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Will Rogers

 
Who2 Biography: Will Rogers, Humorist / Radio Personality / Actor
 
will rogers
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  • Born: 4 November 1879
  • Birthplace: Oolagah, Indian Territory (now Oklahoma)
  • Died: 15 August 1935 (airplane crash)
  • Best Known As: Rope-tricking humorist who never met a man he didn't like

Name at birth: William Penn Adair Rogers

Will Rogers was a one of America's brightest media stars during the 1920s and '30s, a Cherokee cowboy-philosopher who did rope tricks while making pointed -- and humorous -- political observations. Rogers grew up on a ranch in Indian Territory in what is now Oklahoma. After a few years as a rancher and cowboy, he began performing rope tricks and made it to vaudeville. He signed on with the Ziegfield Follies in 1915 and soon became a popular and well-paid stage performer. By 1918 he was starring in and producing movies in Hollywood. By the end of the '20s Rogers was a movie star, radio star and successful newspaper columnist. He had a way of making insightful and witty remarks on complicated issues, in simple terms and without rancor, a style audiences adored. Rogers is still famous for saying "I only know what I read in the newspaper" and "I never met a man I didn't like." He was killed in 1935 with pilot Wiley Post when their plane crashed in Alaska.

In the Tony Award-winning musical The Will Rogers Follies, Rogers was portrayed by Keith Carradine... In the 1952 movie The Story of Will Rogers, Rogers was portrayed by his son, Will Rogers, Jr.... Between 1970 and 2000 Rogers was portrayed on stage by James Whitmore in the one-man show Will Rogers' U.S.A.

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American Theater Guide: William Penn Adair Rogers
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Rogers, Will[iam Penn Adair] (1879–1935), comedian. The famed cowboy humorist was born in Olagah in Indian Territory (present‐day Oklahoma) and began his theatrical career with a traveling Wild West Show. He turned to vaudeville in 1904 and made his New York debut a year later. In 1912 Rogers made his first appearance in a Broadway show, The Wall Street Girl. However, playgoers recalled him best for his appearances in the 1916, 1917, 1918, 1922, and 1924 editions of the Ziegfeld Follies, where he spun out his witty, homey philosophy and comments while toying with a lariat. His last Broadway appearance was in Three Cheers (1928). Shortly before his death in a plane crash, he had appeared as Nat Miller in a 1934 West Coast production of Ah, Wilderness!. Rogers was also very popular in films and on radio and in the newspapers. The 1991 musical The Will Rogers Follies was an entertaining if simple‐minded retelling of his life. Autobiography: Autobiography of Will Rogers, Donald Day, editor, 1949; biography: Will Rogers: His Life and Times, R. Ketchum, 1973.

 
Artist: Will Rogers
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  • Born: November 04, 1879
  • Died: 1935
  • Active: '10s, '20s, '30s
  • Genres: Comedy
  • Instrument: Engineer, Producer, Drums
  • Representative Albums: "America's Legendary Humorist," "Best of Will Rogers," "America's Legendary Humorist"

Biography

Will Rogers was one of the United States' most renowned and respected national figures in the early 21st century. Born on November 4, 1879, near Oologah, OK, Rogers was part Cherokee Indian, and began working on his family's ranch at a young age. Rogers' roping/lasso skills brought him instant acclaim, and he was eventually listed in the Guinness Book of Records for being able to throw two lassos at once. Rogers landed a job transporting animals from Buenos Aires to South Africa for use in the Anglo-Boer War during 1899-1902, resulting in his remaining in Johannesburg for a spell, during which time he appeared in "wild west" shows, showcasing his lasso skills. Shortly after returning home to America, Rogers took jobs performing in vaudeville shows, where he began telling jokes and his witty observations to the audience, which led to him becoming a somewhat crafty philosopher.

Rogers' newly found gift soon paid off. He starred in 71 motion pictures during the 1920s and '30s, as well as in Broadway shows, and became a radio commentator. He is probably best known, however, for his journalistic skills; during his lifetime, he penned more than 4,000 columns for syndicated newspapers across the U.S., in addition to writing six books. Rogers was also quite a generous fellow (a famous quote of his was "I never met a man I didn't like"), as he was known to give his own money to disaster victims, and raised thousands for the Red Cross and Salvation Army. Rogers died in 1935 while flying a plane with renowned one-eyed aviator Wiley Post during a flight to Alaska. His clever musings have been issued over the years on several compilations, including America's Legendary Humorist, among others. ~ Greg Prato, All Music Guide
 
Actor: Will Rogers
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  • Born: Nov 04, 1879 in Oologah, Oklahoma
  • Died: Aug 15, 1935 in Near Point Barrow, Alaska
  • Occupation: Actor
  • Active: '20s-'30s
  • Major Genres: Comedy
  • Career Highlights: State Fair, Judge Priest, Doctor Bull
  • First Major Screen Credit: Doubling for Romeo (1921)

