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Whitney Houston

 
Who2 Biography: Whitney Houston, Singer/Actor
Whitney Houston
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  • Born: 9 August 1963
  • Birthplace: Newark, New Jersey
  • Best Known As: Top-selling pop artist since the mid-1980s

Whitney Houston was one of the biggest female pop music stars of the 1980s and 1990s, thanks to hit singles like "Saving All My Love For You" and "I Wanna Dance With Somebody." The daughter of gospel singer Cissy Houston, Whitney had a modelling career before she was signed as a singer by Arista Records in 1983. In 1985 she released her first album, Whitney Houston, a Grammy-winner and international hit; her second album, 1987's Whitney, debuted at #1 on the charts. By the end of the '80s she had a string of number one hits and was one of MTV's biggest stars. Throughout the 1990s Houston continued to sell millions of records, with hit singles such as "My Love is Your Love" and her popular cover of Dolly Parton's "I Will Always Love You." Houston tried her hand at acting and landed lead love-interest roles in The Bodyguard (1992, with Kevin Costner) and The Preacher's Wife (1996, with Denzel Washington), and played the Fairy Godmother in the 1997 TV version Cinderella. She married singer Bobby Brown in 1992; their stormy relationship became fodder for the tabloids and seemed to lead to a decline in her career in the early 2000s, and in September of 2006 Houston filed for divorce. Houston's recent record releases have sold modestly, but her production company has had box office success with the films The Princess Diaries (2001, starring Anne Hathaway) and the Disney TV movie The Cheetah Girls (2003, starring Raven Symoné).

Houston is the cousin of singer Dionne Warwick... Houston was the subject of a widespread September 2001 rumor that she had died of a drug overdose.

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Biography: Whitney Houston
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Award-winning singer Whitney Houston (born 1963) made her name with her powerful voice and emotional renditions of love songs, becoming one of rhythm and blues' most popular stars and selling hundreds of millions of albums. She later branched out into acting and eventually became a business mogul, setting up production and recording studios as she continued to deliver pop music performances.

Though her style is characteristic of the vocal athleticism of rhythm and blues music in the post-hip-hop era, Whitney Houston has a star quality that recalls the entertainment dynamos of a previous generation: elegant, professional, and versatile. Despite criticism from some corners that she conveys more technique than feeling in her music, Houston has scored enough commercial victories in the mercurial pop world to gladden the heart of any music executive.

From the beginning of her career-with the highest-selling solo debut album in history-Houston went on to sell millions of copies of her subsequent releases and win numerous music awards. In 1992 she made her acting debut in a major motion picture, The Bodyguard, which became one of the most successful films in its company's history; her contributions to the film's soundtrack were also phenomenally popular. If there remained any show-business frontiers for Houston to conquer, none seemed beyond her reach. Yet, in the wake of a high-profile marriage and well-publicized motherhood, the entertainer has remained philosophical. "I almost wish I could be more exciting," she told Entertainment Weekly, "that I could match what is happening out there to me."

Music Was In Her Roots

Houston was born in East Orange, New Jersey on August 9, 1963, the daughter of John R. Houston-who would one day manage her production company-and acclaimed gospel singer Cissy Houston. Music was very much a part of her childhood. Her cousin Dionne Warwick was another successful chanteuse, and Houston grew up around such star vocalists as Aretha Franklin, Gladys Knight, and Roberta Flack. "When I used to watch my mother sing, which was usually in church, that feeling, that soul, that thing-it's like electricity rolling through you," she recalled to Anthony DeCurtis of Rolling Stone. "If you have ever been in a Baptist church or a Pentecostal church, when the Holy Spirit starts to roll and people start to really feel what they're doing, it's … it's incredible. That's what I wanted. When I watched Aretha sing, the way she sang and the way she closed her eyes, and that riveting thing just came out. People just … ooooh, it could stop you in your tracks."

Houston first sang publicly at the age of eight, performing "Guide Me, O Thou Great Jehovah" for a spellbound congregation at the New Hope Baptist Church. Four years later she was singing backups on recordings for such major stars as Chaka Khan and Lou Rawls. "I sound like my mother when my mother was my age," she told DeCurtis, "though I truly think my mother has a greater voice than me, because she's the master, I'm the student."

When she was 17, Whitney took a detour into modeling, appearing in magazines like Glamour and Seventeen. Her beauty and talent also got her acting jobs in episodes of two then-popular television programs, Silver Spoons and Gimme a Break. Houston ultimately found the fashion runway "degrading," as Ebony reported, and made her way back to music. She signed a management contract in 1981 and began seriously performing-both alone and with her mother. She was given the chance to sing the lead on the song "Life's a Party," which was recorded by the Michael Zager Band; Zager was so impressed by her voice that he offered her a record deal. Cissy declined the opportunity for her daughter, which turned out to be a wise decision. At a showcase performance in 1983, Arista Records president Clive Davis heard Houston perform and offered her a contract. This time Cissy's advise was to accept the offer, and Houston signed on.

First Album Reaped Awards

Davis took the new singer under his wing. Though she sang a duet with soul superstar Teddy Pendergrass that hit the charts in 1984, Houston would spend much of the next two years working with her mentor. Davis gathered successful songwriters and producers and helped put together the "package" that would make Houston a star. He calculated correctly: her self-titled debut album, released in March 1985, began a gradual ascent to the top of the charts. The first single, "You Give Good Love," made its way to the number three position and the second, a cover of the late-'70s hit "Saving All My Love for You," hit number one later that year. Houston received the 1986 Grammy award for best pop vocal performance and came home with five trophies from the US music awards as well. Two more singles also topped the charts: "How Will I Know" and "The Greatest Love of All."

Whitney Houston finally hit the top of the U.S. album chart a year after its release; a number of singles also topped the U.K. charts. Accolades for the singer continued: Houston received an Emmy for work in a television variety program and commenced touring. Her concerts sold out throughout both the U.S. and Europe. Though Houston was suddenly showered in acclaim, she had her share of detractors. Her choice of material was generally safe, critics complained. Houston's voice, though a remarkable instrument, failed to convey much emotion. As music commentator Nelson George opined to Newsweek, "There's not a wisp of soul on those singles."

Second Album Debuted at Number One

The simultaneously belittling and affectionate term "Prom Queen of Soul"-a parody of the royal sobriquet earned by fellow singer Aretha Franklin-was hard for Houston to shake. Yet the vocalist had only begun her meteoric rise. Her sophomore effort, Whitney, appeared in 1987 and debuted at the number one position on the Billboard chart-the first album by a female artist to do so. Its first single, "I Wanna Dance With Somebody (Who Loves Me)," rocketed to the top, followed by three other number-one hits: "Didn't We Almost Have It All," "So Emotional," and "Where Do Broken Hearts Go." The single "Love Will Save the Day" was a disappointment only when measured against Houston's other hits; it only made it to number nine. Meanwhile, "One Moment in Time," a ballad recorded by Houston for Arista's 1988 Olympics tribute album of the same name, topped the charts after Whitney ended its run. She continued to rack up awards, taking home the 1988 Grammy for "I Wanna Dance With Somebody" and, in January 1989, garnering both the female pop and soul/rhythm and blues vocal honors at the American Music Awards.

In addition to her activities in the musical arena, Houston has used her high public profile to aid causes she personally supports. She took time out of a busy schedule to headline at a birthday gala for South African leader Nelson Mandela at London's Wembley Arena.

Married Bobby Brown

It was at the Soul Train Music Awards in 1989 that Houston crossed paths with someone who would have a lasting effect on her life. She made the acquaintance of singer Bobby Brown, a popular "New Jack Swing" performer in his own right. The two didn't hit it off immediately. Houston later recalled in the interview with DeCurtis: "I always get curious when somebody doesn't like me. I want to know why." She invited Brown to a party; he accepted. As they got to know each other better, they realized their feelings surpassed mere friendship. "After a year or so, I fell in love with Bobby," Houston explained after detailing her rebuff of his first proposal. "And when he asked to marry me the second time, I said yes." The couple was married in July 1992.

Prior to this, Houston recorded and released I'm Your Baby Tonight. The album was a slight disappointment; it didn't perform as well as its predecessors and stopped climbing when it reached the number three position. Even so, I'm Your Baby, which featured the chart-topping single "All the Man That I Need," achieved triple platinum status. She received the 1990 Hitmaker Award at the Songwriters Hall of Fame and an invitation to the White House from President George Bush.

Around the same time, Houston was approached about a movie called The Bodyguard. Actor Kevin Costner, who planned to star in the film, was set on Houston for his female costar. He felt so certain that Houston was right for the role of imperiled singer Rachel Marron that he agreed to wait as long as she wanted-as long as she'd agree to do the film. "There are certain singers that occupy that territory that includes a world-class voice, real elegance, and a physical presence," Costner explained to Ebony. "Diana Ross and Barbra Streisand are two. Whitney Houston is another." But Houston would keep Costner waiting for quite some time.

Meanwhile, the singer was busy with other things. She sang the national anthem at the 1991 Super Bowl, a performance that crystallized strong patriotic sentiment during the period of U.S. involvement in the Persian Gulf War. There was a great demand for both a single and video of her rendition. She later sang the "Star Spangled Banner" again for returning troops at Norfolk Naval Air Station. However, Houston's prestige and success as an entertainer didn't protect her from rumors she found infuriating. These included speculation that she and Brown had a less-than-harmonious marriage. He had gained a reputation as "the bad boy of the business," and she was known as "the good girl."

Bodyguard Combined Acting and Singing

After two years, Houston went ahead with plans to star in The Bodyguard. "I kind of waited too long for Kevin," she told DeCurtis, recalling her decision to appear in the film. "He called one day and said, 'Listen, are you going to do this movie with me or not?' I told him about my fears. I said: 'I don't want to go out there and fall.' His response was: 'I promise you I will not let you fall. I will help you.' And he did." In exchange for help with her acting, Houston gave her costar tips on singing.

The Bodyguard is about a singer (played by Houston) who requires the protection of a bodyguard (Costner) after being harassed by an obsessive fan; a romance then develops between the star and her protector. Although Entertainment Weekly included The Bodyguard in a list of films exploring "interracial romance," color mattered little to the audience and was not even addressed in the film. "Whitney, in a sense, is to music and now to film what [actor-comedian Bill] Cosby was to television," noted Entertainment Weekly's Sheldon Platt. "The American middle class looks upon her as a person, and they extinguish other ethnic or racial boundaries." Houston herself observed, "I don't think it's a milestone that a black person and a white person made a movie together. I think for people to look at this color-blind is a milestone."

