William Winter (July 15, 1836—June 30, 1917) was an American dramatic critic and author.
Born in Gloucester, Massachusetts, Winter graduated from Harvard Law School in 1857. He then chose literature as his field of endeavor, and moved to New York City (1859), where he became literary critic of the Saturday Press, then (1861-65) of the New York Albion, and for more than 40 years (1865-1909) was a drama critic of the New York Tribune. He died in New York City in 1917 and was buried at Silver Mount Cemetery.
Brooks Atkinson, in his history of the American Theater Broadway. pointed out that Winters was an intolerant prude who denounced modern dramatists like Henrik Ibsen and George Bernard Shaw, and foreign stars like Sarah Bernhardt and Eleanor Duse for their personal lives. However, Atkinson credited Winter for his remarkable memory, wherein he left a treasure trove of written descriptions of stars like Edwin Booth and Sir Henry Irving. To this one may add that Winter had some degree of common sense that was missing from many of the dramatists of his day. His review of the ever-popular drama East Lynne showed that he considered the work a piece of claptrap, which most people these days agree is a correct assessment.
His writings include:
- Henry Irving (1885)
- The Stage Life of Mary Anderson (1886)
- Shakespeare's England (1888)
- Gray Days and Gold (1889)
- Old Shrines and Ivy (1892)
- Shadows of the Stage (1892, 1893, and 1894)
- The Life and art of Edwin Booth (1893)
- The Life and Art of Joseph Jefferson (1894)
- Brown Heath and Blue Bells (1896)
- Ada Rehan (1898)
- Other Days of the Stage (1908)
- Old Friends (1909)
- Poems (1909), definitive author's edition
- Life and Art of Richard Mansfield (1910)
- The Wallet of Time (1913)
- a Life of Tyrone Power (1913)
- Shakespeare on the Stage (two series, 1911-15)
- Vagrant Memories (1915)
External links
| Wikiquote has a collection of quotations related to: William Winter (author) |
- Brief biography and two poems
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