Biography

As a boy, Rogers became an expert rider and rope-twirler; he first performed in a Johannesburg Wild West Show during the Boer War. In the U.S., he worked in fairs and vaudeville, gradually developing an act that included humor. He began appearing in musical comedy in 1912; five years later, he starred with the Ziegfeld Follies. Beginning in 1918, Rogers appeared in many feature and short films, but his appeal in the silent medium was limited; when he tried to produce and direct his own films, he lost a good deal of his own money. However, once the sound era began, he quickly became one of the nation's most popular performers -- his folksy wit and down-home philosophy making him an ambassador of rural America and spokesman for the common folk. Rogers also worked on radio and wrote newspaper columns. He turned down an offer to run for Governor of Oklahoma, but served as Mayor of Beverly Hills and campaigned actively (via his very influential columns) for Franklin D. Roosevelt in 1932. He died in an airplane crash with aviator Wiley Post in 1935. He was portrayed in three films by his look-alike son, Will Rogers Jr. -- one was the biopic The Will Rogers Story (1952). He was also the central subject of the Broadway musical The Will Rogers Follies, in which he was portrayed by Keith Carradine and Mac Davis. ~ All Movie Guide
 
Biography: Will Rogers
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One of the most celebrated humorists and public figures of his day, Will Rogers (1879-1935) offered dry, whimsical commentaries on a plethora of political, social, and economic issues. His aphoristic, sa tirical observations, which he voiced in magazine articles and nationally syndicated columns, revealed the foibles and injustices of American society and reaffirmed the humorist's role as the voice of the" average" citizen.

Born in Oklahoma into a prosperous ranching family of mixed Cherokee descent, the young Rogers was an expert rider and lariat stuntman. He appeared in Wild West shows throughout the world, and in 1905 he made his vaudeville debut. In vaudeville he enlivened his performances with off-the-cuff lectures on the art of roping. Rogers's humorous chatter, nonchalant delivery, and southwestern drawl proved a popular combination, resulting in an invitation to join the Ziegfeld Follies. His wife suggested that he vary and supplement his material with comments on contemporary personages and events. Following this advice, he delighted audiences with his homely philosophy and pungent remarks, becoming a renowned humorist and interpreter of the news. Rogers's first two books, The Cowboy Philosopher on the Peace Conference and The CowboyPhilosopher on Prohibition, were drawn from his Follies monologues. His subsequent works, such as The Illiterate Digest, There's Not a Bathing Suit in Russia, and Letters of a Self-Made Diplomat to His President, were garnered from the newspaper columns "Will Rogers Says," "The Worst Story I Ever Heard," "The Daily Telegram," and also from his serialized correspondence from abroad appearing in The Saturday Evening Post. Rogers's death in a 1935 plane crash sent the entire country into mourning, prompting Carl Sandburg to reflect, "There is a curious parallel between Will Rogers and Abraham Lincoln. They were rare figures whom we could call beloved without embarrassment."

In his writings, as on the stage, Rogers affected a pose of ignorance, emphasizing his simple, rural background and lack of formal education. In reality he was a well-informed and thoughtful commentator, skilled in the use of the pun, metaphor, and hyperbole. By assuming the stance of a good-natured, naive country boy, Rogers was able to lampoon Congress, presidents, and foreign heads of state without occasioning offense or indignation. His The Cowboy Philosopher on the Peace Conference, for example, mocks the diplomatic stratagems of the Versailles talks, while The Cowboy Philosopher on Prohibition examines the futility and hypocrisy of the Volstead Act. Rogers's shrewd, fundamentally pessimistic point of view has been compared to Mark Twain's, as has his profound distrust of the motives and objectives of those in power. Unlike Twain, however, he was incapable of sustaining an idea at length. Rogers's forte was the pithy sentence - the short but highly suggestive statement calculated to effect an immediate response. While some critics no longer consider his topical humor relevant and find his intentional misspellings and grammatical errors excessive, others value his writings for the insight they provide into the concerns and opinions of the United States during the tumultuous 1920s and 1930s. Damon Runyon offered this assessment: "Will Rogers was America's most complete human document. He reflected in many ways the heartbeat of America. In thought and manner of appearance and in his daily life he was probably our most typical native born, the closest living approach to what we like to call the true American."

Further Reading

Alworth, E. Paul, Will Rogers, Twayne, 1974.

Brown, William R., Imagemaker: Will Rogers and the American Dream, University of Missouri Press, 1970, 304 p.

Croy, Homer, Our Will Rogers, Duell, Sloan and Pearce, 1953,377 p.

Day, Donald, Will Rogers: A Biography, David McKay Company, Inc., 1962, 370 p.

Dictionary of Literary Biography, Volume 11, Gale, 1982.

Dockstader, Fredrick J., Great North American Indians, New York, Van Nostrand Reinhold Company, 1977; 243-45.

Feibleman, James, In Praise of Comedy: A Study in Its Theory and Practice, Allen & Unwin, 1939.

 
Britannica Concise Encyclopedia: William Penn Adair Rogers
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Will Rogers.
(click to enlarge)
Will Rogers. (credit: Culver Pictures)
(born Nov. 4, 1879, Indian Territory, U.S. [near present-day Claremore, Okla.] — died Aug. 15, 1935, near Point Barrow, Alaska) U.S. humorist and actor. Raised in Indian Territory, he demonstrated his rope-twirling skills in Wild West shows and vaudeville and gradually wove bits of homespun wit into his act. He was popular in New York City from 1905 and starred in Florenz Ziegfeld's Midnight Frolic (1915). Noted for his good-natured but sharp criticism of current affairs, he wrote a newspaper column in the New York Times (from 1922) as well as several books. He performed on radio and in movies such as State Fair (1933) and Steamboat Round the Bend (1935). His death in a plane crash in Alaska with the aviator Wiley Post (1899 – 1935) was widely mourned.

