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William Strickland

 
Architecture and Landscaping: William Strickland

(1788–1854)

A pupil of Latrobe, he was among the most accomplished of USA-born architects. He is remembered primarily for his designs in the Greek Revival style, although two of his earliest buildings, the Masonic Hall (1808–11—demolished) and Temple of the New Jerusalem (1816–17—demolished), both in Philadelphia, PA, were a rather uncertain Gothick. He made his reputation with the handsome Second Bank of the United States (1818–24—with a portico modelled on the Athenian Parthenon), and followed this with the US Naval Asylum (1826–33—with an octastyle Ionic portico), the US Mint (1829–33—demolished), and the very beautiful Merchants' Exchange (1832–4—with the Greek Corinthian Order from the Choragic Monument of Lysicrates in Athens wrapped round a drum crowned by a replica of the Monument), all in Philadelphia, PA. Indeed, it is clear that Strickland used Stuart and Revett's Antiquities of Athens (1762–1830) as his main source-book, but with considerable verve and imagination. He again incorporated the Lysicrates Monument as a crowning feature of his otherwise Ionic State Capitol, Nashville, TN (1845–59).

A gifted Neo-Greek designer, Strickland also used the Egyptian Revival style for the Mikveh-Israel Synagogue, Philadelphia (1822–5—demolished), and the First Presbyterian Church, Nashville (1848–51—with a stunning polychrome interior based on the Napoleonic and other publications showing Ancient Egyptian architecture). It seems that the Nashville church's style was supposed to suggest the Temple of Solomon in Jerusalem. He designed St Mary's RC Cathedral, Nashville (1845–7), and may have been responsible for several Italianate houses in the same city.

Bibliography

  • Carrott (1978)
  • Gilchrist (1969)
  • Hamlin (1964)
  • Hitchcock (1977)
  • K. Kennedy (1989)
  • Placzek (ed.) (1982)
  • P&J (1970–86)
  • Stanton (1968)
  • Jane Turner (1996)

The full bibliography for this book is available to download as a pdf file.
Download the bibliography for A Dictionary of Architecture and Landscape Architecture (PDF: 1.2MB)

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Columbia Encyclopedia: William Strickland
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Strickland, William, 1788-1854, American architect of the classic revival, b. Navesink, New Jersey. He studied under B. H. Latrobe. In his buildings Strickland sought to reconcile the proportions of ancient architecture with modern utilitarian needs. He worked mostly in Philadelphia, where in 1818 he won the competition for the Second Bank of the United States (later the customhouse, now a historical site) and superintended its construction (1819-24). His most distinctive building is the Merchants' Exchange (1832-34) in Philadelphia, a significant work in the classical style. In 1828 he restored the steeple of Independence Hall. A late work was the state capitol at Nashville, Tenn.

Bibliography

See study by A. Gilchrist (1950).

WordNet: William Strickland
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Note: click on a word meaning below to see its connections and related words.

The noun has one meaning:

Meaning #1: United States architect and student of Latrobe (1787-1854)
  Synonym: Strickland


Wikipedia: William Strickland (architect)
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Second Bank of the United States, Philadelphia. (1819-24)

William Strickland (Navesink, New Jersey, November 1788 - Nashville, Tennessee, April 6, 1854), was a noted architect in nineteenth-century Philadelphia, Pennsylvania and Nashville. He is noted as one of the founders of the Gothic revival movement when in 1823 he built Saint Stephen's Church in Philadelphia. He was primarily a Greek Revival architect, using the plates of The Antiquities of Athens for his inspiration, but he also made use of Gothic, Egyptian, Saracenic and Italianate styles.

Strickland was also a civil engineer and one of the first to advocate the use of steam locomotives on railways. In his youth he was a landscape painter, illustrator for periodicals, theatrical scene painter, engraver, and pioneer aquatintist. He later moved to Nashville, Tennessee, where his Egyptian-influenced design of the First Presbyterian Church (now the Downtown Presbyterian Church) was controversial but today is widely recognized as a masterpiece and an important evocation of the Egyptian Revival style.

Strickland's design for the Second Bank of the United States in Philadelphia (1819-1824) beat out the design of his teacher, Benjamin Latrobe. Although Strickland was still copying classical prototypes at this point, the Second Bank is an ambitious building modeled on the greatest Greek design: The Parthenon of Athens. The competition had called for "chaste" Greek style: Strickland's elegant Greek temple design is a fitting result. The architect clearly saw this building as one of his major accomplishments, as he had it included as the background of the portrait that Philadelphia society painter John Neagle did of Strickland in 1829 (Yale University Art Gallery)

Comparison of the Second Bank of the U.S. with the later Merchants' Exchange (1832-4), also in Philadelphia, reveals the growth of Strickland's talent and confidence as an architect. With the Merchant Exchange, Strickland still had a classical example in mind (the Choragic Monument of Lysicrates), but created a unique building, specifically styled to fit the siting. The Merchant's Exchange was to be placed in a slightly awkward location, at the intersection of two major thoroughfares, in between the waterfront and the business district. The elegant curved façade reflects the carriage and foot traffic that would have been circulating in front of the building. This elevation, which faces toward the waterfront, is unique, Greek Revival, but modern, while the more formal elevation can be found on the opposite side of the building, facing the rest of Philadelphia. Strickland's maturity as an architect is demonstrated in this building, showing that America's architects were truly innovating, rather than copying old European classics.

Another of Strickland's buildings was the National Mechanic Bank at 22 South 3rd St. The bank's construction began in 1836 on a narrow plot between two taller neighbors. Strickland took the narrow space, however, and used strong, square pilasters to support the portico as well as ornate stone carving at their tops to defend the building against its taller and bulkier neighbors. The building is one of Strickland's smallest and has since gone through several changes of ownership. The building is now occupied by National Mechanics Bar and Restaurant. It was one of Strickland's last Philadelphia buildings.

William Levitt (Early Railways 3, 2006) argues that Strickland's observations made during visits to England in the 1820s were highly influential in the transfer of railway technology to the United States.

Strickland is buried within the walls of his final, and arguably greatest work, the Tennessee State Capitol.

Contents

Selected works

Philadelphia buildings

Buildings elsewhere

Gallery

References


 
 

 

Copyrights:

Architecture and Landscaping. A Dictionary of Architecture and Landscape Architecture. Copyright © 1999, 2006 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
WordNet. WordNet 1.7.1 Copyright © 2001 by Princeton University. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "William Strickland (architect)" Read more