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William Gaddis

 
Britannica Concise Encyclopedia: William Thomas Gaddis

(born Dec. 29, 1922, New York, N.Y., U.S. — died Dec. 16, 1998, East Hampton, N.Y.) U.S. novelist. He attended Harvard University and later wrote speeches and screenplays. His long experimental novels are characterized by complex and allusive plotting and language and a dark (if often humorous) view of contemporary American society. His first, The Recognitions (1955), a multileveled examination of spiritual bankruptcy, was only belatedly recognized as a masterpiece. Discouraged by its reception, he published nothing more until JR (1975, National Book Award), which depicts greed, hypocrisy, and banality in business. His later novels are Carpenter's Gothic (1985) and A Frolic of His Own (1994, National Book Award).

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Columbia Encyclopedia: William Gaddis
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Gaddis, William, 1922-98, American novelist, b. New York City. An erudite master of satire and black comedy, he was both praised and criticized for his avant-garde techniques-repetitions, multiple layers of meaning, sprawling shapelessness, frequent digressions, complexities of plot and language that can veer into incomprehensibility, and the exhausting length of his works. Gaddis wrote five novels, the second and fourth of which won the National Book Award. Epic in size, his first novel, The Recognitions (1955), examines falseness and the loss of authenticity in its story of a master forger. The next four novels are written almost completely without narration in a series of dialogues and a multiplicity of voices. JR (1975) concerns elaborate corporate shenanigans, Carpenter's Gothic (1985) explores ramifications of the Vietnam War, A Frolic of His Own (1994) skewers the litigious modern world, and the posthumously published Agapē Agape (2002) records the reflections of a dying writer obsessed with player pianos and, by extension, the nature of art. Gaddis's shorter prose is collected in The Rush for Second Place (2002).

Bibliography

See S. Moore, A Reader's Guide to William Gaddis's The Recognitions (1982) and William Gaddis (1989); E. B. Safer, The Contemporary American Comic Epic: The Novels of Barth, Pynchon, Gaddis, and Kesey (1988); J. Johnston, Carnival of Repetition (1989); G. Comnes, The Ethics of Indeterminacy in the Novels of William Gaddis (1994).

Works: Works by William Gaddis
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(1922-1998)

1955The Recognitions. Gaddis's dense, allusive, encyclopedic first novel concerns the search by artist Wyatt Gwyon for artistic and spiritual truth amid a corrupt modern world characterized by forgery and falsehood. Described by critic Richard Toney as "956 pages of linguistic pyrotechnics and multilingual erudition unmatched by any American writer in the century--perhaps in any century," the novel mainly baffles contemporary readers but slowly gains a cult and critical following as one of the most ambitious and accomplished works of fiction of the period. Gaddis was born in New York City, was president of the Harvard Lampoon, and traveled widely in Central America and Europe, experiences reflected in his first novel.
1975JR. Gaddis's remarkable second novel is a tour de force made up almost exclusively of dialogue. It depicts an eleven-year-old's rise to become the master of a financial empire. The novel explores the theme of the emptiness of modern American life, dominated by a money ethic that erodes all relationships. The book wins the National Book Award.
1985Carpenter's Gothic. Gaddis's third novel is an uncharacteristically short work that continues his assessment of contemporary American society as inauthentic and corrupted by greed. In a Victorian mansion on the Hudson River, a Vietnam War veteran tries to invest his wife's inheritance with the help of an evangelist and a right-wing politician. According to Cynthia Ozick, this is "an unholy landmark of a novel--an extra turret added to the ample, ingenious, audacious Gothic mansion William Gaddis has been slowly building in American letters."
1994A Frolic of His Own. Gaddis's National Book Award-winning novel addresses the subject of law through the author's customary methods of indirect, nearly free association. The result is a pleasing, accessible story about a man who contrives to have his own car run him over, only to focus then on whom to sue for the accident.

Quotes By: William Gaddis
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Quotes:

"Power doesn't corrupt people, people corrupt power."

Wikipedia: William Gaddis
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William Gaddis
Born December 29, 1922(1922-12-29)
New York City,
New York,
United States
Died December 16, 1998 (aged 75)
Nationality American
Education Harvard University
Notable work(s) "The Recognitions (1955)
J R (1975)
A Frolic of His Own (1994)

William Gaddis (December 29, 1922 – December 16, 1998) was an American novelist. He wrote five novels, two of which won National Book Awards.