For more information on William Penn Adair Rogers, visit Britannica.com.

 
Columbia Encyclopedia: Will Rogers
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Rogers, Will (William Penn Adair Rogers), 1879–1935, American humorist, b. Oolagah, Indian Territory (now in Oklahoma). In his youth he worked as a cowboy in Oklahoma, and after traveling over the world, he returned to the United States and worked in vaudeville as a cowboy rope-twirler, joking casually with the audience. He was an immediate success when he joined the Ziegfeld Follies in 1915. Rogers gained a wide audience through motion pictures, books, the radio, and a syndicated newspaper column. His salty comments on the political and social scene made the “cowboy philosopher” widely known. A constant booster of airplane travel, Rogers made several long airplane trips; he was killed with Wiley Post when their plane crashed near Point Barrow, Alaska.

Bibliography

See his autobiography (ed. by D. Day, 1949) and writings (1973); D. R. Milsten, Will Rogers: An Appreciation (1976); P. C. Rollins, Will Rogers: A Bio-Bibliography (1984).

 
Works: Works by Will Rogers
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(1879-1935)

1919The Cowboy Philosopher on the Peace Conference and The Cowboy Philosopher on Prohibition. A regular performer in the Ziegfeld Follies since 1916, Rogers's comic routines featured his commentary on current events, and these are the first collections of his remarks, preserving his "ah-shucks" oral delivery and his commonsense, everyman-style wit. He would begin a syndicated column in 1922 and issue several collections of articles, including The Illiterate Digest (1924), There's Not a Better Suit in Russia (1927), and Either and Me (1929).

 
Fine Arts Dictionary: Rogers, Will
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A twentieth-century American humorist known for his folksy but sharp social and political commentary. One of the statements for which he is remembered is “All I know is just what I read in the papers.”

 
Quotes By: Will Rogers
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Quotes:

"One ad is worth more to a paper than forty editorials."

"The worst thing that happens to you may be the best thing for you if you don't let it get the best of you."

"I never met a man I didn't like."

"The nation is prosperous on the whole, but how much prosperity is there in a hole?"

"Every time a woman leaves off something she looks better, but every time a man leaves off something he looks worse."

"An economist's guess is liable to be as good as anybody else s."

See more famous quotes by Will Rogers

 
Wikipedia: Will Rogers
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This page is about the humorist; for others with similar names see William Rogers.
William "Will" Rogers

Will Rogers
Born November 4, 1879(1879-11-04)
Oologah, Indian Territory (now Oklahoma)
Died August 15, 1935 (aged 55)
Point Barrow, Alaska Territory
Occupation actor, comic, columnist, radio personality
Political party Democratic
Spouse(s) Betty (1879–1944)
Children William Vann "Bill"
Mary Amelia
James Blake
Fred Stone

William Penn Adair “Will” Rogers (November 4, 1879August 15, 1935) was a Cherokee-American cowboy, comedian, humorist, social commentator, vaudeville performer and actor. He was the father of U.S. Congressman and WWII Veteran Will Rogers, Jr.

Known as Oklahoma's favorite son,[1] Rogers was born to a prominent Indian Territory family. He traveled around the world three times, made 71 movies (50 silent films and 21 "talkies"),[2] wrote more than 4,000 nationally-syndicated newspaper columns,[3] and became a world-famous figure.

By the mid-1930s, Rogers was adored by the American people, and was the top-paid movie star in Hollywood at the time. Rogers died in 1935 while on an around-the-world trip with aviator Wiley Post, when their small airplane crashed near Barrow, Alaska Territory.

Contents

Early years

The "White House on the Verdigris River", the home where Will Rogers was born, near Oologah, Oklahoma

Will Rogers was born on the Dog Iron Ranch in Indian Territory, near present-day Oologah, Oklahoma. The house he was born in had been built in 1875 and was known as the "White House on the Verdigris River."[2] His parents, Clement Vann Rogers (1839–1911) and Mary America Schrimsher (1838–1890), were each of part Cherokee heritage, and Rogers himself was 9/32s Cherokee.[4] Rogers quipped that his ancestors didn't come over on the Mayflower but they "met the boat."[5] Clement Rogers was a distinguished figure in Indian Territory. A Cherokee senator and judge, he was a Confederate veteran and served as a delegate to the Oklahoma Constitutional Convention. Rogers County, Oklahoma is named in honor of Clement Rogers.[2] Mary Rogers was quarter-Cherokee and hereditary member of the Paint Clan.[6] She died when Will was 11, and his father remarried less than two years after her death.[7]

Rogers was the youngest of his parents' eight children. He was named for the Cherokee leader Col. William Penn Adair.[8]Only three of his siblings, sisters Sallie Clementine, Maude Ethel, and May (Mary), survived into adulthood. The children attended Willow Hassel School in Neosho, Missouri, and later Kemper Military School in Boonville, Missouri. He ended his studies after the 10th grade. He admitted he was a poor student, saying that he "studied the Fourth Reader for ten years."[5] He was much more interested in cowboys and horses, and learned to rope and use a lariat.