Critical response to the film was mixed. "Houston, the Olympian pop-soul diva, has moments of quickness and humor; she shows more thespian flair than many musicians," stated Owen Gleiberman in Entertainment Weekly. "Her presence, though, is defined by the same glassy perfection that makes her singing, for all its virtuosity, seem fundamentally anonymous. Whitney Houston is a diamond without flaws: Her cat-faced Mayan beauty is like a mask, and beneath it one never senses a glimmer of vulnerability, pain, doubt." Houston rebuffed such evaluations in Rolling Stone:" People loved this movie-the critics dogged it, but people loved it." Houston was pregnant for most of the period of the film's media blitz, and becoming a mother overshadowed any negative reviews. "There's been nothing more incredible in my life than having her," she declared of her daughter, Bobbi Kristina.

Mixed reviews didn't affect The Bodyguard's box-office success. It grossed $390 million worldwide by mid-1993. The soundtrack album, which featured six Houston performances, sold about 24 million copies. The biggest single generated from the soundtrack-and the longest-running number one single ever-was her rendition of Dolly Parton's "I Will Always Love You," which earned Houston two of her three Grammys in 1994.

In addition to her impressive showing at the Grammys, Houston took several other honors in 1994, including two Soul Train Awards, entertainer of the year honors at the National Association for the Advancement of Colored People's Image Awards, and seven American Music Awards. Entertainment Weekly had rated Houston number five among the top "Entertainers of the Year" for 1993. At the height of her professional game and happy with her new family, Houston was, in the magazine's phrase, "enjoying a success so relentless that nothing but sledge-hammered shards of conventional wisdom are left in its wake."

Success Tainted by Rumors

Despite success, Houston's life was not pure bliss in 1994. Redbook declared it her "toughest year of all." She had experienced a miscarriage while engaged in a demanding 22-city tour, weathered a barrage of criticism about how she was raising her daughter, and had to deal with a persistent stalker. In addition, some media pieces questioned her relationship with her female assistant, wondering if the two were sexually involved. Reports highlighted some of her allegedly impatient and odd behavior, such as snapping at fans that sought autographs. Rumblings of marital difficulties continued into 1995, compounded by the fact that Brown had spent time at the Betty Ford Clinic for alcohol abuse.

In late 1995, Houston starred in Waiting to Exhale, an adaptation of a popular novel by Terry McMillan about four black women struggling to find harmony in their lives. The soundtrack featured three songs by Houston and was produced by Kenneth "Babyface" Edmonds. Both the movie and its soundtrack were popular, with Houston holding her own in an ensemble cast also featuring Angela Bassett, Lela Rochon, and Loretta Devine. The following year she starred in The Preacher's Wife, about a young woman who is having difficulty in her marriage to a minister as they try to build a new church together. Though it was not critically well-received, she earned an NAACP Image Award in 1997 as outstanding lead actress for this role.

Houston announced in November of 1996 that she was pregnant again, but suffered another miscarriage that December. The following year saw her play the Fairy Godmother in a pet project of hers, the highly-rated CBS television movie Cinderella, which won an Emmy Award. However, the scrutiny of her behavior continued, spotlighting the fact that she canceled an appearance on the Rosie O'Donnell Show in November of 1997. She blamed her absence on a bout of stomach flu, but was seen out and about with her husband later that day. Also that year, she and Brown separated for about a month, but were soon back together. The next year, rumors escalated about possible drug use on the part of both of them, which Houston denied.

Despite having to bear more than an average share of celebrity gossip, Houston kept her career sailing nicely into the late 1990s. In late 1998, she recorded a new album while managing to run a record label, Better Place Records, and a film production company, Whitney's Brown House Productions. In the meantime, she kept up with television appearances and charity events-she formed the Whitney Houston Foundation for Children in 1989 and also lent her support to the United Negro College Fund, the Children's Diabetes Foundation, St. Jude's Children's Research Hospital, and various AIDS-related causes. The performer reflected on the years she invested in her craft in an Upscale magazine piece: "I started out working in little night clubs-sometimes getting paid, sometimes not-sometimes performing for 200 people, other times working in front of ten. Today, it's like people just want to jump out there and immediately become stars, but it takes time and it takes not giving up. It takes believing in one's self in spite of negativity and what people say."

Further Reading

Contemporary Musicians, edited by Julia Rubiner, Volume 8, Gale, 1993.

Rock Movers and Shakers, edited by Dafydd Rees and Luke Crampton, Billboard Books, 1991.

Ebony, January 1993, p. 118; December 1998, p. 156.

Entertainment Weekly, April 10, 1992, p. 8; December 4, 1992, pp. 42-43; December 25, 1992, p. 104; February 5, 1993, pp. 17-21; October 22, 1993, p. 40; December 31, 1993, p. 27; February 18, 1994, pp. 32-33; March 18, 1994, p. 103; January 10, 1997, p. 14; November 14, 1997, p. 6.

Essence, May 1997, p. 85.

Good Housekeeping, January 1997, p. 62.

Los Angeles Times, March 17, 1994, p. F10.

Newsweek, July 21, 1986, pp 60-61; November 23, 1998, p. 76.

Redbook, May 1995, p. 84.

Rolling Stone, June 10, 1993, pp. 46-49; January 27, 1994, p. 40.

Time, October 2, 1995, p. 89; December 4, 1995, p. 77.

Upscale, December 1993.

Internet Movie Database, March 3, 1999. http://us.imdb.com.

Black Biography: Whitney Houston
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singer; actor

Personal Information

Born on August 9, 1963, in East Orange, NJ; daughter of John R. and Cissy (a singer) Houston; married Bobby Brown (a singer), 1992; children: Bobbi Kristina (daughter).
Education: Graduated from parochial high school in New Jersey.

Career

Backup vocalist, 1975-; fashion model, c. late 1970s; signed with Arista Records, 1983; albums include: Whitney Houston, 1985; I'm Your Baby Tonight, 1990; My Love Is Your Love, 1999; Whitney: The Greatest Hits, 2000; actress, The Bodyguard, 1992; Waiting to Exhale, 1995; The Preacher's Wife, 1996; Cinderella, 1997; owner of Nippy, Inc., (New Jersey-based production company).

Life's Work

Though her style is characteristic of the vocal athleticism of R&B music in the post-Hip-Hop era, pop singer Whitney Houston has a star quality that recalls the entertainment dynamos of a previous generation: elegant, professional, and versatile. Despite criticism from some corners that her music conveys more technique than feeling, Houston has scored enough commercial victories in the mercurial pop world to gladden the heart of any music executive.

Houston was born in New Jersey in 1963, the daughter of John R. Houston--who would one day manage her production company--and acclaimed gospel singer Cissy Houston. Music was integral to her childhood; her cousin, Dionne Warwick, was also successful, and she grew up around such star vocalists as Aretha Franklin, Gladys Knight, and Roberta Flack. "When I used to watch my mother sing, which was usually in church, that feeling, that soul, that thing--it's like electricity rolling through you," she recalled to Anthony DeCurtis of Rolling Stone. "If you have ever been in a Baptist church or a Pentecostal church, when the Holy Spirit starts to roll and people start to really feel what they're doing, it's...it's incredible. That's what I wanted. When I watched Aretha sing, the way she sang and the way she closed her eyes, and that riveting thing just came out. People just...ooooh, it could stop you in your tracks."

Houston--nicknamed "Nippy," a moniker she would one day bestow on her production enterprise--first sang publicly at the age of eight, performing "Guide Me, O Thou Great Jehovah" for a spellbound congregation at the New Hope Baptist Church. Four years later she was singing backup on recordings for major stars such as Chaka Khan and Lou Rawls. "I sound like my mother when my mother was my age," she told DeCurtis, "though I truly think my mother has a greater voice than me, because she's the master, I'm the student."

When she was 17, "student" Whitney took a detour into modeling, appearing in such magazines as Glamour and Seventeen. Her beauty and talent also got her acting jobs in episodes of two then-popular television programs, Silver Spoons and Gimme a Break. Houston ultimately found the runway "degrading," as Ebony reported, and made her way back to music; she signed a management contract in 1981 and began seriously performing--both alone and with her mother. She was given the chance to sing the lead on the song "Life's a Party," which was recorded by the Michael Zager Band; Zager was so impressed by her voice that he offered her a record deal. Cissy declined the opportunity for her daughter, which turned out to be a wise decision. At a showcase performance in 1983, Arista Records' president Clive Davis heard Houston perform and offered her a contract. This time Cissy's advise was to accept the offer, and Houston signed on.

Found Mentor in Clive Davis

Davis took the new singer under his wing. Though she sang a duet with soul superstar Teddy Pendergrass that hit the charts in 1984, Houston would spend much of the next two years working with her mentor. Davis gathered successful songwriters and producers and helped put together the "package" that would make Houston a star. He calculated correctly: her self-titled debut, released in March of 1985, began a gradual ascent to the top of the charts. The first single, "You Give Good Love" made its way to the Number Three position and the second, a cover of the late-'70s hit "Saving All My Love for You," hit Number One later that year. Houston received the 1986 Grammy for best pop vocal performance for the song--and came home with five trophies from the US music awards as well. And two more singles topped the charts: "How Will I Know" and "The Greatest Love of All."

Whitney Houston finally hit the top of the U.S. album chart a year after its release; a number of singles also topped the U.K. charts. Accolades for the singer continued: Houston received an Emmy for work in a television variety program and commenced touring. Her concerts sold out throughout both the United States and Europe.

Though Houston was suddenly showered in acclaim, she had her share of detractors. Her choice of material was generally safe, critics complained, and Houston's voice, though a remarkable instrument, failed to convey much emotion. As music commentator Nelson George opined to Newsweek, "There's not a wisp of soul on those singles." Entertainment Weekly would later pay her a backhanded compliment by remarking, "No one can oversing a song like Houston."

Sophomore Effort Debuted at Number One

The simultaneously belittling and affectionate term "Prom Queen of Soul"--a parody of the royal sobriquet earned by fellow singer Aretha Franklin--was hard for Houston to shake. Yet the vocalist had only begun her meteoric rise. Her sophomore effort, Whitney, appeared in 1987 and debuted at the Number One position on the Billboard chart--the first album by a female artist to do so. Its first single, "I Wanna Dance With Somebody (Who Loves Me)," rocketed to the top, followed by three other Number-One hits: "Didn't We Almost Have It All," "So Emotional," and "Where Do Broken Hearts Go." The single "Love Will Save the Day" was a disappointment only when measured against Houston's other hits; it only made it to Number Nine. Meanwhile, "One Moment in Time," a ballad recorded by Houston for Arista's 1988 Olympics tribute album of the same name, topped the charts after Whitney ended its run.

In addition to her activities in the musical arena, Houston has used her high public profile to aid causes she personally supports. She took time out of a busy schedule to headline at a birthday gala for South African leader Nelson Mandela at London's Wembley Arena. And she continued to rack up awards, taking home the 1988 Grammy for "I Wanna Dance With Somebody" and, in January of 1989, garnering both the female pop and soul/R&B vocal honors at the American Music Awards.