Contents

Biography

Gaddis was born in New York City to William Thomas Gaddis, who worked "on Wall Street and in politics," and Edith Gaddis, an executive for the New York Steam Corporation. When he was 3, his parents separated and Gaddis was subsequently raised by his mother in Massapequa, Long Island. At age 5 he was sent to Merricourt Boarding School in Berlin, Connecticut. He continued in private school until the eighth grade, after which he returned to Long Island to receive his diploma at Farmingdale High School in 1941. He entered Harvard in 1941 and famously wrote for the Harvard Lampoon (where he eventually served as President), but was asked to leave in 1944, supposedly because of a drunken brawl, though the circumstances are unclear. He worked as a fact checker for The New Yorker for two years, then spent five years traveling in Central America, the Caribbean, North Africa, and Paris, returning to the United States in 1951.

His first novel, The Recognitions, appeared in 1955. A lengthy, complex, and allusive work, it had to wait to find its audience. Newspaper reviewers considered it overly intellectual, overwritten, and perhaps on the principle of omne ignotum per obscaenum ("all that is unknown appears obscene"), filthy. (The book was defended by Jack Green in a series of broadsheets blasting the critics; the series was collected later under the title Fire the Bastards!) Shortly after the publication of The Recognitions, Gaddis married his first wife, Patricia Black, who would give birth to his only children, Sarah (who has written a novel, Swallow Hard, inspired by her relationship with her father) and Matthew.

Gaddis then turned to public relations work and the making of documentary films to support himself and his family. In this role he worked for Pfizer, Eastman Kodak, IBM, and the United States Army, among others. He also received a National Institute of Arts and Letters grant, a Rockefeller grant, and two National Endowment for the Arts grants, all of which helped him write his second novel. In 1975 he published J R, a work even more difficult than The Recognitions, told almost entirely in dialogue, where it is sometimes difficult to determine which character is speaking. Its eponymous protagonist, an 11-year-old, learns enough about the stock market from a class field trip to build a financial empire of his own. Critical opinion had caught up with him, and the book won the National Book Award for Fiction. His marriage to his second wife, Judith Thompson, dissolved shortly after J R was published. By the late 1970s, Gaddis had entered into a relationship with Muriel Oxenberg Murphy, and they lived together until the mid-1990s.

Carpenter's Gothic (1985) offered a shorter and more accessible picture of Gaddis's sardonic worldview. Instead of struggling against misanthropy (as in The Recognitions) or reluctantly giving ground to it (as in JR), Carpenter's Gothic wallows in it. The continual litigation that was a theme in that book becomes the central theme and plot device in A Frolic of His Own (1994)—which earned him his second National Book Award and was a finalist for the National Book Critics Circle Award for Fiction—where it seems that everyone is suing someone. There is even a Japanese car called the Sosumi. (Gaddis has never been afraid of the pun. There is a character in The Recognitions named Recktall Brown.)

Gaddis died of prostate cancer on December 16, 1998, but not before creating his final work, Agapē Agape (the first word of the title is the Greek agapē, meaning divine, unconditional love), which was published in 2002, a novella in the form of the last words of a character similar but not identical to his creator. The Rush for Second Place, published at the same time, collected most of Gaddis's previously published nonfiction.

After years of critical neglect, Gaddis is now often acknowledged as being one of the greatest of American post-war novelists. A critic who early on appreciated his work and recognized its value is Steven Moore: in 1982 he published A Reader's Guide to William Gaddis's "The Recognitions" and in 1989 a monograph on Gaddis in the Twayne series. Gaddis's influence is vast (although frequently subterranean): for example, postmodern authors such as Don DeLillo and Thomas Pynchon[1] seem to have been influenced by Gaddis (indeed, upon publication of V., Pynchon was actually speculated to have been a pen name for Gaddis due to the similarity of styles and the dearth of information about the two authors; the Wanda Tinasky letters also claimed that Gaddis, Pynchon, and Jack Green were the same person)[1], as well as authors such as Joseph McElroy, William Gass, David Markson, Jonathan Franzen, and David Foster Wallace, who have all stated their admiration for Gaddis in general and The Recognitions in particular.[citation needed]

His life and work are the subject of a comprehensive website, The Gaddis Annotations, which has been noted in at least one academic journal as a superior example of scholarship using new media resources.[2] Much of the annotations on the site are the work of Steven Moore, the critic who recognized Gaddis's genius early. Gaddis's papers are collected at Washington University in St. Louis.

Awards

Gaddis has received the following awards and honorary positions:

Works

See also

References

  1. ^ a b "Who's Writing Whose Writing? Gaddis, Green, Pynchon, and Tinasky". http://www.nyx.org/~awestrop/gaddis/whoswho.html. 
  2. ^ Grayson, Erik (2005). "The Gaddis Annotations". Modern Language Studies 35 (2): 107–109. 

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Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Works. The Chronology of American Literature, edited by Daniel S. Burt. Copyright © 2004 by Houghton Mifflin Company. Published by Houghton Mifflin Company. All rights reserved.  Read more
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Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "William Gaddis" Read more