After ending his brief formal studies, Rogers worked the Dog Iron Ranch for a few years. Near the end of 1901, he and a friend left home with aspirations to work as gauchos in Argentina.[5] They made it to Argentina in May 1902, and spent five months trying to make it as ranch owners in the Argentine pampas. Unfortunately, Rogers and his partner lost all their money, and in his words, "I was ashamed to send home for more," so the two friends separated and Rogers sailed for South Africa. It is often claimed he took a job breaking in horses for the British Army, but the Boer War had ended three months earlier.[9] Rogers actually got work at Piccione's ranch in Mooi River Station.[10]

When the war ended and the British Army no longer required his service, he began his show business career as a trick roper in "Texas Jack's Wild West Circus":

He (Texas Jack) had a little Wild West aggregation that visited the camps and did a tremendous business. I did some roping and riding, and Jack, who was one of the smartest showmen I ever knew, took a great interest in me. It was he who gave me the idea for my original stage act with my pony. I learned a lot about the show business from him. He could do a bum act with a rope that an ordinary man couldn't get away with, and make the audience think it was great, so I used to study him by the hour, and from him I learned the great secret of the show business—knowing when to get off. It's the fellow who knows when to quit that the audience wants more of.[9]

Grateful for the guidance but anxious to move on, Rogers quit the circus and went to Australia. Texas Jack gave him a reference letter for the Wirth Brothers Circus there, and Rogers continued to perform as a rider and trick roper, and worked on his pony act. He returned to the United States in 1904, and began to try his roping skills on the American vaudeville circuits.

Vaudeville

A photo of Rogers taken sometime before 1900

On a trip to New York City, Rogers was at Madison Square Garden when a wild steer broke out of the arena and began to climb into the viewing stands. Rogers quickly roped the steer to the delight of the crowd. The feat got front page attention from the newspapers, giving him valuable publicity and an audience eager to see more. William Hammerstein came to see his vaudeville act, and quickly signed Rogers to appear on the Victoria Roof—which was literally on a rooftop—with his pony. For the next decade, Rogers estimated he worked for fifty weeks a year at the Roof and at the city's myriad vaudeville theaters.[9]

In 1908, Rogers married Betty Blake, and the couple had four children: Will Rogers, Jr. (Bill), Mary Amelia (Mary), James Blake (Jim), and Fred Stone. Bill became a World War II hero, played his father in two films, and became a member of Congress. Mary became a Broadway actress, and Jim was a newspaperman and rancher; Fred died of diphtheria at age two.[3] The family lived in New York, but they managed to make it home to Oklahoma during the summers. In 1911, Rogers bought a 20-acre (8.1 hectare) ranch near Claremore, Oklahoma, which he intended to use as his retirement home, for US$500 per acre.[3]

In the fall of 1915, Rogers began to appear in Florenz Ziegfeld's Midnight Frolic. The variety revue began at midnight in the top-floor night club of Ziegfeld's New Amsterdam Theatre, and drew many influential—and regular—customers. By this time, Rogers had refined his act to a science. His monologues on the news of the day followed a similar routine every night. He appeared on stage in his cowboy outfit, nonchalantly twirling his lasso, and said, "Well, what shall I talk about? I ain't got anything funny to say. All I know is what I read in the papers." He then made jokes about what he had read in that day's news-papers. The line "All I know is what I read in the papers" is often incorrectly described as Rogers's most famous punch line, when it was in fact his opening line.

His run at the New Amsterdam ran on into 1916, and Rogers's obvious popularity led to an engagement on the more famous Ziegfeld Follies. Ziegfeld saw comedians as mere 'stage-fillers' who entertained the audience while the stage was reset for the next spectacle of beautiful girls in stunning costumes. Rogers managed to not only hold his own, but achieved star status, with both his roping and his precise satire on the daily news. An editorial in the The New York Times said that "Will Rogers in the Follies is carrying on the tradition of Aristophanes, and not unworthily."[11] Rogers branched into silent films too, for Samuel Goldwyn's company Goldwyn Pictures. He made his first silent movie, Laughing Bill Hyde, filmed in Fort Lee, New Jersey, in 1918. Many early films were made near the major New York performing market, so Rogers could make the film, yet still rehearse and perform in the Follies. He eventually appeared in most of the Follies from 1916 to 1925.

Movies

Jackie Coogan "Nazimova" (actress) Gloria Swanson Hollywood Boulevard Picture taken in 1907 of this junction Harold Lloyd Will Rogers Elinor Glyn (Writer) "Buster" Keaton William S. Hart (Two-Gun Bill) Rupert Hughes (Novelist) Roscoe "Fatty" Arbuckle Wallace Reid Douglas Fairbanks Bebe Daniels "Bull" Montana Rex Ingram Peter the hermit Charlie Chaplin Alice Terry (Actress) Mary Pickford William C. DeMille Cecil Blount DeMille Use button to enlarge or cursor to investigate
This 1921 Vanity Fair caricature by Ralph Barton shows the famous people who, he imagined, left work each day in Hollywood; use cursor to identify individual figures.

Rogers and his young family moved permanently to the West Coast in 1919, when Goldwyn Pictures moved to join the rise of filmmaking in California.[12] During the same period of time Rogers made 12 silent movies for Goldwyn, until his contract ended in 1921, he was also making the Illiterate Digest film-strip series for the Gaumont Film Company.

While Rogers enjoyed film acting, his appearances in silent movies suffered from the obvious restrictions of silence—not the strongest medium for him, having gained his fame as a commentator on stage. It helped somewhat that he wrote a good many of the title cards appearing in his films. In 1923, he began a one-year stint for Hal Roach and made 12 pictures. He made two other feature silents and a travelogue series in 1927, and did not return to the screen until his time in the 'talkies' began in 1929.