It was at the Soul Train Music Awards that same year that Houston crossed paths with someone who would have a lasting effect on her life. She made the acquaintance of singer Bobby Brown, a popular "New Jack Swing" performer in his own right. The two didn't hit it off immediately. Houston later recalled in the interview with DeCurtis: "I always get curious when somebody doesn't like me. I want to know why." She invited Brown to a party; he accepted. As they got to know each other better, they realized their feelings surpassed mere friendship. "After a year or so, I fell in love with Bobby," Houston explained after detailing her rebuff of his first proposal. "And when he asked to marry me the second time, I said yes." The couple was married in July of 1992.

Escalating Fame Incited Rumors

Prior to this, Houston recorded and released I'm Your Baby Tonight. The album was a slight disappointment; it didn't perform as well as its predecessors and stopped climbing when it reached the Number Three position. Even so, I'm Your Baby, which featured the chart-topping single "All the Man That I Need," achieved triple platinum status. She received the 1990 Hitmaker Award at the Songwriters Hall of Fame and an invitation to the White House from then-President George Bush.

Around the same time, Houston was approached about a movie called The Bodyguard. Actor Kevin Costner, who planned to star in the film, was set on Houston for his female costar. He felt so certain that Houston was right for the role of imperiled singer Rachel Marron that he agreed to wait as long as she wanted--as long as she'd agree to do the film. "There are certain singers that occupy that territory that includes a world-class voice, real elegance and a physical presence," Costner explained to Ebony. "Diana Ross and Barbra Streisand are two. Whitney Houston is another." But Houston would keep Costner waiting for quite some time.

Meanwhile, the singer was busy with other things. She sang the national anthem at the 1991 Super Bowl, a performance that crystallized strong patriotic sentiment during the period of U.S. involvement in the Persian Gulf War. There was a great demand for both a single and video of her rendition. She later sang the "Star Spangled Banner" again for returning troops at Norfolk Naval Air Station. However, Houston's prestige and success as an entertainer didn't protect her from rumors she found infuriating. These included speculation that she and Brown had a less-than-harmonious marriage--after all, he had gained a reputation as "the bad boy of the business," and she was known as "the good girl."

The Bodyguard a Smash

After two years, Houston decided to venture into acting and went ahead with plans to star in The Bodyguard. "I kind of waited too long for Kevin," she told DeCurtis, recalling her decision to appear in the film. "He called one day and said, 'Listen, are you going to do this movie with me or not?' I told him about my fears. I said: 'I don't want to go out there and fall.' And he said: 'I promise you I will not let you fall. I will help you.' And he did." In exchange for help with her acting, Houston gave her costar tips on singing.

The Bodyguard is about a singer (played by Houston) who requires the protection of a bodyguard (Costner) after being harassed by an obsessive fan; a romance then develops between the star and her protector. Although Entertainment Weekly included The Bodyguard in a list of films exploring "interracial romance," color mattered little to the audience and was not even addressed in the film. "Whitney, in a sense, is to music and now to film what [actor-comedian Bill] Cosby was to television," noted Entertainment Weekly's Sheldon Platt. "The American middle class looks upon her as a person, and they extinguish other ethnic or racial boundaries."

Critical feedback of the film was mixed. "Houston, the Olympian pop-soul diva, has moments of quickness and humor; she shows more thespian flair than many musicians," stated Owen Gleiberman in Entertainment Weekly. "Her presence, though, is defined by the same glassy perfection that makes her singing, for all its virtuosity, seem fundamentally anonymous. Whitney Houston is a diamond without flaws: Her cat-faced Mayan beauty is like a mask, and beneath it one never senses a glimmer of vulnerability, pain, doubt." Houston rebuffed such evaluations in Rolling Stone: "People loved this movie--the critics dogged it, but people loved it." Houston was pregnant for most of the period of the film's media blitz, and becoming a mother overshadowed any negative reviews. "There's been nothing more incredible in my life than having her," she declared of her daughter, Bobbi Kristina.

Mixed reviews didn't affect The Bodyguard's box-office success. It grossed $390 million worldwide by mid-1993, and the soundtrack album, which featured six Houston performances, sold about 24 million copies. The biggest single generated from the soundtrack--and the longest-running Number One single ever--was her rendition of Dolly Parton's "I Will Always Love You," which earned Houston two of her three Grammys in 1994.

In addition to her impressive showing at the Grammys, Houston took several other honors in 1994, including two Soul Train Awards, entertainer of the year honors at the National Association for the Advancement of Colored People's Image Awards, and seven American Music Awards.

At the close of 1993, Entertainment Weekly rated Houston Number Five among the top "Entertainers of the Year." At the height of her professional game and happy with her new family, Houston was, in the magazine's phrase, "enjoying a success so relentless that nothing but sledgehammered shards of conventional wisdom are left in its wake." With three best-selling records and a successful acting debut behind her, there seemed few show-business frontiers left for her to conquer.

Furthered Acting Career

In the coming years, Houston focused on her film career. In 1995, she joined an ensemble cast that included Angela Bassett, Loretta Devine, and Lela Rochon in Waiting to Exhale. The film, based on Terry McMillan's novel and directed by Forrest Whitaker, explores the friendship of four modern women as they deal with the challenges of love, career, and family. The film resonated with audiences and, like The Bodyguard, was a huge hit. And, just as The Bodyguard soundtrack had topped music charts, so too did the soundtrack of Exhale, thanks in no small part to the three songs Houston contributed, including "Exhale (Shoop Shoop)," Count on Me," and "Why Does it Hurt So Bad."

The Preacher's Wife (1996), director Penny Marshall's gospel-injected remake of the 1947 holiday classic, The Bishop's Wife, provided Houston with the chance, not only to reunite with Exhale co-stars Loretta Devine and Gregory Hines, but to work with Oscar-winner Denzel Washington. The story of this film evolves around Reverend Henry Biggs, played by Courtney B. Vance. While fighting to save his neighborhood church from a property developer, Biggs prays to God for help. His prayer is answered with the arrival of Dudley, an angel played by Washington. However, instead of assisting Biggs in his struggle to save the church, Dudley begins spending time with the Reverend's wife, Julia, played by Houston. Biggs, jealous of Dudley's attentions to his wife, begins to reevaluate his priorities. Although this film emerged as Houston's first box office failure, the soundtrack, filled with Houston's renditions of gospel and Christmas standards, sold well.

In 1997 Houston ventured into the realm of producing. Acting as executive producer, she cast R&B star Brandy as Cinderella in Rogers & Hammerstein's Cinderella. Houston herself appeared as Cinderella's fairy godmother. The two-hour special, which aired on ABC on November 2nd, earned the network its highest Sunday night ratings in ten years.

Continued to Battle Rumors

However, in the wake of her blossoming acting career, rumors of drug abuse surfaced after Houston missed several appearances. Houston had been scheduled to appear on the Rosie O'Donnell Show on October 30, 1997 to promote Cinderella, but canceled at the last minute due to a stomach flu. O'Donnell expressed her frustration at the last-minute cancellation, aiming several on-air jokes at Houston. "Whitney is not here she's ill," O'Donnell said, according to Entertainment Weekly. "I hope she's very ill." The nature of Houston's illness was questioned after she accompanied her husband for his appearance on The Late Show With David Letterman that same day. "She was feeling better," Houston's publicist explained to Entertainment Weekly.

Despite Houston's claims that her absences were due to illness, the rumor mill relentlessly churned out stories of drug abuse. Then, in January of 2000, airport security officials in Hawaii discovered 14 grams of marijuana in Houston's luggage. Houston did not wait for police to arrive. Rather, she boarded her flight, which took off before law enforcement officials appeared.

A string of other missed appearances followed. Three weeks before the 2000 Academy Awards ceremony, Houston, who had been scheduled to help induct her mentor, Clive Davis, into the Rock and Roll Hall of Fame, failed to appear at the induction dinner. Houston's publicist told the media that, according to the South China Morning Post, "voice problems" were the cause for Houston's absence. Three weeks later, after Houston failed to perform at the Oscars, her publicist cited a sore throat as the reason.

Drug possession charges were filed against Houston after the Hawaii airport incident, but were dismissed in March of 2001. A certified substance abuse counselor had submitted a substance abuse assessment of Houston on February 22. After reviewing the assessment, which said Houston did not require substance abuse treatment, Hilo District Judge Joseph Florendo, Jr., dismissed the misdemeanor charge. In March of 2004, Houston’s publicists announced she had entered a drug rehabilitation facility.

New Album, New Tour

Just as Houston was battling headlines about drug abuse, she was also promoting her first studio album in seven years. My Love is Your Love was released in 1999. That June, Houston launched her first tour in five years. John Scher, president of the Metropolitan Music Group, which served as the tour's U.S. promoter, commented on the changes in Houston's career since her last tour. "Her career has shifted a bit and she has become a pretty big movie star," Scher told Amusement Business. "As such, her demographic has widened to include not just music and concert fans, but more of the general public." In addition, thanks to the of the singles, "My Love is Your Love" and "It's Not Right But It's Okay," Houston's success on urban radio had introduced her to another new audience.

In 2000, 15 years after the release of her debut album, Houston released Whitney: The Greatest Hits. The two-disc collection featured 36 songs spanning Houston's career. The first disc showcased her best love songs, while the second disc contained several remixes. Amazon.com reviewer Heidi Sherman said that Junior Vasquez's remix of "How Will I Know," "pokes fun at the song's '80s fluffiness by layering bells, lasers effects, and echoes on top." The collection also featured duets with George Michael, Deborah Cox, Jermaine Jackson, and Enrique Iglesias. The singer released a holiday album in 2003, and after emerging from drug rehab the following year, embarked on her first tour since 1999, performing in Europe and Asia with Warwick and Natalie Cole.

Houston reflected on her years in an Upscale magazine: "I started out working in little night clubs--sometimes getting paid, sometimes not--sometimes performing for 200 people, other times working in front of ten. Today, it's like people just want to jump out there and immediately become stars, but it takes time and it takes not giving up. It takes believing in one's self in spite of negativity and what people say." Houston has certainly faced her share of negativity.

Awards

Grammy Award for best pop vocal performance, 1986, for "Saving All My Love for You" and "I Wanna Dance With Somebody (Who Loves Me)"; Emmy Award for outstanding performance in a variety program, 1986; MTV Video Music Award, 1986; seven American Music Awards, 1988, for Whitney Houston; Grammy Award for best pop vocal performance, 1988; four American Music Awards, 1989, for Whitney; distinguished achievement award, American Cinema Award Foundation, 1991; NAACP Image Award for entertainer of the year, 1994; seven American Music Awards, and three Grammy Awards, all 1994, all for The Bodyguard; honorary doctorate from Grambling State University; United Negro College Fund Award for long-standing support and commitment to the black community.

