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William H. Daniels

 
Cinematographer: William H. Daniels
  • Born: Dec 01, 1895 in Cleveland, Ohio
  • Died: Jun 14, 1970 in Los Angeles, California
  • Occupation: Cinematographer
  • Active: '20s-'60s
  • Major Genres: Drama, Romance
  • Career Highlights: Harvey, Grand Hotel, Greed
  • First Major Screen Credit: Blind Husbands (1919)

Biography

Following his graduation from USC, 22-year-old Ohioan William H. Daniels secured an assistant cameraman job at Triangle Studios. In 1918, less than a year later, he was chief photographer at Universal. His association with Erich Von Stroheim's Greed brought Daniels to MGM in 1924, where he would remain for most of his career. While at MGM, Daniels became Greta Garbo's favorite cameraman; he responded to this honor by drawing up an annotated list of the various photographic techniques that showed off the actress to best advantage. At times, Daniels and his crew were the only people permitted on the set when Garbo went into a particularly delicate scene. In his heyday of the 1930s and early 1940s, Daniels was publicly praised by his contemporaries for his ability to convey his own personal "signature" on each film, without ever repeating himself or taking any glory away from the director. In the mid-1940s, a contract dispute and an illness briefly kept him out of films; his "comeback" was the 1947 Universal crime drama The Naked City, which won Daniels an Academy Award. During the 1950s, Daniels adapted his formerly lush, diffused MGM style to the gritty, hard-edged demands of such Universals as Brute Force (1918) and Winchester 73 (1950). Still active in the 1960s, Daniels turned producer for two Frank Sinatra films, and also served two years as president of the ASC. Daniels died shortly after shooting his last film, the Elliott Gould vehicle Move (1970). ~ Hal Erickson, All Movie Guide
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Filmography: William H. Daniels
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Marlowe

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The Impossible Years

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In Like Flint

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Valley of the Dolls

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Assault on a Queen

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Von Ryan's Express

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Marriage on the Rocks

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Robin and the Seven Hoods

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Come Blow Your Horn

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The Prize

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Billy Rose's Jumbo

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How the West Was Won

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Come September

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Can-Can

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Ocean's Eleven

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A Hole in the Head

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Never So Few

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Cat on a Hot Tin Roof

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Some Came Running

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My Man Godfrey

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Istanbul

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Away All Boats

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The Benny Goodman Story

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The Far Country

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Strategic Air Command

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The Glenn Miller Story

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Thunder Bay

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War Arrow

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Never Wave at a WAC

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Pat and Mike

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The Plymouth Adventure

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Harvey

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Three Came Home

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Winchester '73

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Naked City

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For the Love of Mary

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Brute Force

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Girl Crazy

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For Me and My Gal

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Keeper of the Flame

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Shadow of the Thin Man

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They Met in Bombay

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New Moon

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The Shop Around the Corner

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The Mortal Storm

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Another Thin Man

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Idiot's Delight

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Ninotchka

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Marie Antoinette

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Broadway Melody of 1938

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Double Wedding

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Personal Property

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Camille

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Romeo and Juliet

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Rose Marie

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Anna Karenina

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Naughty Marietta

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The Barretts of Wimpole Street

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The Painted Veil

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Dinner at Eight

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Queen Christina

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As You Desire Me

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Grand Hotel

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Mata Hari

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Rasputin and the Empress

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Skyscraper Souls

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A Free Soul

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Inspiration

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Susan Lenox: Her Fall and Rise

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Anna Christie

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Romance

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The Kiss

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Wild Orchids

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The Mysterious Lady

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A Woman of Affairs

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Flesh and the Devil

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Greed

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Foolish Wives

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Blind Husbands

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Wikipedia: William H. Daniels
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William H. Daniels, A.S.C.

Promotional Portrait
Born December 1, 1901
Cleveland, Ohio, USA
Died June 14, 1970
Los Angeles, California
Occupation Cinematographer
Years active 1922-1970
Spouse(s) Betty Lee Gaston

William H. Daniels, A.S.C. (December 1, 1901 - June 14, 1970) was an Academy Award-winning film cinematographer best known as Greta Garbo's personal lensman. He worked regularly with director Erich von Stroheim.[1]

Contents

Career

His career as a cinematographer extended fifty years from the silent film Foolish Wives (1922) to Move (1970), although he was an uncredited camera operator on two earlier films (1919 and 1920). He also was a producer of some films in the 1960s and was President of American Society of Cinematographers 1961-63.[2]

He was quoted as saying "I didn't create a 'Garbo face.' I just did portraits of her I would have done for any star. My lighting of her was determined by the requirements of a scene. I didn't, as some say I did, keep one side of her face light and the other dark. But I did always try to make the camera peer into the eyes, to see what was there."