From 1929 to 1935, Rogers became the star of the Fox Film lot (now 20th Century Fox). Far from being a "B-Movie" level performer, Rogers appeared in 21 feature films alongside such noted performers as Lew Ayres, Billie Burke, Richard Cromwell, Jane Darwell, Andy Devine, Stepin Fetchit, Janet Gaynor, Rochelle Hudson, Boris Karloff, Myrna Loy, Joel McCrea, Hattie McDaniel, Ray Milland, Maureen O'Sullivan, ZaSu Pitts, Dick Powell, Bill "Bojangles" Robinson, Mickey Rooney, and Peggy Wood. He was directed three times by John Ford.

With his voice becoming increasingly familiar to audiences, he was able to basically play himself, without normal makeup, in each film, managing to ad-lib and even work in his familiar commentaries on politics at times. The clean moral tone of his films led to various public schools taking their classes, during the school day, to attend special showings of some of them. His most unusual role may have been in the first talking version of Mark Twain's novel A Connecticut Yankee in King Arthur's Court. His popularity soared to new heights with films including Young As You Feel, Judge Priest, and Life Begins at 40 with Richard Cromwell and Rochelle Hudson.

Travel

Rogers began a weekly column, titled "Slipping the Lariat Over," at the end of 1922.[13] He had already published a book of wisecracks and had begun a steady stream of humor books.[5] Through the continuing series of columns for the McNaught Syndicate between 1922 and 1935, as well as in his personal appearances and radio broadcasts, he won the loving admiration of the American people, poking jibes in witty ways at the issues of the day and prominent people—often politicians. He wrote from a non-partisan point of view and became a friend of presidents and a confidant of the great. Loved for his cool mind and warm heart, he was often considered the successor to such greats as Artemus Ward and Mark Twain. Rogers was not the first entertainer to use political humor before his audience. Other's such as Broadway comedian Raymond Hitchcock and Britain's Sir Harry Lauder precede him by several years. The legendary Bob Hope is the best known political humorist to follow Rogers example.

From 1925 to 1928, Rogers traveled the length and breadth of the United States in a "lecture tour". (He began his lectures by pointing out that "A humorist entertains, and a lecturer annoys!") During this time he became the first civilian to fly from coast to coast with pilots flying the mail in early air mail flights. The National Press Club dubbed him "Ambassador at Large of the United States." He visited Mexico City with Charles Lindbergh as a guest of U.S. Ambassador Dwight Morrow, whose daughter Anne later married Lindbergh. In subsequent years, Rogers gave numerous after-dinner speeches, became a popular convention speaker, and gave dozens of benefits for victims of floods, droughts, or earthquakes. In 1928 he ran for President of the United States.[14] From 1930 to 1935, he made radio broadcasts for the Gulf Oil Company. This weekly Sunday evening show, The Gulf Headliners, ranked among the top radio programs in the country.[15] Since he easily rambled from one subject to another, reacting to his studio audience, he often lost track of the half-hour time limit in his earliest broadcasts, and was cut off in mid-sentence. To correct this, he brought in a wind-up alarm clock, and its on-air buzzing alerted him to begin wrapping up his comments. By 1935, his show was being announced as "Will Rogers and his famous Alarm Clock."

He made a trip to the Orient in 1931 and to Central and South America the following year. In 1934, he made a globe-girdling tour and returned to play the lead in Eugene O'Neill's stage play Ah, Wilderness! He had tentatively agreed to go on loan from Fox to MGM to star in the 1935 movie version of the play; however, his concern over a fan's reaction to the 'facts-of-life' talk between his character and its son caused him to decline the role—and that freed his schedule to allow him to fly with Wiley Post that summer.

In 1934, Rogers hosted the 6th Annual Academy Awards Ceremony, held at the Fiesta Room of the Ambassador Hotel in Los Angeles. At the same time, he also began writing a popular syndicated short item called "Will Rogers Says". Literally a telegram which he composed daily to address each day's news, it often appeared on the front pages of its subscribing papers. He identified with the Democratic Party, saying "I'm not a member of any organized party. I'm a Democrat," and was a vocal supporter of Franklin D. Roosevelt. At one point, he was even asked to run for governor of Oklahoma, the party hoping to benefit from his immense popularity.

"I never yet met a man that I didn't like"

One of Will Rogers's most famous lines, "I have never yet met a man that I dident [sic] like," was part of a longer quotation and it originally referred to Leon Trotsky:

I bet you if I had met him and had a chat with him, I would have found him a very interesting and human fellow, for I never yet met a man that I dident [sic] like. When you meet people, no matter what opinion you might have formed about them beforehand, why, after you meet them and see their angle and their personality, why, you can see a lot of good in all of them.[4]:234

Saturday Evening Post, November 6, 1926

Rogers' "I never yet met a man that I didn't like" (when referred to, the word "yet" is often omitted and the spelling corrected) became one of his signature quotes, and he often repeated it at his public performances. Rogers, however, may not have always lived up to his altruistic quote, according to author William Morris, who in his book the Dictionary of Word and Phrase Origins (1988), wrote this story:

Not long before his death, H. Allen Smith, himself one the great humorists of this century, recounted his first meeting with Will Rogers. Smith was a cub reporter at the time, assigned to cover a rodeo. He and several other young reporters were enjoying a pleasant session of light banter in the press box when it occurred to Smith that it would be interesting if Rogers would join them for a moment or two. So he approached Rogers, saying that they would consider it a great honor if he would visit with them. Rogers's reply was, "Get lost, kid!"