Works

Selective Discography

  • "Life's a Party," (with the Michael Zager Band), 1981.
  • "Love Language," (with Teddy Pendergrass), Asylum, 1984.
  • Whitney Houston, Arista, 1985.
  • Whitney, Arista, 1987.
  • "One Moment in Time," appearing on One Moment in Time (with various artists) Arista, 1988.
  • I'm Your Baby Tonight, Arista, 1990.
  • The Bodyguard (soundtrack), 1992.
  • Waiting to Exhale (soundtrack, with various artists), 1995.
  • The Preacher's Wife (soundtrack), 1996.
  • Prince of Egypt (soundtrack, with various artists), 1998.
  • My Love is Your Love, Arista, 1999.
  • Whitney: The Greatest Hits, Arista, 2000.
  • Love, Whitney, BMG International, 2001.
  • Just Whitney, Arista, 2002.
  • Holiday Album, Arista, 2003.

Further Reading

Books

  • Contemporary Musicians, Volume 8, Gale, 1993.
  • Rees, Dafydd and Luke Crampton, editors, Rock Movers and Shakers, Billboard Books, 1991.
Periodicals
  • Amusement Business, July 5, 1999, p. 5.
  • Dallas Morning News, March 9, 2001, p. 2A.
  • Ebony, January 1993, p. 118-22.
  • Entertainment Weekly, April 10, 1992, p. 8; December 4, 1992, p. 42-43; December 25, 1992, p. 104; February 5, 1993, p. 17-21; October 22, 1993, p. 40; December 31, 1993, p. 27; February 18, 1994, p. 32-33; March 18, 1994, p. 103; November 14, 1997, p. 6.
  • Los Angeles Times, March 17, 1994, p. F10.
  • Newsweek, July 21, 1986, p. 60-61.
  • Rolling Stone, June 10, 1993, p. 46-49; January 27, 1994, p. 40.
  • South China Morning Post, April 12, 2000.
  • Upscale, December 1993.
Online
  • Billboard.com, www.billboard.com/bb/releases/week_4/rock.jsp, November 20, 2003.
  • China.org, http://www.china.org.cn/english/NM-e/101956.htm, July 23, 2004.
  • CNN.com, www.cnn.com, March 16, 2004.
  • E! Online, http://www.eonline.com/News/Items/0,1,15539,00.html, December 16, 2004.
  • Whitney-Houston.com, http://www.whitney-houston.com/news/articles/120704.htm, July 12, 2004.
Other
  • Additional material was obtained online at: the All Music Guide website, http://allmusic.com; the Internet Movie Database, http://www.us.imdb.com; and http://www.amazon.com.

— Simon Glickman and Jennifer M. York

Quotes By: Whitney Houston
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Quotes:

"I almost wish I could be more exciting, that I could match what is happening out there to me."

Artist: Whitney Houston
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See Whitney Houston Lyrics
  • Born: August 09, 1963, Newark, NJ
  • Active: '80s, '90s, 2000s
  • Genres: Rhythm & Blues
  • Instrument: Vocals
  • Representative Albums: "Whitney Houston," "Whitney," "My Love Is Your Love"
  • Representative Songs: "Greatest Love of All," "I Will Always Love You," "Saving All My Love for You"

Biography

Whitney Houston is inarguably one of the of the biggest female pop stars of all time. Her accomplishments as a hitmaker are extraordinary; just to scratch the surface, she became the first artist ever to have seven consecutive singles hit number one, and her 1993 Dolly Parton cover "I Will Always Love You" became nothing less than the biggest hit single in rock history. Houston was able to handle big adult contemporary ballads, effervescent, stylish dance-pop, and slick urban contemporary soul with equal dexterity; the result was an across-the-board appeal that was matched by scant few artists of her era, and helped her become one of the first black artists to find success on MTV in Michael Jackson's wake. Like many of the original soul singers, Houston was trained in gospel before moving into secular music; over time, she developed a virtuosic singing style given over to swooping, flashy melodic embellishments. The shadow of Houston's prodigious technique still looms large over nearly every pop diva and smooth urban soul singer -- male or female -- in her wake, and spawned a legion of imitators (despite some critics' complaints about over-singing). Always more of a singles artist, Houston largely shied away from albums during the '90s, releasing the bulk of her most popular material on the soundtracks of films in which she appeared. By the end of the decade, she'd gone several years without a true blockbuster, yet her status as an icon was hardly diminished.

Whitney Elizabeth Houston was born in Newark, NJ, on August 9, 1963; her mother was gospel/R&B singer Cissy Houston, and her cousin was Dionne Warwick. By age 11, Houston was performing as a soloist in the junior gospel choir at her Baptist church; as a teenager, she began accompanying her mother in concert (as well as on the 1978 album Think It Over), and went on to back artists like Lou Rawls and Chaka Khan. Houston also pursued modeling and acting, appearing on the sitcoms Gimme a Break and Silver Spoons. Somewhat bizarrely, Houston's first recording as a featured vocalist was with Bill Laswell's experimental jazz-funk ensemble Material; their 1982 album One Down placed Houston alongside such unlikely avant-gardists as Archie Shepp and Fred Frith. The following year, Arista president Clive Davis heard Houston singing at a nightclub and offered her a record contract. Her first single appearance was a duet with Teddy Pendergrass, "Hold Me," which missed the Top 40 in 1984.

Houston's debut album, Whitney Houston, was released in March 1985. Its first single, "Someone for Me," was a flop, but the second try, "You Give Good Love," became Houston's first hit, topping the R&B charts and hitting number three pop. Houston's next three singles -- the Grammy-winning romantic ballad "Saving All My Love for You," the brightly danceable "How Will I Know," and the inspirational "The Greatest Love of All" -- all topped the pop charts, and a year to the month after its release, Whitney Houston hit number one on the album charts. It eventually sold over 13 million copies, making it the best-selling debut ever by a female artist. Houston cemented her superstar status on her next album, Whitney; despite the unimaginative title, it became the first album by a female artist to debut at number one, and sold over nine million copies. Its first four singles -- "I Wanna Dance with Somebody (Who Loves Me)" (another Grammy winner), "Didn't We Almost Have It All," "So Emotional," and "Where Do Broken Hearts Go" -- all hit number one, an amazing, record-setting run of seven straight (broken by "Love Will Save the Day"). In late 1988, Houston scored a Top Five hit with the non-LP single "One Moment in Time," recorded for an Olympics-themed compilation album.

Houston returned with her third album, I'm Your Baby Tonight, in 1990; a more urban-sounding, R&B-oriented record, it immediately spun off two number one hits in the title track and "All the Man That I Need." But the quality of the material was generally viewed as, overall, much weaker than her previous efforts, and following those two hits, sales of the album tapered off quickly, halting around four million copies. Nevertheless, Houston remained so popular that she could even take a recording of "The Star Spangled Banner" (performed at the Super Bowl) into the pop Top 20 -- though, of course, the Gulf War had something to do with that. In retrospect, the erratic quality of I'm Your Baby Tonight seemed to signal Houston's declining interest in making fully fleshed-out albums. Instead, she began to focus on an acting career, which she hadn't pursued since her teenage years; she also married singer Bobby Brown in the summer of 1992. Her first feature film, a romance with Kevin Costner called The Bodyguard, was released in late 1992; it performed well at the box office, helped by an ad campaign which seemingly centered around the climactic key change in Houston's soundtrack recording of the Dolly Parton-penned "I Will Always Love You." In fact, the ad campaign undoubtedly helped "I Will Always Love You" become the biggest single in pop music history. It set new records for sales (nearly five million copies) and weeks at number one (14), although those were later broken by Elton John's "Candle in the Wind 1997" and Mariah Carey and Boyz II Men's "One Sweet Day," respectively. Meanwhile, the soundtrack eventually sold an astounding 16 million copies, and also won a Grammy for Album of the Year.

Once Houston had stopped raking in awards and touring the world, she prepared her next theatrical release, the female ensemble drama Waiting to Exhale. A few months before its release at the end of 1995, it was announced that she and Brown had split up; however, they called off the split just a couple months later, and rumors about their tempestuous relationship filled the tabloids for years to come. Waiting to Exhale was released toward the end of the year, and the first single from the soundtrack, "Exhale (Shoop Shoop)," topped the charts; the album sold over seven million copies. For her next project, Houston decided to return to her gospel roots; the soundtrack to the 1996 film The Preacher's Wife, which naturally featured Houston in the title role, was loaded with traditional and contemporary gospel songs, plus guest appearances by Houston's mother, Shirley Caesar, and the Georgia Mass Choir. Houston also began making headlines for what appeared to be increasing unreliability, cancelling several TV and concert appearances due to illness.

In 1998, Houston finally issued a new full-length album, My Love Is Your Love, her first in eight years. Houston worked with pop/smooth soul mainstays like Babyface and David Foster, but also recruited hip-hop stars like Missy Elliott, Wyclef Jean, Lauryn Hill, and Q-Tip. The album sold even fewer copies than I'm Your Baby Tonight, but it received Houston's most enthusiastic reviews in quite some time. Moreover, it produced one of her biggest R&B chart hits (seven weeks at number one) in the trio number "Heartbreak Hotel," done with Faith Evans and Kelly Price. She also duetted with Mariah Carey on "When You Believe," a song from the animated film The Prince of Egypt. Unfortunately, Houston was also back in the tabloids in early 2000; she was arrested in Hawaii when airline authorities reportedly found marijuana in her luggage (the charges were later dismissed). Speculation about Houston's personal life only grew when she was dropped from the Academy Awards telecast that March, officially because of a sore throat, but reputedly due to poor rehearsals and a generally out-of-it air. Later in the year, Arista released the two-disc compilation Greatest Hits, which actually featured one disc of hits and one of remixes; it also included new duets with Enrique Iglesias, George Michael, and Deborah Cox. It was also announced that Houston had signed a new deal with Arista worth $100 million, requiring six albums from the singer. Her personal issues became even more public through the reality television series Being Bobby Brown, and she eventually divorced her husband and went into intense rehabilitation. An album of new material was initially set for release by the end of 2007, but delays pushed it -- titled I Look to You, featuring collaborations with Alicia Keys and Swizz Beatz, R. Kelly, Akon, and Diane Warren -- back to September 2009. ~ Steve Huey, All Music Guide
Discography: Whitney Houston
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My Love Is Your Love [Australia Bonus Remix CD]

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Star Spangled Banner [2001]

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Greatest Hits [Japan]

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Whatchulookinat [Italy CD Single]

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Ultimate Collection

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Ultimate Collection [DVD]

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One of Those Days [CD/12"]

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Artist Collection: Whitney Houston

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Just Whitney [Bonus DVD]

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Fine [DVD Single]

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Love, Whitney

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One Wish: The Holiday Album

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One Wish: The Holiday Album

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My Love Is Your Love

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My Love Is Your Love

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Could I Have This Kiss Forever [Import CD #1]

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I Will Always Love You

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It's Not Right, But It's Okay [US CD Single]

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Greatest Hits [UK]

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Greatest Hits [UK]

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My Love Is Your Love [Import CD Single]

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Live in Concert

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Greatest Hits [Video]

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On My Own [Australia CD]