Daniels was born in Cleveland, Ohio in 1901. On his passing in 1970 in Los Angeles, California, William H. Daniels was interred in the Forest Lawn Memorial Park Cemetery in Glendale, California.

[3]

Filmography

  • New Moon (1940)
  • So Ends Our Night (1940)
  • Back Street (1940)
  • Love Crazy (1941)
  • They Met in Bombay (1941)
  • Honky Tonk (1941)
  • Shadow of the Thin Man (1941)
  • Design for Scandal (1941)
  • Dr. Kildare's Victory (1941)
  • For Me and My Gal (1942)
  • Keeper of the Flame (1942)
  • Girl Crazy (1943)
  • The Heavenly Body (1943)
  • The Canterville Ghost (1943)
  • Maisie Goes to Reno (1944)
  • Sure Cures (1946)
  • Lured (1947) (aka Personal Column)
  • Diamond Demon (1947)
  • Brute Force (1947)
  • The Naked City (1948)
  • For the Love of Mary (1948)
  • Family Honeymoon (1948)
  • The Life of Riley (1949)
  • Illegal Entry (1949)
  • The Gal Who Took the West (1949)
  • Abandoned/Abandoned Woman (1949)
  • Three Came Home (1949)
  • Woman in Hiding (1950)
  • Winchester '73 (1950)
  • Deported (1950)
  • Harvey (1950)
  • Thunder on the Hill (1950)
  • Bright Victory (1951)
  • The Lady Pays Off (1951)
  • Never Wave at a WAC (1951)
  • Glory Alley (1951)
  • Pat and Mike (1952)
  • Plymouth Adventure (1952)
  • Thunder Bay (1952)
  • When in Rome (1952)
  • The Glenn Miller Story (1953)
  • The Far Country (1953)
  • War Arrow (1953)
  • Forbidden (1953)
  • Strategic Air Command (1954)
  • Six Bridges to Cross (1954)
  • The Shrike (1955)
  • Foxfire (1955)
  • The Girl Rush (1955)
  • The Benny Goodman Story (1955)
  • Away All Boats (1956)
  • The Unguarded Moment (1956)
  • Istanbul (1956)
  • Interlude (1956)
  • Night Passage (1956)
  • My Man Godfrey (1957)
  • Voice in the Mirror (1958)
  • Cat on a Hot Tin Roof (1958)
  • Some Came Running (1958)
  • A Stranger in My Arms (1958)
  • A Hole in the Head (1958)
  • Never So Few (1959)
  • Can-Can (1959)
  • Ocean's Eleven (1960)
  • All the Fine Young Cannibals (1960)
  • Come September (1961)
  • How the West Was Won (1961)    [Segment "The Plains."]
  • Something's Got to Give (1962)    [Released as part of the Marilyn Monroe: The Final Days 37m.]
  • Billy Rose's Jumbo (1962)
  • Dokonjo monogatari - zeni no odori (1963)
  • Come Blow Your Horn (1963)
  • The Prize (1963)
  • Robin and the 7 Hoods (1964)
  • Von Ryan's Express (1965)
  • Marriage on the Rocks (1965)
  • Assault on a Queen (1966)
  • In Like Flint (1966)
  • Valley of the Dolls (1967)
  • The Impossible Years (1968)
  • Marlowe (1968)
  • The Maltese Bippy (1969)
  • Move (1970

Awards

Wins

  • Academy Awards: Oscar, Best Cinematography, Black-and-White, for The Naked City; 1949.

Nominated

  • Academy Awards: Oscar, Best Cinematography, for Anna Christie,; 1930.
  • Academy Awards: Oscar, Best Cinematography, Color, for Cat on a Hot Tin Roof; 1959.
  • Academy Awards: Oscar, Best Cinematography, Color, How the West Was Won (1962); shared with: Milton R. Krasner, Charles Lang, Joseph LaShelle; 1964.

References

  1. ^ William H. Daniels at the Internet Movie Database.
  2. ^ Steeman, Albert. Internet Encyclopedia of Cinematographers, "William Daniels page," Rotterdam, The Netherlands, 2007. Last accessed: December 28, 2007.
  3. ^ Wallac, David "Dream Palaces of Hollywood's Golden Age." Abrams, New York

External links


 
 

 

Copyrights:

Cinematographer. Copyright © 2009 All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "William H. Daniels" Read more