Death and legacy

An avid booster of aviation, Rogers undertook a flight around Earth with a fellow Oklahoman, renowned aviator Wiley Post, in the summer of 1935.[1] Post's plane, an experimental and nose-heavy hybrid of Lockheed Explorer and Orion, crashed south of Barrow, Alaska, on August 15, 1935 when its engine failed on take-off, killing both men.

It may be difficult, with the passage of time, to fully comprehend the extraordinary place Rogers held in the minds and hearts of the U.S. people at the time of his death. The out-pouring of national grief over Rogers's passing is generally regarded to be the greatest such show of national mourning since the death of Lincoln some seven decades earlier..[16] He was the nation's most widely read news-paper columnist, in the form of his daily "Will Rogers Says" telegrams and in his weekly column; his Sunday night half-hour radio show, The Gulf Headliners, was the nation's most-listened-to weekly broadcast; and he had been the nation's #2 movie box office draw in 1933 (behind Marie Dressler) and #1 in 1934, ranking 2nd at the time of his death in 1935 only to Shirley Temple.

Will Rogers' tomb from the Will Rogers Memorial in Claremore, Oklahoma

Oklahoma honors

One of Oklahoma's two statues in the National Statuary Hall Collection, housed in the United States Capitol, is of Rogers. The work was paid for by a state appropriation and was sculpted in clay by Jo Davidson, a close friend of Rogers whom he nicknamed the "headhunter" because Davidson was always looking for heads to sculpt, then cast in bronze in Brussels, Belgium. Dedicated on June 6, 1939 before a crowd of more than 2,000 people, the statue faces the floor entrance of the House of Representatives Chamber next to National Statuary Hall. The Architect of the Capitol, David Lynn, said there had never been such a large ceremony or crowd in the Capitol.[1]

Oklahoma leaders asked Rogers to represent the state as one of their two statues in the Capitol, and Rogers agreed on the condition that his image would be placed facing the House Chamber, supposedly so he could "keep an eye on Congress." Of the statues in this part of the Capitol, the Rogers sculpture is the only one facing the Chamber entrance. According to guides at the Capitol, each President rubs the left shoe of the Rogers statue for good luck before entering the House Chamber to give the State of the Union Address.[17]

Oklahoma has named many places and buildings for Rogers. His birthplace is located two miles east of Oologah, Oklahoma. The house itself was moved about ¾ mile (1.2 km) to its present location overlooking its original site when the Verdigris River valley was flooded to create Oologah Lake. The family tomb is at the Will Rogers Memorial Museum in nearby Claremore, which stands on the site purchased by Rogers in 1911 for his retirement home. In 1944, Rogers's body was moved from a holding vault in California to the tomb; his wife Betty was interred beside him later that year upon her death. A casting of the Davidson sculpture that stands in National Statuary Hall, paid for by Davidson personally, resides at the museum. Both the birthplace and the museum are open to the public.

Will Rogers World Airport in Oklahoma City was named for him, as was the Will Rogers Turnpike, also known as the section of Interstate 44 between Tulsa and Joplin, Missouri. Near Vinita, Oklahoma, a statue of Rogers stands outside the west anchor of the McDonald's that spans both lanes of the interstate. A recent expansion and renovation of the Will Rogers World Airport includes a statue of Will Rogers on horseback in front of the terminal.

There are 13 public schools in Oklahoma named Will Rogers, including Will Rogers High School in Tulsa. The University of Oklahoma named the large Will Rogers Room in the student union for him[18], as did the Boy Scouts of America with the Will Rogers Council and the Will Rogers Scout Reservation near Cleveland.

California memorials

Monument at the western terminus of Route 66

Rogers's home, stables, and polo fields are preserved today for public enjoyment as Will Rogers State Historic Park in Pacific Palisades. His widow, Betty, willed the property to the state of California upon her death in 1944. Will Rogers Elementary School in Santa Monica is named for Rogers. There are two Middle Schools named Will Rogers (one in Long Beach and the other in Fair Oaks). A United States Navy submarine USS Will Rogers is also named in his honor. A small park on Sunset Drive and Beverly in Beverly Hills was named Will Rogers Park after him. Also, a beach in Malibu was named Will Rogers Beach.

U.S. Route 66 is known as the Will Rogers Highway; a plaque dedicating the highway to the humorist is located opposite the western terminus of Route 66 in Santa Monica.

Texas memorials

The Will Rogers Memorial Center was built in Fort Worth, Texas, in 1936. A mural of Rogers on his horse, Soapsuds, hangs in the lobby of the coliseum, and a bust of Rogers sits in the rotunda of the Landmark Pioneer Tower. A life-size statue of Rogers on Soapsuds, titled Into the Sunset and sculpted by Electra Waggoner Biggs, resides on the lawn.

A casting of "Into the Sunset", a statue of Rogers riding his horse Soapsuds, stands on the campus of Texas Tech University.

A casting of Into the Sunset stands in the entrance to the main campus quad at Texas Tech University in Lubbock, Texas. This memorial was dedicated on February 16, 1950, by Rogers longtime friend Amon G. Carter. Carter believed Texas Tech was the perfect setting for the statue and that it would fit into the traditions and scenery of West Texas.