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My Name Is Not Susan [Germany Vinyl Single]

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I Learned from the Best [Germany CD Single #2]

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I'm Every Woman

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When You Believe [CD5/Cassette Single]

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I Learned From The Best [US CD5/Cassette Single]

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Song for You: Live [DVD]

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Song for You: Live

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I Learned from the Best, Pt. 1 [UK CD Single]

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Just Whitney

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I Learned from the Best [Germany CD Single #1]

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Could I Have This Kiss Forever [Import CD #2]

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My Love Is Your Love [US Single]

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Fine [BMG International CD]

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If I Told You That [Germany CD]

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Could I Have This Kiss Forever [Australia CD]

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Whatchulookinat [CD #1]

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Unreleased Mixes

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Greatest Hits

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Whitney Houston/Whitney

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Ultimate Collection [CD/DVD]

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I'm Your Baby Tonight [Japan Bonus Tracks]

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Whitney Houston [Japan]

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Live [DVD]

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Just Whitney [Import Bonus DVD]

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Could I Have This Kiss Forever [Import CD #3]

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Whitney Houston: The Unauthorised CD Biography

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When You Believe [CD Single]

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Step by Step

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Why Does It Hurt So Bad [#1]

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Why Does It Hurt So Bad [#2]

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I Have Nothing

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I'm Your Baby Tonight

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My Name Is Not Susan [Germany CD Single]

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Whitney

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Whitney

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Whitney

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Whitney Houston

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Actor: Whitney Houston
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  • Born: Aug 09, 1963 in East Orange, New Jersey
  • Occupation: Actor
  • Active: '90s-2000s
  • Major Genres: Music, Comedy
  • Career Highlights: Waiting to Exhale, The Bodyguard, The Princess Diaries
  • First Major Screen Credit: Whitney Houston: The Number One Video Hits (1986)

Biography

The daughter of Cissy Houston and a cousin of Dionne Warwick, singer Whitney Houston burst on the music scene with her inaugural album in 1985, becoming the first woman performer to debut at the number one slot in the Billboard charts. Houston could have remained merely a fabulously successful songstress, but in 1992 she decided to make her film debut in The Bodyguard. Playing an ill-tempered rock star, Houston was paired with Kevin Costner, who portrayed an ex-cop hired to protect her from a stalking fan. Written years earlier by Lawrence Kasdan as a vehicle for Steve McQueen, The Bodyguard was overbaked and utterly illogical. It also made a pile at the box office, providing Whitney Houston with yet another vocal hit: a new version of the Dolly Parton standard "I Will Always Love You", which became the biggest-selling single in the history of pop music. Houston is married to oft-arrested funk singer Bobby Brown, with whom she has a daughter, Bobbi. ~ Hal Erickson, All Movie Guide
Wikipedia: Whitney Houston
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Whitney Houston
Birth name Whitney Elizabeth Houston
Born August 9, 1963 (1963-08-09) (age 46)
Newark, New Jersey, U.S.
Origin East Orange, New Jersey
Genres R&B, Pop, Dance pop, Soul
Occupations Singer, actress, record producer, film producer, model
Instruments Vocals, piano
Years active 1977–present
Labels Arista
Website www.whitneyhouston.com

Whitney Elizabeth Houston (born August 9, 1963) is an American singer, actress, and former fashion model. A relative to several prominent soul singers, including her mother Cissy Houston, cousins Dee Dee and Dionne Warwick, and godmother Aretha Franklin, Houston began singing at her New Jersey church as a member of a junior gospel choir at age eleven. After she began performing alongside her mother at night clubs in the New York City area, she was discovered by Arista Records label head Clive Davis.

Houston released her debut album Whitney Houston in 1985, which became the best-selling debut album by a female artist at the time of release.[1] Her second studio album Whitney (1987) became the first album by a female artist to debut at number one on the Billboard 200 albums chart.[1] Houston's crossover appeal on the popular music charts as well as her prominence on MTV enabled several African-American women to follow in her success.[2][3]

Following her marriage to fellow singer Bobby Brown, Houston appeared in her first starring role in the feature film The Bodyguard in 1992. The film's original soundtrack won the 1994 Grammy Award for Album of the Year, and became the world's best-selling soundtrack.[1][4] Its lead single, "I Will Always Love You", became one of the best-selling singles in music history.[1] Houston continued to star in feature films and contributed to soundtracks including Waiting to Exhale (1995) and The Preacher's Wife (1996).[5] After the release of her fourth studio album My Love Is Your Love (1998), she renewed her recording contract with Arista Records in 2001 for a historic $100 million.[5] She subsequently released her fifth studio album, Just Whitney the following year with One Wish: The Holiday Album being released in 2003. Amidst widespread media coverage of personal and professional turmoil, Houston's marriage to Brown ended in 2006.

Houston is one of the world's best-selling music artists, having sold over 170 million records, worldwide.[6][7] She is ranked as the fourth best-selling female artist in the United States by the Recording Industry Association of America, with 54.5 million certified albums.[8] She has been listed by Rolling Stone magazine as one of The 100 Greatest Singers of All Time.[9][10][11][12]

Contents

Biography

Early life

Whitney Houston was born in a rough neighborhood in the projects of Newark, New Jersey. She is the third and youngest child of John and gospel singer Cissy Houston.[13] Her mother, along with cousins Dionne Warwick and Dee Dee Warwick and godmother Aretha Franklin are all notable figures in the gospel, rhythm and blues, pop, and soul genres. Houston was raised a Baptist, but was also exposed to the Pentecostal church. After the 1967 Newark riots, the family moved to a middle class area in West Orange, New Jersey when she was four.[13] At the age of eleven, Houston began to follow in her mother's footsteps and started performing as a soloist in the junior gospel choir at the New Hope Baptist Church in Newark, where she also learned to play the piano.[14] Her first solo performance in the church was "Guide Me, O Thou Great Jehovah". When Houston was a teenager, her parents divorced and she continued to live with her mother. She attended a Catholic single-sex high school, Mount Saint Dominic Academy, where she met her best friend Robyn Crawford, whom she describes as the "sister she never had." While Houston was still in school, her mother continued to teach her how to sing.[2] In addition to her mother, Franklin, and Warwick, Houston was also exposed to the music of Chaka Khan, Gladys Knight, and Roberta Flack, most of whom would have an impact on her as a singer and performer.[15]

1977–1984: Early career

Houston on the cover of her self-titled debut album.

Houston spent some of her teenage years touring nightclubs with her mother while Cissy was performing, and she would occasionally get on stage and perform with her mother. In 1977, at age fourteen, she was the lead vocalist on the Michael Zager Band's single "Life's a Party" (the group is known for their 1978 hit "Let's All Chant"). Zager subsequently offered to help obtain a recording contract for the young singer, but Cissy declined, wanting her young daughter to finish school first. Then in 1978, at age fifteen, Houston sang background vocals on Chaka Khan's hit single "I'm Every Woman", a song she would later turn into a hit for herself on her monstrous-selling soundtrack album The Bodyguard. She also would sing back-up on albums by Lou Rawls and Jermaine Jackson. In the early 1980s, Houston then started working as a fashion model after a photographer saw her at Carnegie Hall singing with her mother. She appeared as a lead vocalist on a Paul Jabara (famous for writing songs for Donna Summer and Barbra Streisand) album, entitled Paul Jabara and Friends: featuring The Weather Girls, Leata Galloway & Whitney Houston (CBS Records, 1983). She appeared in Seventeen Magazine[16] and became one of the first women of color to grace the cover of Seventeen magazine.[17] She also appeared in a Canada Dry soft drink commercial. While modeling, she continued her burgeoning recording career by working with producers Michael Bienhorn, Bill Laswell and Martin Bisi on an album they were spearheading called One Down, which was credited to the group Material. For that project, Houston contributed the ballad "Memories". Robert Christgau of the The Village Voice called her contribution "one of the most gorgeous ballads you've ever heard".[18]

Houston had previously been offered several recording agencies (Michael Zager in 1980 and Elektra Records in 1981). In 1983, Gerry Griffith, an A&R representative from Arista Records, saw her performing with her mother in a New York City nightclub and was impressed. He convinced Clive Davis, Arista's label head, to take time to see Houston perform. Davis too was impressed after the performance and offered her a worldwide recording contract, which Houston signed. Later that year, she made her national televised debut alongside Davis on the The Merv Griffin Show.

Houston signed with Arista in 1983 but did not begin work on her album immediately. Arista put forth the deal to make sure no other label signed the singer from under them. Davis wanted to find the right material and right producers for Houston's debut album. Some producers were not deemed right by the label, others had to pass on the project due to prior commitments.[19] Houston first recorded a duet with Teddy Pendergrass entitled "Hold Me", which appeared on his album, Love Language. The single, released in 1984, gave Houston her first taste of success, becoming a Top 5 R&B hit. It would also appear on her debut album when released in 1985.

1985–1986: Rise to prominence

With production from Michael Masser, Kashif, Jermaine Jackson and Narada Michael Walden, Houston's self-titled debut album was released in February 1985. Rolling Stone Magazine praised the new talent, calling her "one of the most exciting new voices in years"[20] while The New York Times called the album "an impressive, musically conservative showcase for an exceptional vocal talent."[21] After the dance-funk single "Someone For Me" failed to chart in both the US and UK, the album initially sold modestly and failed to make an impact. The release of the next single, the soulful ballad "You Give Good Love", peaked at #3 on the U.S. Billboard Hot 100 while going #1 on the R&B Charts.[19] As a result, the album began to sell strongly before topping the R&B Album chart while Houston continued promoting the album touring night clubs in the US. She also began performing on popular night shows that usually weren't open to many black acts. The jazzy ballad "Saving All My Love for You" was released next and it would become Houston's first #1 hit single in both the US and the UK. She was now an opening act for singer Jeffrey Osborne on his nationwide tour. At the time, MTV had received harsh criticism for not playing enough videos by African American artists while favoring rock acts.[22] The next single, "How Will I Know", peaked at #1 and would introduce Houston to the MTV audience thanks to its video. This would make the singer one of the first African American female artists to receive heavy rotation on the network.[17] By 1986, a year after its initial release, Whitney Houston topped the Billboard 200 album chart and stayed there for 14 consecutive weeks.[23] The final single, "Greatest Love of All," became Houston's biggest hit at the time after peaking #1 and remaining there for three weeks. At the time, Houston had released the best-selling debut album by a female artist, although Britney Spears has since taken that title.[24] Houston then embarked on her world tour, Greatest Love Tour. The album had become an international success, and has been certified 13x Platinum (diamond) in the United States, alone.[25]

