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Wheels of Fire

 
Album Review: Wheels of Fire

  • Artist: Cream
  • Rating: StarStarStarStar
  • Release Date: 1968 06
  • Total Time: 84:23
  • Genre: Rock

Review

If Disraeli Gears was the album where Cream came into their own, its successor, Wheels of Fire, finds the trio in full fight, capturing every side of their multi-faceted personality, even hinting at the internal pressures that soon would tear the band asunder. A dense, unwieldy double album split into an LP of new studio material and an LP of live material, it's sprawling and scattered, at once awesome in its achievement and maddening in how it falls just short of greatness. It misses its goal not because one LP works and the other doesn't, but because both the live and studio sets suffer from strikingly similar flaws, deriving from the constant power struggle between the trio. Of the three, Ginger Baker comes up short, contributing the passable "Passing the Time" and "Those Were the Days," which are overshadowed by how he extends his solo drum showcase "Toad" to a numbing quarter of an hour and trips upon the Wind & the Willows whimsy of "Pressed Rat and Warthog," whose studied eccentricity pales next to Eric Clapton's nimble, eerily cheerful "Anyone for Tennis." In almost every regard, Wheels of Fire is a terrific showcase for Clapton as a guitarist, especially on the first side of the live album with "Crossroads," a mighty encapsulation of all of his strengths. Some of that is studio trickery, as producer Felix Pappalardi cut together the best bits of a winding improvisation to a tight four minutes, giving this track a relentless momentum that's exceptionally exciting, but there's no denying that Clapton is at a peak here, whether he's tearing off solos on a 17-minute "Spoonful" or goosing "White Room" toward the heights of madness. But it's the architect of "White Room," bassist Jack Bruce, who, along with his collaborator Peter Brown, reaches a peak as a songwriter. Aside from the monumental "White Room," he has the lovely, wistful "As You Said," the cinematic "Deserted Cities of the Heart," and the slow, cynical blues "Politician," all among Cream's very best work. And in many ways Wheels of Fire is indeed filled with Cream's very best work, since it also captures the fury and invention (and indulgence) of the band at its peak on the stage and in the studio, but as it tries to find a delicate balance between these three titanic egos, it doesn't quite add up to something greater than the sum of its parts. But taken alone, those individual parts are often quite tremendous. ~ Stephen Thomas Erlewine, All Music Guide

Tracks



CD 1

Track TitleComposersPerformersTime
White Room (Lyrics) Jack Bruce, Pete Brown Cream (4:57)
Sitting on Top of the World Walter Vinson, Lonnie Chatmon Cream (4:56)
Passing the Time [Long Version] Ginger Baker, Mike Taylor Cream (5:45)
As You Said (Lyrics) Jack Bruce, Pete Brown Cream (4:19)
Pressed Rat and Warthog (Lyrics) Ginger Baker, Mike Taylor Cream (3:14)
Politician (Lyrics) Jack Bruce, Pete Brown Cream (4:11)
Those Were the Days (Lyrics) Ginger Baker, Mike Taylor Cream (2:53)
Born Under a Bad Sign (Lyrics) William Bell, Booker T. Jones Cream (3:09)
Deserted Cities of the Heart (Lyrics) Jack Bruce, Pete Brown Cream (4:36)
Anyone for Tennis (Lyrics) Eric Clapton, Martin Sharp Cream (2:39)


CD 2

Track TitleComposersPerformersTime
Crossroads [Live] Robert Johnson Cream (4:14)
Spoonful [Live] Willie Dixon Cream (16:45)
Traintime [Live] Jack Bruce Cream (6:52)
Toad [Live] Ginger Baker Cream (15:53)

Credits

Ginger Baker (Drums), Ginger Baker (Glockenspiel), Ginger Baker (Marimba), Ginger Baker (Tambourine), Ginger Baker (Vocals), Ginger Baker (Tympani [Timpani]), Ginger Baker (Tubular Bells), Ginger Baker (Recitation), Ginger Baker (Hi Hat), Jack Bruce (Guitar (Acoustic)), Jack Bruce (Bass), Jack Bruce (Harmonica), Jack Bruce (Calliope), Jack Bruce (Cello), Jack Bruce (Keyboards), Jack Bruce (Recorder), Jack Bruce (Vocals), Jack Bruce (?), Cream (Main Performer), Adrian Barber (Engineer), Adrian Barber (Remixing), Adrian Barber (Remastering), Eric Clapton (Guitar), Eric Clapton (Vocals), Tom Dowd (Engineer), Bill Halverson (Engineer), Felix Pappalardi (Organ), Felix Pappalardi (Trumpet), Felix Pappalardi (Viola), Felix Pappalardi (Producer), Felix Pappalardi (?), Felix Pappalardi (Swiss Hand Bells), Robert Stigwood (Arranger), Marcia McGovern (Coordination), Marcia McGovern (Pre-Production), Stanislaw Zagorski (Design), Martin Sharp (Artwork), Martin Sharp (Art Direction), Steve Hoffman (Producer), Steve Hoffman (Remastering)
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Wikipedia: Wheels of Fire
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Wheels of Fire
Studio album by Cream
Released July 1968
Recorded July 1967 – April 1968 at Atlantic Studios, New York City
Genre Blues-rock, psychedelic rock, hard rock
Length 84:23
Label Polydor (UK)
Atco (US)
Producer Felix Pappalardi
Professional reviews
Cream chronology
Disraeli Gears
(1967)
Wheels of Fire
(1968)
Goodbye
(1969)