The statue stands at 9 feet 11 inches tall and weighs 3,200 pounds; its estimated cost was $25,000. On the base of the statue, the inscription reads "Lovable Old Will Rogers on his favorite horse, 'Soapsuds,' riding into the Western sunset."

Today, Texas Tech tradition and legend surround the statue. According to one legend, the plan to face Will Rogers so that he could be riding off into the sunset did not work out as it would cause Soapsuds' rear to be facing downtown. To solve this problem, the horse and Will were turned 23 degrees to the east so the horse's posterior was facing in the direction of Texas A&M, one of the school's rivals.

Before every home football game the Saddle Tramps wrap Old Will with red crepe paper. Will Rogers and Soapsuds have also been wrapped in black crepe paper to mourn national tragedies.

A third casting resides at the Will Rogers Memorial in Claremore, Oklahoma.

National tributes

Rogers's eldest son, Bill, starred as his father in the 1952 biopic The Story of Will Rogers. Rogers also came to life for modern audiences in the Tony Award-winning musical The Will Rogers Follies, with Keith Carradine in the lead role, and he was also portrayed by James Whitmore in the one-man show Will Rogers' U.S.A.

On November 4, 1948, the United States Post Office commemorated Rogers with a first day cover of a 3-cent stamp with his image—the inscription reads, "In honor of Will Rogers, Humorist, Claremore, Oklahoma." He was also later honored on the centennial of his birth, in 1979, with the issue of a United States Postal Service 15-cent stamp as part of the "Performing Arts" series.

The Barrow, Alaska airport (BRW), located about 16 miles (26 km) from the location of their fatal airplane crash, is known as the Wiley Post-Will Rogers Memorial Airport.

Filmography

Silent films

  • Laughing Bill Hyde (1918)
  • Almost A Husband (1919)
  • Jubilo (1919)
  • Water, Water Everywhere (1919)
  • The Strange Boarder (1920)
  • Jes' Call Me Jim (1920)
  • Cupid The Cowpuncher (1920)
  • Honest Hutch (1920)
  • Guile Of Women (1920)
  • Boys Will Be Boys (1921)
  • An Unwilling Hero (1921)
  • Doubling For Romeo (1921
  • A Poor Relation (1921)
  • The Illiterate Digest (1920)
  • One Glorious Day (1922)
  • The Headless Horseman (1922)
  • The Ropin' Fool (1922
  • Fruits Of Faith (1922)
  • One Day in 365 (1922) (unreleased)
  • Hollywood (1923)
  • Hustling Hank (1923)
  • Two Wagons Both Covered (1923)
  • Jes' assin' Through (1923)
  • Uncensored Movies (1923)
  • The Cake Eater (1924)
  • The Cowboy Sheik (1924)
  • Big Moments From Little Pictures (1924)
  • High Brow Stuff (1924)
  • Going to Congress (1924)
  • Don't Park There(1924)
  • Jubilo, Jr. (1924) (part of the Our Gang series)
  • Our Congressman (1924)
  • A Truthful Liar (1924)
  • Gee Whiz Genevieve (1924)
  • Tip Toes (1927)
  • A Texas Steer (1927)

Travelog Series

  • In Dublin (1927)
  • In Paris (1927)
  • Hiking Through Holland (1927)
  • Roaming The Emerald Isle (1927)
  • Through Switzerland And Bavaria (1927)
  • In London (1927)
  • Hunting For Germans In Berlin (1927)
  • Prowling Around France (1927)
  • Winging Round Europe (1927)
  • Exploring England (1927)
  • Reeling Down The Rhine (1927)
  • Over The Bounding Blue (1928)

Sound films

  • They Had To See Paris (1929)
  • Happy Days (1929)
  • So This Is London (1930)
  • Lightnin' (1930)
  • Young As You Feel (1930)
  • Ambassador Bill (1930)
  • Business and Pleasure (1930)
  • A Connecticut Yankee (1931)
  • Down To Earth (1932)
  • Too Busy To Work (1932)
  • State Fair (1933)
  • Doctor Bull (1933)
  • Mr. Skitch (1933)
  • David Harum (1934)
  • Handy Andy (1934)
  • Judge Priest (1934)
  • The County Chairman
  • Life Begins At Forty (1935)
  • Doubting Thomas (1935)
  • Steamboat Round the Bend (1935)
  • In Old Kentucky (1935)