At the 1986 Grammy Awards ceremony, Houston was nominated for three awards including Album of the Year. She was ineligible for the Best New Artist category due to her previous duet recording with Teddy Pendergrass in 1984.[26] She won her first Grammy award for 'Best Pop Vocal Performance, Female' for "Saving All My Love for You". At the same award show she also performed that Grammy-winning hit; the performance later won her an Emmy Award for Outstanding Individual Performance in a Variety or Music Program. Houston won seven American Music Awards in 1986, and an MTV Video Music Award. The album's popularity would also carry over to the 1987 Grammy Awards when "Greatest Love of All" would receive a Record of the Year nomination. Houston's debut is currently listed as one of Rolling Stone's 500 Greatest Albums of All Time[27] and on The Rock & Roll Hall Of Fame's Definitive 200 list.[28] Whitney Houston's grand entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to USA Today.[29] Following Houston's breakthrough, other African-American female artists such as Janet Jackson and Anita Baker were able to find notable success in popular music.[30][31]

1987–1991: Whitney, I'm Your Baby Tonight, and "The Star Spangled Banner"

Houston’s second album, Whitney, was released in June 1987. The album featured production from Masser, Kashif and Walden again, as well as Jellybean Benitez. Many critics complained that the material was too similar to her previous album. Rolling Stone said, "the narrow channel through which this talent has been directed is frustrating."[32] Still, the album was an enormous success. Houston became the first female artist in music history to debut at number one on the US and UK album chart while also hitting number-one in several other countries around the world. The album's first four singles, "I Wanna Dance With Somebody (Who Loves Me)", "Didn't We Almost Have It All", "So Emotional", and "Where Do Broken Hearts Go" all peaked at number one on the US Hot 100, which gave her a total of seven consecutive number-one hits, thus breaking the record of six previously shared by The Beatles and The Bee Gees. The album's fifth, and final single, "Love Will Save the Day" also became a Top 10 hit on the Hot 100. Whitney has been certified 9x Platinum in the US for shipments of over nine million copies.[33] At the Grammy Awards in 1988, Houston was nominated for three awards including Album of the Year, winning her second Grammy for 'Best Female Pop Vocal Performance' for "I Wanna Dance With Somebody (Who Loves Me)". Following the release of the album, Houston embarked on the Moment of Truth World Tour which was one of the ten highest grossing concert tours of 1987.[34] The success of the tour and Houston's albums helped make her one of the top 10 highest earning entertainers according to Forbes Magazine. She was the highest earning African-American woman and the second highest entertainer after Bill Cosby. The list included her concert grosses during 1986 and 1987.[35]

Houston was a supporter of Nelson Mandela and the anti-apartheid movement. During her modeling days, the singer refused to work with any agencies who did business with a then apartheid South Africa.[citation needed] In June 1988, during the European leg of her tour, Houston joined other musicians to perform a set at Wembley Stadium in London to celebrate a then imprisoned Nelson Mandela's 70th birthday. Over 72,000 people filled Wembley Stadium, and over a billion people tuned in worldwide as the rock concert raised over $1 million for charities while bringing awareness to apartheid.[36] Houston then flew back to the US for a concert at Madison Square Garden in New York City. The show was a benefit concert that helped raise over $300 million to the United Negro College Fund. In the same year, she recorded a song for NBC's coverage of the 1988 Summer Olympics, "One Moment in Time", which became a Top 5 hit in the U.S., while reaching number one in the UK and Germany. With her current world tour continuing overseas, Houston was still one of the top 10 highest earning entertainers for 1988-1989 according to Forbes.[37]

In 1989, Houston formed The Whitney Houston Foundation For Children, a non-profit organization that has raised funds for the needs of children around the world. The organization cares for homelessness, children with cancer and AIDS, and other issues of self-empowerment.[38]

With the success of her first two albums, Houston was undoubtedly an international crossover superstar, the most prominent since Michael Jackson, appealing to all demographics. However, some black critics reasoned she was "selling out".[3] They felt her singing on record lacked the soul that was present during her live concerts.[16] At the 1989 Soul Train Music Awards, when Houston's name was called out for a nomination, a few in the audience jeered.[39] Houston defended herself against the criticism, stating, "If you're gonna have a long career, there's a certain way to do it, and I did it that way. I'm not ashamed of it."[16] Still, Houston took a more urban direction with her third studio album, I'm Your Baby Tonight, released in November 1990. She produced and chose producers for this album and as a result, it featured production and collaborations with L.A. Reid and Babyface, Luther Vandross, and Stevie Wonder. The album showed Houston's versatility on a new batch of tough rhythmic grooves, soulful ballads and up-tempo dance tracks. Reviews were mixed. Rolling Stone felt it was her "best and most integrated album".[40] while Entertainment Weekly, called Houston's shift towards an urban direction "superficial".[41] The album peaked at number three on the Billboard 200 and went on to be certified four times platinum in America while selling twelve million total worldwide. The first two singles, the new jack swing "I'm Your Baby Tonight" and the gospel-tinged "All The Man That I Need", each hit number one on both the Hot 100 and R&B singles charts. The third and fourth singles, "Miracle"; and "My Name Is Not Susan" peaked at numbers nine and twenty, respectively. A fifth single, "I Belong to You", peaked in the Top 10 on the R&B charts, while yet a sixth single, the duet with Stevie Wonder entitled, "We Didn't Know", made the R&B Top 20.

With America at war, Houston performed "The Star Spangled Banner" at Super Bowl XXV in January 1991.[42] VH1 listed the performance as the 12th greatest moment that rocked TV.[43] Her recording of the song was released as a commercial single, reaching the Top 20 on the US Hot 100 making her the only act to turn the national anthem into a pop hit of that magnitude (Jose Feliciano's version reached #50 in November 1968).[44] Houston donated her share of the proceeds to the Red Cross.[42] As a result, the singer was named to the Red Cross Board of Governors for her efforts.[45] Later that year, Houston put together her Welcome Home Heroes concert with HBO for the soldiers fighting in the Gulf War and their families. The free concert took place at the Norfolk Air Force Base in Norfolk, Virginia in front of 3,500 serviceman and women. HBO descrambled the concert so that it was free for everyone to watch.[46] Houston's concert gave HBO its highest ratings ever.[47] She then embarked on the I'm Your Baby Tonight World Tour.

1992–1994: Marriage to Bobby Brown and The Bodyguard

The cover of the hugely successful movie "The Bodyguard" starring Houston and Kevin Costner.

Throughout the 1980s, Houston was romantically linked to American football star Randall Cunningham and actor Eddie Murphy, whom she dated.[48] She then met R&B singer Bobby Brown (formerly of New Edition) at the 1989 Soul Train Music Awards. After a three year courtship, the two were married on July 18, 1992. Nearly a year later, Houston gave birth to their daughter Bobbi Kristina Houston Brown, her first (and as it turned out, only) child, his fourth, on 4 March. Brown would go on to have several run-ins with the law, including some jail time.[49] With the huge successes of her albums, movie offers poured in, including offers to work with Robert De Niro, Quincy Jones, and Spike Lee; but Houston felt the time wasn't right.[48] Houston’s first film role was in The Bodyguard, released in 1992 and co-starring Kevin Costner. Houston plays Rachel Marron, a star who is stalked by a crazed fan and hires a bodyguard to protect her. The film was hugely successful at the box office, grossing more than $121 million in the U.S. and $410 million worldwide. USA Today listed it as one of the 25 most memorable movie moments of the last 25 years.[50] The movie is also notable for not mentioning or needing to explain its interracial aspect. Houston's mainstream appeal allowed people to look at the movie color-blind.[51] Still, controversy arose as some felt the film's ads intentionally hid Houston's face to hide the film's interracial aspect. In an interview with Rolling Stone Magazine in 1993, the singer correctly commented that "people know who Whitney Houston is—I'm black. You can't hide that fact."[15] Houston received a Razzie Award nomination for Worst Actress. The Washington Post said Houston is "doing nothing more than playing Houston, comes out largely unscathed if that is possible in so cockamamie an undertaking",[52] and The New York Times said she lacked passion with her co-star.[53] Despite the film's mixed reviews, it went on to experience commercial success; grossing more than $121 million in the United States and $410 million worldwide, making it one of the top 100 grossing films domestically at its time of release, though it has since lost this accolade.[54]

The film's soundtrack was also a worldwide success. Houston executive produced and contributed six songs for the motion picture's adjoining soundtrack album. It featured production from David Foster. Entertainment Weekly said the two cover songs are "artistically satisfying".[55] Rolling Stone said it is "nothing more than pleasant, tasteful and urbane".[56] The soundtrack's lead single was "I Will Always Love You", written and originally recorded by Dolly Parton in 1974. Some, including Foster and radio programers, were skeptical that the song would fare well at radio due to Houston's a capella intro.[57] Still, the record company took the risk and released it as the first single and it became a massive international hit. The single peaked at number one on the Billboard Hot 100 for a then-record-breaking 14 weeks, number one on the R&B chart for a then-record-breaking 11 weeks, and number one on the Adult Contemporary charts for five weeks, thus becoming the first single to top those three charts simultaneously for five weeks. The song also hit number-one in nearly every other country worldwide. The soundtrack debuted at #1 and remained there for twenty non-consecutive weeks and became one of the fastest selling albums ever. At one point the soundtrack sold over a million copies within a week, becoming the first album to do so.[58] With the follow-up singles "I'm Every Woman", a Chaka Khan cover, and "I Have Nothing" both peaking in the top five, Houston became the first female artist to ever have three singles in the Top 20 simultaneously.[59] The album was certified 17x platinum in the United States[60] with worldwide sales of 42 million.[61] Houston won three Grammys for the album, including two of the Academy's highest honors, Album of the Year and Record of the Year. In addition, Houston won 8 American Music Awards, including the Award of Merit, and a BRIT award. Following the success of the project, Houston embarked on another expansive global tour in 1993 and 1994. Her concerts, movie, and recording grosses made her the third highest earning female entertainer of 1993-1994, just behind Oprah Winfrey and Barbra Streisand according to Forbes.[62] Houston placed in the top five of Entertainment Weekly's annual "Entertainer of the Year" ranking [63] and was labeled by Premier Magazine as one of the 100 most powerful people in Hollywood.[64]

In October 1994, Houston was invited to perform at a state dinner at the White House honoring newly elected South African president Nelson Mandela.[65] At the end of her world tour, Houston performed three concerts in South Africa to honor President Mandela, playing to over 200,000 people. This would make the singer the first major musician to visit the newly unified and apartheid free nation following Mandela's winning election.[66] The event was considered the nation's "biggest media event since the inauguration of Nelson Mandela".[67]

1995–1997: Waiting to Exhale, The Preacher's Wife, and Cinderella

In 1995, Houston starred alongside Angela Bassett, Loretta Devine, and Lela Rochon in her second film Waiting to Exhale; a motion picture about four African-American women struggling with relationships. Houston plays the lead character Savannah Jackson, a TV producer in love with a married man. She chose the role because she saw the film as "a breakthrough for the image of black women because it presents them both as professionals and as caring mothers".[68] After opening at number one and grossing $67 million in the US at the box office and $81 million worldwide[69], it proved that a movie primarily targeting a black audience can cross over to success, while paving the way for other all-black movies such as How Stella Got Her Groove Back and the Tyler Perry movies that have become popular in the 2000s.[70][71][72] The film is also notable for its portrayal of black women as strong middle class citizens as oppose to stereotypes.[73] The reviews were mainly positive for the ensemble cast. The New York Times said "Ms. Houston has shed the defensive hauteur that made her portrayal of a pop star in "The Bodyguard" seem so distant."[74] Houston was nominated for an NAACP Image Award for Outstanding Actress In A Motion Picture, but lost to her co-star Basset.

