and leaves out the original background vocals by Mimi Parker until the final verse.[51]
Alex Kapranos, guitarist and lead singer of Scottish indie rock band Franz Ferdinand, has worn a Gwen Stefani pin on a Members Only Jacket as a tribute to "What You Waiting For?".[54] In December 2005, the band performed a cover version of the song on Live Lounge, a segment of The Jo Whiley Show on BBC Radio 1. The cover includes the chorus from Billy Idol's 1983 song "White Wedding". In October 2006, the song was released as a part of the Radio 1's Live Lounge compilation, and the cover received mixed reviews. IndieLondon called the track "completely insane", stating that it "really has to be heard to be believed."[55] The Guardian found the cover smug, commenting that "one of Alex Kapranos's eyebrows [is] raised so high that it practically vacates his head."[56]
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| Preceded by "Just Lose It" by Eminem |
ARIA (Australia) number one single November 14, 2004–November 21, 2004 |
Succeeded by "These Kids" by Joel Turner & The Modern Day Poets |
| Preceded by "Walk into the Sun" by Dirty Vegas |
Billboard Hot Dance Club Play number one single December 25, 2004–January 1, 2005 |
Succeeded by "Lose My Breath" by Destiny's Child |
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