Wheels of Fire is the name of a double album recorded by Cream. The release was largely successful, scoring the band a #3 peak in the UK and a #1 in the US, and became the world's first platinum-selling double album.[1]

The album was also released as Wheels of Fire (In the Studio) and Wheels of Fire (Live at the Fillmore) as two single albums, released together, with similar cover art except: In the UK, the studio album was black print on aluminium foil, while the Live at the Fillmore album was a negative image of the studio cover. In Japan, the studio album was black on gold foil, while the live album was black on aluminium foil. In Australia, both covers were laminated copies of the Japanese releases (it was never released as a double album in Australia). In 2003, the album was ranked number 203 on Rolling Stone magazine's list of the 500 greatest albums of all time.[2]

The sleeve was designed by Australian pop artist and cartoonist Martin Sharp, and it won the New York Art Directors Prize for Best Album Design in 1969.

Contents

Track listing

Disc one: In the Studio

Side 1

  1. "White Room" (Jack Bruce, Pete Brown) – 4:58
  2. "Sitting on Top of the World" (Walter Vinson, Lonnie Chatmon; arr. Chester Burnett) – 4:58
  3. "Passing the Time" 1 (Ginger Baker, Mike Taylor) – 4:37
  4. "As You Said" (Bruce, Brown) – 4:20

Side 2

  1. "Pressed Rat and Warthog" (Baker, Taylor) – 3:13
  2. "Politician" (Bruce, Brown) – 4:12
  3. "Those Were the Days" (Baker, Taylor) – 2:53
  4. "Born Under a Bad Sign" (Booker T. Jones, William Bell) – 3:09
  5. "Deserted Cities of the Heart" 2 (Bruce, Brown) – 3:38

Performers are "the Cream quartet" consisting of Clapton, Baker, and Bruce together with Felix Pappalardi, who plays many different instruments and is also credited with production.

^Note 1:  Some pressings of this album contain an alternative version of "Passing the Time". This "long version" is extended by 67 seconds, but also differs from the "extended version" included on Those Were the Days, which is longer by a further 8 seconds.

^Note 2:  Original U.S. pressings of Wheels of Fire incorrectly listed the running time of "Deserted Cities of the Heart" at 4:36.

Disc two: Live at the Fillmore

Side 3

  1. "Crossroads" (Robert Johnson, arr. Clapton) – 4:15 (recorded March 10, 1968 at Winterland, San Francisco, CA. (1st show))
  2. "Spoonful" (Willie Dixon) – 16:46 (recorded March 10, 1968 at Winterland, San Francisco, CA. (1st show))

Side 4

  1. "Traintime" 3 (Bruce) – 7:01 (recorded March 8, 1968 at Winterland, San Francisco, CA. (1st show))
  2. "Toad" (Baker) – 16:15 (recorded March 7, 1968 at Fillmore West, San Francisco, CA. (2nd show))

During the March 10 first set, "Spoonful" preceded "Crossroads", and though it seems as though "Traintime" aurally precedes "Toad", "Traintime" was recorded a day later, and expertly edited to seamlessly blend into the introduction to "Toad".

While the disc is labeled Live at the Fillmore, only "Toad" was recorded at Fillmore West. The other tracks were recorded live at the Winterland Ballroom in San Francisco.[3]

^Note 3:  While "Traintime" was written by Jack Bruce, original album pressings list "John Group" as the song's author. The "John Group" appellation dates back to Bruce's tenure with the Graham Bond Organisation (with whom Bruce originally recorded the song in 1965), and was used by that band to ensure that members other than Bond received songwriting royalties.[4]

Personnel

Additional personnel

Notes

  1. ^ Cream - the Band, The BBC.
  2. ^ Wheels of Fire, The Rolling Stone.
  3. ^ The Very Best of Cream (liner notes).
  4. ^ Liner notes to the CD version of the Graham Bond Organisation's The Sound of '65/There's a Bond Between Us, BGO Records, catalog no. BGOCD500, released in the UK 1999.

External links

Preceded by
The Beat of the Brass
by Herb Alpert and the Tijuana Brass
Billboard 200 number-one album
August 10 - September 6, 1968
Succeeded by
Waiting for the Sun by The Doors
Preceded by
The Graduate (soundtrack)
by Various artists
Australian Kent Music Report number-one album
December 7 - December 20, 1968
Succeeded by
The Beatles (The White Album)
by The Beatles

 
 

 

Copyrights:

Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Wheels of Fire" Read more