Like Houston's previous project, the film's accompanying soundtrack was also a huge hit.[citation needed] Houston co-produced, with Babyface, the soundtrack, Waiting to Exhale: Original Soundtrack Album. Though Babyface originally wanted Houston to record the entire album, she declined. Instead, she "wanted it to be an album of women with vocal distinction", and thus gathered several African-American female artists for the soundtrack, to go along with the film's strong women message.[68] As a result, the album featured a range of contemporary R&B female recording artists along with Houston, such as Mary J Blige, Aretha Franklin, Toni Braxton, Patti Labelle, and Brandy. Houston's "Exhale (Shoop Shoop)" peaked at #1, and then spent a record eleven weeks at the #2 spot and eight weeks on top of the R&B Charts. "Count On Me", a duet with Cece Winans, hit the US Top 10; and Houston's third contribution, "Why Does It Hurt So Bad", made the Top 30. The album debuted at #1, and was certifed 7xPlatinum in the United States, denoting shipments of 7 million copies.[33] The soundtrack received strong reviews.[citation needed] Entertainment Weekly said "the album goes down easy, just as you'd expect from a package framed by Whitney Houston tracks....the soundtrack waits to exhale, hovering in sensuous suspense"[75] and has since ranked it as one of the 100 Best Movie Soundtracks.[76] Newsday called it "the most significant R&B record of the decade."[citation needed] Later that year, Houston's children's charity organization was awarded a VH1 Honor for all the charitable work

In 1996, Houston starred in the holiday comedy The Preacher's Wife, with Denzel Washington. She plays a gospel-singing wife of a pastor (Courtney B. Vance). Houston earned $10 million for the role, making her one of the highest paid actress in Hollywood at the time and the highest earning African American actress in Hollywood.[77] The movie, with its all African-American cast, was a moderate success, earning approximately $50 million at the U.S. box offices.[78] The movie gave Houston her strongest reviews so far. The San Francisco Chronicle said Houston "is rather angelic herself, displaying a divine talent for being virtuous and flirtatious at the same time" and that she "exudes gentle yet spirited warmth, especially when praising the Lord in her gorgeous singing voice."[79] Houston was again nominated for an NAACP Image Award and won for Outstanding Actress In A Motion Picture.

Houston recorded and co-produced, with Mervyn Warren, the film's accompanying gospel soundtrack. The Preacher's Wife: Original Soundtrack Album. included six gospel songs with Georgia Mass Choir that were recorded at the Great Star Rising Baptist Church in Atlanta. Houston also duetted with gospel legend Shirley Caesar. The album sold six million copies worldwide and scored hit singles with "I Believe in You and Me" and "Step by Step", becoming the largest selling gospel album of all time. The album received mainly positive reviews. Some critics, like USA Today, noted the presence of her emotional depth,[80] while The UK Times said "To hear Houston going at full throttle with the 35 piece Georgia Mass Choir struggling to keep up is to realise what her phenomenal voice was made for."[81]

In 1997, Houston's production company changed its name to BrownHouse Productions and was joined by Debra Martin Chase. Their goal was "to show aspects of the lives of African-Americans that have not been brought to the screen before" while improving how African-Americans are portrayed in film and television.[82] Their first project was a made-for-television remake of Rodgers & Hammerstein's Cinderella. In addition to co-producing, Houston starred in the movie as the Fairy Godmother along with Brandy, Jason Alexander, Whoopi Goldberg, and Bernadette Peters. Houston was initially offered the role of Cinderella in 1993, but other projects intervened.[83] The film is notable for its multi-racial cast and nonstereotypical message.[84] An estimated 60 million viewers tuned into the special giving ABC its highest TV ratings in 16 years.[85] The movie received seven Emmy nominations including Outstanding Variety, Musical or Comedy, while winning Outstanding Art Direction in a Variety, Musical or Comedy Special.[86]

Houston and Chase then obtained the rights to the story of Dorothy Dandridge. Houston was to play Dandridge, who was the first African American actress to be nominated for an Oscar. She wanted the story told with dignity and honor.[82] However, Halle Berry also had rights to the project and she got her version going first.[87] Later that year, Houston paid tribute to her idols such as Aretha Franklin, Diana Ross, and Billie Holliday by performing their hits during the three night HBO Concert Classic Whitney, live from Washington, D.C.. The special raised over $300,000 for the Children's Defense Fund.[88]

1998–2000: My Love Is Your Love and Whitney: The Greatest Hits

After spending much of the early and mid 1990s working on motion pictures and their adjacent soundtrack albums, Houston's first studio album in eight years, the critically acclaimed My Love Is Your Love, was released in November 1998. Though originally slated to be a greatest hits album with a handful of new songs, recording sessions were so fruitful, enough material was produced for a new full-length studio album. Recorded and mixed in only six weeks, it featured production from Rodney Jerkins, Wyclef Jean and Missy Elliott. The album had a more funkier and edgier sound than past releases and saw Houston handling urban dance, hip hop, reggae, mid-tempo R&B, torch songs, and ballads all with great dexterity. The album's first single, "When You Believe" (a duet with Mariah Carey for 1998s The Prince of Egypt soundtrack), became an international hit as it peaked in the Top 10 in several countries, the Top 20 in the US and won an Academy Award, while the album debuted at #13.[89] The next three singles would all reach the Top Five. "Heartbreak Hotel", which featured Faith Evans and Kelly Price reached number 2 on the Hot 100, while topping the R&B chart for seven weeks. "It's Not Right but It's Okay", which won Houston her sixth Grammy Award; and "My Love Is Your Love" both reached number four and also became international hits as did the previous two singles. The album's fifth single, "I Learned from the Best", became a moderate hit, peaking at number twenty-seven. All singles, except "When You Believe", also became number one hits on the U.S. Dance/Clubplay Chart. The album went on to be certified four times platinum in the U.S., with worldwide sales of ten million. The album gave Houston some of her strongest reviews ever. Rolling Stone said Houston was singing "with a bite in her voice"[90] and The Village Voice called it "Whitney's sharpest and most satisfying so far".[91] In 1999, Houston participated in VH-1's Divas’ Live '99, alongside Mary J. Blige, Tina Turner, Cher. The same year, Houston hit the road with her 70 date My Love Is Your Love worldwide tour. The European leg was Europe's highest grossing arena tour of the year.[92]

In April 2000, Whitney: The Greatest Hits was released. The double disc set peaked at number five in America and reached number one on the UK chart. While the ballads were left unchanged, the album is notable for featuring house/club remixes of many of Houston's up-tempo hits, in place of their original version. Also included on the album were four new songs: "Could I Have This Kiss Forever" (a duet with Enrique Iglesias), "Same Script, Different Cast" (a duet with Deborah Cox), "If I Told You That" (a duet with George Michael), and "Fine", all of which failed to crack the US Top 40, but were hits in the UK and several European countries. Along with the album, an accompanying DVD was also released of the music videos to Houston's greatest hits. The greatest hits album was certified triple platinum in the U.S., with worldwide sales of ten million. Houston and Chase, along with Warner Brothers, were then set to produce a remake of the 1976 film Sparkle about a 1960s singing group of three sisters in Harlem. Aaliyah, who was to star in the remake, was killed in a plane crash in 2001 before production began.[93]

2000–2005: Just Whitney, drug allegations, and personal struggles

Though Houston was seen as a "good girl" with a perfect image in the '80s and early '90s, during the late '90s her behavior changed. She was often hours late for interviews, photo shoots and rehearsals, and canceling concerts and talk-show appearances.[94][95] With the missed performances and weight loss, rumors about Houston using drugs with her husband circulated. On January 11, 2000, airport security guards discovered marijuana in both Houston's and husband Bobby Brown's luggage at a Hawaiian airport, but the two boarded the plane and departed before authorities could arrive. Charges were later dropped against her and Brown,[96] but rumors of drug usage among the couple would continue to surface. Two months later, Clive Davis was inducted into the Rock & Roll Hall of Fame. Houston had been scheduled to perform at the event, but did not attend.[97] Shortly thereafter, Houston was scheduled to perform at the Academy Awards but was fired from the event by musical director and long time friend Burt Bacharach. Though her publicist cited throat problems as the reason for the cancellation, many speculated it was drugs. In his book The Big Show: High Times And Dirty Dealings Backstage At The Academy Awards, author Steve Pond revealed that "Houston's voice was shaky, she seemed distracted and jittery, and her attitude was casual, almost defiant," and that while Houston was to sing "Over The Rainbow", she would start singing a different song.[98] Houston later admitted to having been fired.[99] Later that year, Houston's long-time executive assistant and friend, Robyn Crawford, resigned from Houston's management company.[97]

In August 2001, Houston signed the biggest record deal in music history with Arista/BMG. She renewed her contract for $100 million to deliver six new albums, on which she would also earn royalties.[citation needed] She later made an appearance on Michael Jackson: 30th Anniversary Special. Her extremely thin frame further spurred rumors of drug use. Houston's publicist said, "Whitney has been under stress due to family matters, and when she is under stress she doesn't eat."[100] The singer was scheduled for a second performance the following night but canceled.[101] Within weeks, Houston's rendition of "The Star Spangled Banner" would be re-released after the terrorist attacks of September 11. The song peaked at #6 this time on the US Hot 100.[89] Houston donated her portion of the proceeds.