Bibliography

  • Rogers, Will (1975) [1924]. Joseph A. Stout, Jr.. ed. Rogers-isms: The Cowboy Philosopher On Prohibition. Stillwater: Oklahoma State University Press. ISBN 091495606X. 
  • Rogers, Will (March 2003) [1924]. Illiterate Digest. Kessinger Publishing. ISBN 978-0766143210. 
  • Rogers, Will (1977) [1926]. Joseph A. Stout. ed. Letters Of A Self-Made Diplomat To His President. Stillwater: Oklahoma State University Press. ISBN 0914956094. 
  • Rogers, Will (December 1982). Steven K. Gragert. ed. More letters of a self-made diplomat. Stillwater: Oklahoma State University Press. ISBN 9780914956228. 
  • Rogers, Will (1927). There's Not A Bathing Suit In Russia. 
  • Rogers, Will (1982) [1928]. "He chews to run": Will Rogers's Life magazine articles, 1928. Stillwater: Oklahoma State University Press. ISBN 0914956205. 
  • Rogers, Will (1983). Steven K. Gragert. ed. Radio Broadcasts of Will Rogers. Stillwater: Oklahoma State University Press. ISBN 0914956248. 
  • The Papers of Will Rogers
    • Rogers, Will (February 1996). Steven K. Gragert and M. Jane Johansson. ed. The Papers of Will Rogers: The Early Years : November 1879-April 1904. Norman: University of Oklahoma Press. ISBN 978-0806127453. 
    • Rogers, Will (September 2000). Steven K. Gragert and M. Jane Johansson, eds.. ed. Papers of Will Rogers : Wild West and Vaudeville, April 1904-September 1908, Volume Two. Norman: University of Oklahoma Press. ISBN 978-0806132679. 
    • Rogers, Will (2005-09-28). Steven K. Gragert and M. Jane Johansson. ed. The Papers of Will Rogers: From Broadway to the National Stage, September 1915 – July 1928. Norman: University of Oklahoma Press. ISBN 978-0806137049. 
    • Rogers, Will (2005-09-28). Steven K. Gragert and M. Jane Johansson. ed. The Papers of Will Rogers: From Broadway to the National Stage, September 1915 – July 1928. Norman, Oklahoma: University of Oklahoma Press. ISBN 978-0806137049. 
    • Rogers, Will (2006-10-31). Steven K. Gragert and M. Jane Johansson. ed. The Papers of Will Rogers: The Final Years, August 1928 – August 1935. Norman: University of Oklahoma Press. ISBN 978-0806137681. 

See also

Further reading

  • Yagoda, Ben (April 2000). Will Rogers: A Biography. Norman: University of Oklahoma Press. ISBN 978-0806132389. 

References

  1. ^ a b c Curtis, Gene (2007-06-05). "Only in Oklahoma: Rogers statue unveiling filled U.S. Capitol". Tulsa World. http://www.tulsaworld.com/webextra/itemsofinterest/centennial/centennial_storypage.asp?ID=070605_1_A4_cpRog15817. Retrieved on 2007-07-21. 
  2. ^ a b c Rogers State University (2007-04-18). RSU and Will Rogers Museum to Discuss Possible Merger. Press release. http://www.rsu.edu/news/2007/04-18_willrogersmuseum.html. Retrieved on 2007-07-20. 
  3. ^ a b c Schlachtenhaufen, Mark (2007-05-31). "Will Rogers grandson carries on tradition of family service". OkInsider.com. Oklahoma Publishing Company. http://www.okinsider.com/topic_01OF0MMAHY/readstory.oki?storyid=03K101DDQ. Retrieved on 2007-07-21. 
  4. ^ a b Yagoda, Ben. Will Rogers: A Biography. Norman: University of Oklahoma Press, 1993: 8.
  5. ^ a b c d "Adventure Marked Life of Humorist". The New York Times. 1935-08-17. http://www.nytimes.com/learning/general/onthisday/bday/1104.html. Retrieved on 2007-07-20. 
  6. ^ Carter, Joseph H. and Larry Gatlin. The Quotable Will Rogers." Layton, Utah: Gibbs Smith, Publisher, 2005:20.
  7. ^ Ferguson, Deborah (2003-01-10). "Ferguson's Family Tree & Branches". RootsWeb. http://worldconnect.rootsweb.com/cgi-bin/igm.cgi?op=GET&db=debbieferguson&id=I17856. Retrieved on 2007-07-20. 
  8. ^ "Origin of County Names in Oklahoma." Oklahoma History Society's Chronicles of Oklahoma. 2:1, March 1924 (retrieved 18 Jan 09)
  9. ^ a b c "Chewing Gum and Rope in the Temple". The New York Times: p. 90. 1915-10-03. 
  10. ^ Ben Yagoda, Will Rogers: A Biography, p 56, 2000, University of Oklahoma Press, ISBN 978-0806132389
  11. ^ "Give A Thought To Will". The New York Times: p. 13. 1922-11-13. 
  12. ^ "Written On The Screen". The New York Times: p. 50. 1919-06-08. 
  13. ^ Rogers, Will (1922-12-31). "Slipping the Lariat Over (December 31, 1922)". The New York Times. 
  14. ^ Beam, Christopher; Chadwick Matlin (2007-10-23). "Will Rogers: The Stephen Colbert of his time.". Slate. http://www.slate.com/id/2176386/#rogers. 
  15. ^ "Will Rogers: Radio Pundit". Will Rogers Memorial Museums (http://www.willrogers.com). 2008-03-31. http://www.willrogers.com/willrogers/radio/rp.html. 
  16. ^ "Project XX" The Story of Will Rogers (1961) at the Internet Movie Database
  17. ^ "Police Dept., police explorers strolls through the streets of the U.S. Capitol, stops for visits". The Anderson Independent-Mail. 2007-07-18. http://www.independent-mail.com/news/2007/jul/18/police-dept-police-explorers-strolls-through-stree/. Retrieved on 2007-07-20. 
  18. ^ Oklahoma Memorial Union - Will Rogers Room

External links

Awards and achievements
Preceded by
Benito Mussolini
Cover of Time Magazine
19 July 1926
Succeeded by
Helen Wills



 
 

 

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Mentioned in

From Today's Highlights
May 17, 2005

Let Wall Street have a nightmare and the whole country has to help get them back in bed again
- Will Rogers

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