William Coldstream

 
Art Encyclopedia:

Sir William (Menzies) Coldstream

(b Belford, Northumb., 28 Feb 1908; d London, 18 Feb 1987). English painter and draughtsman. He moved to London as a small child with his family and for reasons of health studied privately, intending to become a doctor like his father. Gradually, however, he became interested in drawing and painting, which led him to study at the Slade School of Fine Arts in London from 1926 to 1929. In the latter year he exhibited with both the New English Art Club and the London Group, to which he was elected a member in 1934. In the works that he painted during this period, such as The Table (1932; Bristol, Mus. & A.G.) and Studio Interior (1932-3; London, Tate), he demonstrated his cultivation of a sober and measured representational style applied to prosaic domestic subject-matter and to the human figure.

See the Abbreviations for further details.



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Wikipedia: William Coldstream

Sir William Menzies Coldstream (February 28, 1908February 18, 1987) was a British realist painter and a long standing art teacher.

Biography

Born in Northumberland, he grew up in London and studied at the Slade School of Art, where he met and married Nancy Sharp. He co-founded the Euston Road School with Graham Bell and others in 1937. He enlisted in the Royal Artillery at the start of the war but he was appointed a War Artist in 1943, working in Egypt and Italy.

In 1949 he returned to lead the Slade School as Professor of Fine Art, and, in 1952 he became a CBE. He was Chairman of the National Advisory Council on Art Education between 1958 and 1971. He was also Chairman of the British Film Institute from 1964 to 1971 (he had worked with John Grierson in the GPO Film Unit for a few years in the 1930s). He retired from the Slade School in 1975 and continued to paint until a couple of years before his death.

Method and works

Coldstream was committed to painting directly from life. His type of realism had its basis in careful measurement, carried out by the following method: standing before the subject to be painted, a brush is held upright at arm's length. With one eye closed, the artist can, by sliding a thumb up or down the brush handle, take the measure of an object or interval. This finding is compared against other objects or intervals, with the brush still kept at arm's length. Informed by such measurements, the artist can paint what the eye sees without the use of conventional perspective. The surfaces of Coldstream's paintings carry many small horizontal and vertical markings, where he recorded these coordinates so that they could be verified against reality.

As a result of his painstaking methods, Coldstream worked slowly, often taking scores of sittings over several months to complete a work. His subjects include still-life, landscapes which are usually urban, portraits, and the female nude.

The Tate Gallery has several of his paintings.

References

  • Gowing, Lawrence; Sylvester, David (1990). The Paintings of William Coldstream 1908–1987. London: Tate Gallery. ISBN 1-85437-048-0
  • Wilcox, Tim, et al. (1990). The Pursuit of the Real: British figurative painting from Sickert to Bacon. London: Lund Humphries. ISBN 0-85331-571-X
  • Laughton, Bruce (2004), William Coldstream. New Haven: Paul Mellon Center for British Art.

 
 

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