In 2002, Houston became involved in a legal dispute with John Houston Enterprise. Although the company was started by her father to manage her career, it was now actually run by company president Kevin Skinner. He filed a breach-of-contract lawsuit and sued for $100 million (but lost), stating that Houston owed his company previously unpaid compensation for helping to negotiate her $100 million contract with Arista Records and for sorting out legal matters.[102] Houston claimed that her 81-year-old father had nothing to do with the lawsuit. Although Skinner tried to claim otherwise, John Houston never appeared in court.[103] Houston's father was ill at the time, and he died in February 2003.[104] The lawsuit was dismissed on April 5, 2004, and Skinner was awarded nothing.[105]

Also in 2002, Houston did an interview with Diane Sawyer to promote her upcoming album. During the prime-time special, Houston spoke on topics including rumored drug use and marriage. She was asked about the ongoing drug rumors and replied, "First of all, let's get one thing straight. Crack is cheap. I make too much money to ever smoke crack. Let's get that straight. Okay? We don't do crack. We don't do that. Crack is wack."[99] The line would become infamous.[106] Houston did, however, admit to using various substances at times.[99]

In December 2002, Houston released her fifth studio album, Just Whitney. The album included productions from then-husband Bobby Brown, as well as Missy Elliott and Babyface, while marking the first time Houston did not produce with Clive Davis. It received mixed reviews upon release.[107] Rolling Stone said the album "only shows an artist vainly trying to reach for what her future once could have been,"[108] while The San Francisco Chronicle said the album did "show signs of life, but not enough to declare a resurrection."[109] The album debuted at #9 on the Billboard Hot 200 chart and had the highest first week sales of any album she had released.[110] However, all the singles—"Whatchulookinat", "One of Those Days", and "Try It on My Own"—failed to reach the top 40 on the Hot 100 chart. (One of Those Days became a Top 40 hit on the Hot R&B/Hip-Hop Singles and Tracks.) All three singles (along with "Love That Man") would also become Top 10 hits on the Billboard Hot Dance Club Play chart, with two of the four hitting #1.[111] Just Whitney was certified platinum in the United States.[112]

In late 2003, Houston released her first holiday album One Wish: The Holiday Album, with a track listing of traditional Christmas songs. Houston produced the album with Gorden Chambers and Mervyn Warren. The album received positive reviews. The The New York Times praised the "lavish swoops, the sultry whispers, the gospelly asides and the meteoric crescendos."[113] USA Today also gave the album a positive review, stating, "she finds satisfying ways to bring new life to old classics."[114] The single "One Wish (for Christmas)" reached the Top 20 on the Adult Contemporary chart.[111]

Houston spent most of 2004 touring Europe, the Middle East, Asia, and Russia. In September 2004, she gave a surprise performance at the World Music Awards, in tribute to long time friend Clive Davis. Houston received a standing ovation for her performance.  After the show, Davis and Houston announced plans to go into studio to work on her new album.[115]

In early 2004, husband Bobby Brown starred in his own reality TV program, Being Bobby Brown (on the Bravo network), which provided a view into the domestic goings-on in the Brown household. Though it was Brown's vehicle, Houston was a prominent figure throughout the show. The series, which aired in 2005, featured Houston at, what some say, her lowest moments; many wondered why she took part in it. The Hollywood Reporter said it was "undoubtedly the most disgusting and execrable series ever to ooze its way onto television."[116] Despite the perceived train-wreck nature of the show, it gave Bravo its highest ratings in its time slot.[117] The show was not renewed for a second season after Houston stated she would no longer appear on it, and Brown and Bravo could not come to an agreement for another season.[118]

In a 2009 interview with Oprah Winfrey, Houston admitted to using drugs with Brown. She said, "My mom came to my house and she told me, 'You have to go to rehab now.'"

2006–present: Return to music and I Look To You

After years of controversy and turmoil, Houston separated from Bobby Brown in September 2006, filing for divorce the next month.[119] On February 1, 2007, Houston asked the court to fast track their divorce.[120] The divorce was finalized on April 24, 2007, with Houston granted custody of the couple's daughter.[121] Less than a month later, Brown sued Houston in Orange County, California court in an attempt to change the terms of their custody agreement. Brown also sought child and spousal support from Houston. In the lawsuit, Brown claimed that financial and emotional problems prevented him from properly responding to Houston's divorce petition.[122] Brown lost at his court hearing as the judge dismissed his appeal to overrule the custody terms, leaving Houston with full custody and Brown with no spousal support.[123]

In March 2007, Clive Davis of Arista Records announced that Houston would begin recording a new album.[124] In October 2007, Arista released The Ultimate Collection.[125] Houston released her new album, I Look To You, on August 31, 2009.[126] The album's first two singles are "I Look To You" and "Million Dollar Bill". The album entered the Billboard 200 at #1, with Houston's best opening-week sales of 305,000 copies, marking Houston's first number one album since The Bodyguard , and Houston's first studio album to reach number one since 1987's Whitney. Houston gave her first interview in seven years, appearing on Oprah Winfrey's season premiere on September 14, 2009. The interview was billed as "the most anticipated music interview of the decade".[127] Houston has also appeared on European television programs to promote the album. On October 3, 2009, she performed the song "I Look To You" on the German television show Wetten Dass. Three days later, on October 6, 2009, she performed the worldwide first single from I Look To You, Million Dollar Bill, on the French television show Le Grand Journal. Houston appeared as guest mentor on the The X Factor in the United Kingdom on Saturday, 17 October 2009. She performed "Million Dollar Bill" on the following day's results show, completing the song even as a strap in the back of her dress popped open two minutes into the performance. She later commented that she "sang [herself] out of [her] clothes". The performance was poorly received by the British media, and was variously described as "weird" and "ungracious",[128] "shambolic"[129] and a "flop".[130] Houston also released a statement saying that she will be embarking on the I Look To You Tour, which is scheduled to begin in April 2010 in the UK.[131] Houston redeemed herself on Oct 21, 2009 by appearing on the Italian version of X Factor performing the same song "Million Dollar Bill" to good reviews.[citation needed] She was awarded the Gold Certificate for achieving over 50,000 CD sales of "I Look To You" in Italy.[132]

Voice

Houston is a mezzo-soprano.[133] She came in third on MTV's 22 Greatest Voices [134], sixth on COVE's list of the 100 Best Pop Vocalists with a score of 48.5/50, and thirty-fourth on Rolling Stone 100 Greatest Singers list.[135][136][137]

Legacy

During the 1980s, MTV was just coming into its own and received harsh criticism for not playing enough videos by black artists. With Michael Jackson breaking down the color barrier for black male artists, Houston did the same for black female artists. She became one of the few black female artists to receive heavy rotation on the network following the success of the "How Will I Know" video.[138] Following Houston's breakthrough, other African-American female artists, such as Janet Jackson and Anita Baker, were successful in popular music.[30][31] Baker commented that "Because of what Whitney did, there was an opening for me... For radio stations, black women singers aren't taboo anymore".[139] Mary J. Blige commented that Houston's inviting her onstage during VH1's Divas Live show in 1999 "opened doors for [her] all over the world".[140]

Houston's vocal stylings have had a significant impact on the music industry. According to The New York Times, Houston had "revitalized the tradition of strong gospel-oriented pop-soul singing".[141] A number of artists have acknowledged Houston as an influence. Mariah Carey, who was often compared to Houston, said, "Houston has been a big influence on me."[142] She later told USA Today that "none of us would sound the same if Aretha Franklin hadn't ever put out a record, or Whitney Houston hadn't".[143] Oscar winner Jennifer Hudson cites Houston as her biggest musical influence. She told Newsday that she learned from Houston the "difference between being able to sing and knowing how to sing".[144] Leona Lewis, who also has been compared to Houston, cites her as an influence. Lewis has stated that she idolized Houston as a little girl.[145] Beyoncé Knowles told the Globe and Mail that Houston "inspired [her] to get up there and do what [she] did."[146] Christina Aguilera,[147] Britney Spears,[148] Alicia Keys,[149] P!nk,[148] Robin Thicke,[150] Jennifer Hudson and Destiny's Child[148] have all cited Houston as a musical inspiration. In 2009, Rolling Stone listed Houston as one of the 100 greatest singers of the rock era.[151]

Houston's debut is currently listed as one of the 500 Greatest Albums of All Time by Rolling Stone magazine[27] and is on Rock and Roll Hall of Fame's Definitive 200 list.[28] Houston's entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to USA Today.[29] In 1997, the Franklin School in East Orange, New Jersey was renamed to The Whitney E. Houston Academy School of Creative and Performing Arts. In 2001, Houston was awarded the first annual Lifetime Achievement Award by BET.[152]

Discography

Studio Albums
Soundtrack Albums
Compilation & Other Albums

Filmography

Year Title Role Notes
1984 Gimme a Break! Rita "Katie's College" (Season 3, Episode 20)[155]
1985 Silver Spoons As Herself "Head Over Heels" (Season 3, Episode 1)[155]
1992 The Bodyguard Rachel Marron Main Role
1995 Waiting to Exhale Savannah Jackson Main Role
1996 The Preacher's Wife Julia Biggs Main Role
1997 Rodgers & Hammerstein's Cinderella Fairy Godmother made for television (ABC)
2003 Boston Public As Herself Cameo Appearance
2004 Nora's Hair Salon As Herself Cameo Appearance

As Producer

Year Title Notes
1997 Rodgers & Hammerstein's Cinderella executive producer
2001 The Princess Diaries producer
2003 The Cheetah Girls executive producer
2004 The Princess Diaries 2: Royal Engagement producer
2006 The Cheetah Girls 2 executive producer

Tours and concerts

World tours
Regional tours
Notable concerts

Further reading

See also

References

  1. ^ a b c d Whitney Houston, Allmusic, 2006, http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:wifqxqe5ldae~T1, retrieved 2009-04-13 
  2. ^ a b Corliss, Richard (July 13, 1987). "The Prom Queen of Soul". Time Magazine. http://www.time.com/time/magazine/article/0,9171,964980,00.html. Retrieved 2007-03-17. 
  3. ^ a b A History of Soul Music. VH1. 2007-10-18.
  4. ^ http://www.mtv.com/news/articles/1452207/20020207/story.jhtml
  5. ^ a b "Whitney Houston", Rolling Stone, 2006, http://www.rollingstone.com/artists/whitneyhouston/biography, retrieved 2009-04-13 
  6. ^ http://www.reuters.com/article/entertainmentNews/idUSTRE58D4Y020090915
  7. ^ http://www.whitneyhouston.com/us/biography
  8. ^ "Top Selling Artists". RIAA. http://www.riaa.com/goldandplatinumdata.php?table=tblTopArt. Retrieved 2008-06-09. 
  9. ^ "The 100 Greatest Singers of All Time", Rolling Stone, http://www.rollingstone.com/news/coverstory/24161972/page/34, retrieved 2009-04-14 
  10. ^ "Transformers: Whitney Houston". AOL Black Voices. 2007. http://www.blackvoices.com/black_entertainment/music_videos_songs_radio/black_music_month_2007/transformers-whitney-houston-gallery. Retrieved 2008-01-15. 
  11. ^ "Christina performs on the 2001 BET Awards in a special tribute to Whitney Houston". Billboard Magazine. June 19, 2007. http://www.bignoisenow.com/christina/betawards.html. Retrieved 2008-01-15. 
  12. ^ Holden, Stephen (February 16 1985). "Cabaret: Whitney Houston". The New York Times. http://query.nytimes.com/gst/fullpage.html?res=9F00E6DE1539F935A25751C0A963948260. Retrieved 2009-01-13. 
  13. ^ a b "Whitney Houston". Driven. VH1. November 13, 2002.
  14. ^ "Whitney & Bobby - Addicted to Love". Vibe Magazine. September 2005. http://www.classicwhitney.com/interview/vibe_sep2005.htm. Retrieved 2007-03-17. 
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